(Featured Image: Engraving of “The Frog King,” a.k.a. “The Frog Prince,” from a presumably 19th- or early-20th-century edition of the Brothers Grimm’s fairy tales; artist unknown.)
August 17, 1983: “Delirious” is released as the third U.S. single (and fourth worldwide) from 1999, an album nearly 10 months in the rearview mirror. Two weeks ago to the day, Prince and his newly-christened band the Revolution had played an epochal show at First Avenue in Minneapolis, where they debuted five songs (three of them master recordings) from his upcoming sixth album, Purple Rain. In less than a year’s time, the album would come out and achieve a level of commercial success which would make Prince’s previous breakout hit, the Number 6 single “Little Red Corvette,” look like a mere prologue. But for now, he’s in victory lap mode: riding the coattails of “Corvette”’s success with a second Top 10 hit, backed by a soundalike B-side recorded in his Kiowa Trail home studio the previous summer.
That B-side, “Horny Toad,” does not rank among Prince’s most renowned work. It’s rarely even singled out as one of the best tracks on The Hits/The B-Sides–the collection where, I’m willing to wager, most contemporary listeners first heard it. The closest thing to an official accolade I can find is its bottom-100 placement on the 500 Prince Songs blog (which seems about right)–unless, that is, you count a 2016 shout-out from Wired magazine’s Brian Raftery, who calls it “rollickingly stupid” (also correct).Continue reading “Horny Toad”