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Patreon Exclusives

Patreon Exclusive Video: June 2022 Patreon Update

Hi, everyone! As promised/threatened a few times recently, I’ve been doing some thinking about how to improve my Patreon content, and this is my first solution: A monthly video update where I can communicate with you all a little more informally than through the standard blog posts and podcasts. As I say in the video, this is an experiment, and I’m open to your feedback. If you don’t care for it, I’m happy to go back to the drawing board; but if you do like this, I’ll plan on it becoming a regular thing. Please let me know what you think–and, if you’re a patron, watch out for an audio version on the private podcast feed!

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Purple Rain, 1984

Take Me with U

Production on Purple Rain officially wrapped in late December 1983; but as the film’s chief composer as well as its star, Prince remained on call through the post-production phase. Just about a month after the end of shooting, his services were once again required: Director Albert Magnoli wanted a song for the sequence where the Kid and Apollonia ride through rural Henderson, Minnesota on his motorcycle. So, at Sunset Sound on January 22, 1984, Prince started work on “Take Me with U.”

Categories
Ephemera, 1984

Sugar Walls

At the beginning of 1984, Prince had a lot of proverbial balls in the air: not only his big-screen debut and accompanying album, but also spinoff projects by the Time, Apollonia 6, Jill Jones, and, soon, Sheila E. Most artists would consider this more than enough to juggle; Prince, however, was not most artists. On January 20, the day after completing the Time’s Ice Cream Castle, he was already at work on a new song for yet another protégée, Scots pop-rock belter Sheena Easton.

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Uncategorized

#SexyMF30 Presentation and Panel

Hey, everyone! I’m still toiling away at my next post on the Time’s “Ice Cream Castles”; it’s almost ready, just needs some finishing touches. Meanwhile, a little bird told me that my presentation from last month’s #SexyMF30 virtual symposium is now up on YouTube, so I thought I’d share that just to make sure you all know I’m not dead. As always, I had a blast at the symposium; shoutout to my co-panelists, Steven G. Fullwood, Robert Loss, and Edgar Kruize, as well as moderator Monroe France, all of whose work pushed me to continue raising the bar in my annual cosplay as a pop culture scholar. You can see all of us in action in the panel discussion below:

As usual, I’d also like to share a few of my favorite presentations from throughout the symposium. It should be noted that this is by no means an exhaustive list; each and every presentation I was able to see was well worth my time, and I recommend every reader peruse De Angela Duff’s YouTube channel and see what catches your eye. Just take the recommendations below as a few good places to start.

First up, Casci Ritchie’s presentation on the “My Name is Prince” chain hat, per usual, hit it out of the park. She and I really must get together and record a podcast one of these days (hint, hint):

Also on the fashion tip (and someone with whom I already have recorded a podcast!) was Karen Turman, who did a fabulous presentation on the aesthetics of the “Sexy MF” song and music video. Of particular note for me: she cited Rena Clamen’s fantastic article on Prince and consent, which to my knowledge was only ever published in the now-out-of-print magazine my sister and I released back in 2018. If you’re interested, I posted a Twitter thread about this blast from the past and how much it meant to me.

Much of my favorite material around the “Love Symbol Album” is the extramusical material (hence my own presentation’s focus on transmedia storytelling), so I’d be remiss not to mention the 3 Chains o’ Gold movie roundtable featuring Kamilah Cummings, Rhonda Nicole, Tonya Pendleton, Casey Rain, and one of my faves, Melay Araya, moderated by Eloy Lasanta:

Last but not least, I have to shout out my fellow #PrinceTwitterThread alum Robin Shumays for her presentation on “Love Symbol” and Orientalism–probably the single paper I learned the most from:

All in all, it was another great weekend, and just what the doctor ordered during a time when it can be difficult to stay motivated due to [gestures at the entire world]. Thanks as always to De Angela for putting together such an incredible event and an even better community. Count me in for the Triple Threat symposium later this year–and every other one, for that matter!

Categories
Ephemera, 1984 Lacunae

Lacuna: The Dawn

While shooting Purple Rain in the last two months of 1983, Prince had uncharacteristically little time to spend in the studio. But as production wound down in late December, he dove back in, returning to Sunset Sound to work on new material for his manifold projects. On December 27, he recorded the basic track for “The Glamorous Life”–originally intended for Apollonia 6, but later given to (and made famous by) Sheila E. The following day, he added vocals and cut another track that would end up on Sheila’s album, “Next Time Wipe the Lipstick Off Your Collar”; as well as a song yet to be released anywhere, “Blue Love.” The day after that, he completed his first version of “She’s Always in My Hair.” Finally, on December 31, he rang in the New Year with an enigmatic new number, listed on the studio work order as “The Dawn.”

As readers of Duane Tudahl’s Prince and the Purple Rain Era Studio Sessions are no doubt aware, though, the last song Prince recorded in 1983 was not “The Dawn.” It was, in fact, “We Can Fuck,” a title deemed too explicit for an official Sunset Sound document; it would also be known by the euphemisms “Moral Majority” (not to be confused with the actual recording by that title) and, anecdotally, “Sex” (also not to be confused with the 1989 song later released as the B-side for “Scandalous”). But Prince clearly thought the dummy title was too good to waste on an act of self-censorship; because just a week later, on January 7-8, 1984, he recorded a new song bearing the same name.