October 19, 2018 marks the 39th anniversary of Prince’s self-titled second album–not the most glamorous occasion, perhaps, but reason enough to reassemble the review panel from our For You podcast for a reappraisal. Once again, Zach is joined by Harold and KaNisa for a track-by-track discussion of this underappreciated album, its resonances throughout Prince’s career, and why it still matters.
If you want to keep in the loop for our forthcoming Dirty Mindpodcast, you can subscribe to dance / music / sex / romance on your aggregator of choice (iTunes, Stitcher, or Google Play); and if you like what we’re doing and want to spread the word, please leave us a review! In the meantime, the d / m / s / r blog will return next week with one last track from 1981.
(Featured Image: Japanese newspaper coverage of Prince’s arrival in the country, September 1986.)
I gave myself a little hiatus from the dance / music / sex / romance podcast after Celebration 2018, but now we’re back in business with guest Takuya Futaesaku, author of the book Words of Prince. Takki and I talk about his book and his experiences as a Prince fan in Japan; it was a pleasure to speak with him, so hopefully it will be a pleasure to listen, too!
You can check out my review of Words of Prince here on the d / m / s / r blog. You can also subscribe to the podcast on your aggregator of choice (iTunes, Stitcher, Google Play), and consider leaving a review to help spread the word. Special thanks this episode go to Crystal for helping me track down the Japanese shows you’ll hear during the podcast! I’ll be back soon, hopefully next week, with another blog post.
Around the same time that Prince was co-opting Flyte Tyme for his project with Morris Day, he was also falling out with another of his oldest comrades: the co-founder of Grand Central and his closest musical partner, André Cymone.
André’s and Prince’s musical fates had been linked since the moment they first locked eyes in the Bryant Junior High gymnasium. Both were budding multi-instrumentalists, the children of talented jazz musicians: André’s father, Fred Anderson, used to play bass with Prince’s father, John L. Nelson. Both, too, possessed a preternatural drive far beyond the norms of their age and circumstance. “There was a sixth sense between the two of us,” Cymone told Billboardin 2016. “It’s something that doesn’t happen, I don’t think, very often where you find two people come together who are really passionate about what they do at a time when they’re both growing and learning” (Cymone 2016).
(Featured Image: Prince by Neal Preston, circa 1984.)
Last week, Duane Tudahl’s long-awaited book Prince and the Purple Rain Era Studio Sessions: 1983 and 1984was finally published, and I was lucky enough to speak to him about it. If you haven’t read the book yet, you need to listen to this podcast: Duane is a knowledgeable and passionate Prince fan-turned-scholar, and his enthusiasm for the project is infectious. And if you have read the book, you should still listen, because he has a lot to share not only about his research and writing process, but also about his experiences with the celebrated Uptown fanzine and his ideas for preserving Prince’s legacy moving forward. NPG/Comerica/Warner Bros., if you’re out there, give this man some consulting work; we can all benefit from someone with his dedication and expertise steering the ship.
Now, for those of you who haven’t read the book yet, allow me to sweeten the pot: I’ve already bought my copy, but I am planning to secure another one (hopefully signed by the author!) and gift it to a lucky listener who reviews d / m / s / r on their podcast app of choice (iTunes, Stitcher, or Google Play). If you’ve never done this before, it’s easy: just subscribe, give the podcast a rating, and leave a short review, then leave a comment on the blog so I know you did it. In about a month, I’ll send my extra copy of Duane’s book to whoever wrote my favorite review. Note that this doesn’t mean your review has to be positive–if you hate my podcast and want to drag me, knock yourself out! As long as you leave a review and tell me where to look for it (and are willing to send me your mailing address, of course), you’re eligible to receive the book.
For now, I hope you enjoy this interview, and I hope you’ll check out Duane’s book–it really is phenomenal. Thanks for listening, and see you again soon!
This episode, I’m taking a little break from the University of Salford Purple Reign conference to talk to musician Paul Bonomo, a.k.a. Snax. We discuss Prince’s professional and personal impact on Paul, of course, but we also speak more broadly to the two-way flow of influence between Prince and gay culture–an area that’s been vastly underexplored in the popular discourse around the artist. I’m excited to see the extended conversation that comes out of this frank and at times provocative discussion.
Next episode, we’re returning to both Manchester and queerness with two presenters from one of the Purple Reign conference’s Gender and Sexuality panels: independent scholars Chris Aguilar-Garcia and Natalie Clifford. In the meantime, remember that you can subscribe to the d / m / s / r podcast on iTunes, Stitcher, or Google Play; you can also stream individual episodes on Mixcloud. If you like what you’ve heard of Snax, you can also follow him on Facebook and check out his new album, Shady Lights, when it releases on October 27.