Lady Cab Driver (Rearrange)

Lady Cab Driver (Rearrange)

(Featured Image: A real-life “Lady Cab Driver,” circa 1919; photo stolen from pastpictures.org.)

Of the 11 songs that would eventually make their way onto Prince’s fifth album, “Lady Cab Driver” appears to have had the longest gestation period. The song was completed at Sunset Sound on July 7, 1982, the day after “Moonbeam Levels”; but, as the recent deluxe edition of 1999 revealed, its seeds had been planted during a break in the Controversy tour over half a year earlier on December 8, 1981, in the form of a different song called “Rearrange.”

According to sessionologist Duane Tudahl in the Minneapolis Public Radio documentary The Story of 1999, “Rearrange” was long known to researchers by its title alone: “it was one of those songs that we’d heard existed, but I didn’t think it was actually a song,” he told host Andrea Swensson. “I thought it was just some shuffling of his stuff”–a studio note indicating a literal rearrangement of tapes. As it turned out, of course, it was real–though it was also little more than an admittedly funky sketch: a stark, mid-paced groove with a slick rhythm guitar hook similar to the Time track “The Stick.” Given this similarity–not to mention Prince’s guitar solo, which plays neatly to Jesse Johnson’s combustive style–it seems likely that “Rearrange” was at least provisionally mooted for that group. But this is just speculation; ultimately, says Tudahl, we “don’t know whether it was intended for 1999, whether he was searching for a voice for 1999, or whether he was saying, ‘I gotta record another Time album soon.’ But either way it was something that was not planned. He just thought, ‘I’m in the studio, I gotta record, I’m going to record. This is what I’m gonna do’” (Swensson 2019 Episode 2).

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International Lover

International Lover

(Featured Image: “There’s never been more love in the air!” Early 1970s Southwest Airlines ad; stolen from Flashbak.)

Following a month and a half of dates in the Mid-Atlantic, South, and Midwest, Prince took a break from the Controversy tour in mid-January 1982. He spent the majority of this time in Los Angeles: attending the American Music Awards and laying down tracks at his new favorite studio, Sunset Sound. Most of the songs he recorded in these weeks were intended for his protégés (and budding rivalsthe Time: “Gigolos Get Lonely Too,” “The Walk,” and “Wild and Loose” would all end up on their second album, What Time is It? But the sessions also yielded what would become the closing track on Prince’s fifth album: a seductive ballad in the “Do Me, Baby” vein called “International Lover.”

In fact, according to Per Nilsen’s studio sessions Bible The Vault, “International Lover” very nearly ended up on What Time is It? as well. Recorded just a few days after “Gigolos Get Lonely Too” (January 11) and on the same day as overdubs for “The Walk” (January 14), its place in the chronology clearly suggests Prince had it in mind as a Time song; there’s very likely a tape somewhere with vocals by Morris Day. But in what would become a pattern for Prince with his spinoff acts, he ended up liking the song so much that he took it back for himself.

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Podcast: New Power – A Conversation with Takuya Futaesaku, Author of Words of Prince

Podcast: New Power – A Conversation with Takuya Futaesaku, Author of Words of Prince

(Featured Image: Japanese newspaper coverage of Prince’s arrival in the country, September 1986.)

I gave myself a little hiatus from the dance / music / sex / romance podcast after Celebration 2018, but now we’re back in business with guest Takuya Futaesaku, author of the book Words of Prince. Takki and I talk about his book and his experiences as a Prince fan in Japan; it was a pleasure to speak with him, so hopefully it will be a pleasure to listen, too!

You can check out my review of Words of Prince here on the d / m / s / r blog. You can also subscribe to the podcast on your aggregator of choice (iTunesStitcher, Google Play), and consider leaving a review to help spread the word. Special thanks this episode go to Crystal for helping me track down the Japanese shows you’ll hear during the podcast! I’ll be back soon, hopefully next week, with another blog post.

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Review: Words of Prince

Review: Words of Prince

(Featured Image: The mysterious Takuya Futaesaku with the second English edition of Words of Prince; photo from Futaesaku’s Instagram.)

I first saw Takuya Futaesaku’s Words of Prince before I knew what it was, cradled in the arms of a fan in the Paisley Park soundstage at Celebration 2018. What caught my eye was the cover art–drawn, I later discovered, by the delightfully-named Japanese pop artist Radical Suzuki–as well as the book’s impressive heft.  It was obviously a fan-created work of some kind, but I couldn’t imagine what it might be. A few weeks later, I was contacted by Leslie Swiantek, a writer who has been helping Futaesaku promote his book in the States, to get in touch with him and maybe record a podcast. I contacted the author for an electronic version of the book to read, and he kindly ordered me a physical copy–the same colorfully-illustrated, hefty tome I’d seen at Paisley back in April.

Incidentally, the Radical Suzuki illustration is no longer on the cover of Words of Prince; it was cut for the book’s second English edition, a victim of the Prince estate’s recent rash of copyright-based takedowns (I patiently await my own C&D letter). Futaesaku’s solution was funny and not a little ingenious: the book now comes with a blank purple cover, serving as both a reference to Prince’s similarly monochrome Black Album and a canvas for each buyer to draw their own cover, copyright restrictions be damned. This DIY touch is, I think, a big part of the book’s appeal. Words of Prince isn’t a conventional biography or critical work; indeed, it doesn’t really fit any of the genres or formats one might expect from a book about Prince. Its structure and approach is as idiosyncratic as its subject–or, more accurately, as any one of our relationships with Prince as fans.

What this means, of course, is that the book isn’t for everyone. Hardcore fans who know it all about Prince’s life and work won’t find much more to glean here; Futaesaku is passionate and knowledgeable, but he’s still (mostly) beholden to the same secondary sources as the rest of us. Sticklers for polish may also find themselves disappointed:  Words of Prince is translated from Futaesaku’s original Japanese, and it shows, with some typos and the occasional odd phrasing, e.g. “Self Produce” for a chapter on Prince’s singular artistic drive (note that, per Swiantek, the book will be retranslated for a forthcoming electronic edition).

Where Words of Prince shines, however, is as a testimonial to the dedication and creativity of Prince’s fan community–and, for American readers especially, a window into the Japanese fandom. Futaesaku makes a convincing case for Prince’s special relationship with Japan: one of the farthest-flung places where he consistently toured. In one of the most memorable chapters, the author interviews another Japanese fan, who recounts a story about Prince playing a surprise version of “Bambi” on request during a Nude tour stop at the Tokyo Dome; the so-called “Bambi Incident” is just one of several nuggets of minor, but compelling information that Western readers are unlikely to know. The book is also amply illustrated with original art from members of the Japanese fan community, including Radical Suzuki, Nobuaki Suzuki, Mizuno Hiroatsu, Satsuki Nakamura, Saiko Sugawara, Yukiko Yoshioka, Hiromi Greer, Yasuhiro Matsushita, Tetsuo Sugiyama, and Mikako Takahashi. These contributions–many of which are quite artistically impressive–have a charming, homemade feel that is perfectly suited to the book. Whatever else it might be, Words of Prince never feels like anything less than a genuine, heartfelt expression of love for Prince and his music.

As a bonus, Words of Prince features an appendix of interviews with former associates including Paul Peterson of the Time and the Family, New Power Generation rapper Tony M, photographer Steve Parke, and others. While hardcore fans are again unlikely to read anything here that they haven’t heard anywhere else, Futaesaku’s questions are thoughtful and empathetic. He also makes room for others from the fan community, interviewing third parties like author Duane Tudahl and Heidi Vader from the charitable organization Purple Playground.

As I noted before, Words of Prince isn’t for everyone; but for anyone with an interest in fan culture, and especially in fan communities beyond the United States and Europe, it’s an easy book to recommend. Its warmth and good nature may even remind you of why you became a Prince fan in the first place.

At the time of this writing, Words of Prince is on sale on Amazon–32% off! Feel free to use my affiliate link to purchase this (or anything else you like) and give d / m / s / r some modest support. Also, please look out for an interview with author Takuya Futaesaku on the podcast this Friday!