D.M.S.R.

D.M.S.R.

(Featured Image: DJ Steve Holbrook in the booth at the Taste Show Lounge in Minneapolis, circa 1983. Note the Time poster on the right. Photo by Charles Chamblis, stolen from the Minnesota Historical Society.)

Beginning with his third album in 1980, Prince had been steadily building up a mythology–occasionally bordering on a philosophy–for himself. Dirty Mind had “Uptown,” a clarion call for hedonism that eradicated all racial and sexual boundaries. 1981’s Controversy, of course, had its epic title track, a declaration of selfhood through the negation of fixed identities; as well as “Sexuality,” a return to the themes of “Uptown” with a new quasi-religious fervor. For his fifth album in 1982, he offered something even more blunt and to the point: a musical manifesto based around the four words, “Dance, Music, Sex, Romance.”

Though it was never released as a single–and, in fact, was left off the original CD release of 1999 due to space constraints–“D.M.S.R.” holds a privileged position in Prince’s discography. Dance Music Sex Romance was of course the title of the 1999 biography and session chronicle by Per Nilsen, long considered definitive by fans of the artist’s early career. It’s also, obviously, the title of this very blog, because I figured if Per’s not going to use it anymore, somebody’s gonna have to. Its attraction to writers on Prince is self-evident: as Dave Lifton wrote on the song for Diffuser’s 365 Prince Songs in a Year series, “Dance. Music. Sex. Romance. Add God into the mixture and you’ve more or less got the formula for every song Prince released in his life” (Lifton 2017). Way back when I first started d / m / s / r in 2016, I posited that it would make a great title for a career-spanning collection like Johnny Cash’s Love, God, Murder, with a disc devoted to each theme.

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If It’ll Make U Happy

If It’ll Make U Happy

(Featured Image: Prince and Dez Dickerson onstage at First Avenue, March 8, 1982; photo by Michael Reiter, available for purchase on Etsy.)

The majority of Prince’s sessions at Sunset Sound, like the majority of his studio sessions in general, were solo affairs; but while recording at Sunset in early April 1982, he was accompanied by his touring guitarist Dez Dickerson. Dez, as noted previously, played drums on the Vanity 6 track “3 x 2 = 6,” recorded on April 5. He was probably also in the studio for the tracking of “Extraloveable” on April 3: at one point, Prince can be heard taunting, “Hey Dez, don’t you like my band?”–an aside that has been widely interpreted as referring to Dickerson’s departure from the group the following year, but was more likely a simple case of good-natured, competitive ribbing. Last but not least, Dickerson’s backing vocals are clearly audible on “If It’ll Make U Happy,” recorded on April 6.

Between these sessions, the guitarist later recalled, Prince also gave him studio time to work on some of his own music (Dickerson 201). This was almost certainly meant as an olive branch, as tensions had emerged between the two bandmates. Like André Cymone before him, Dickerson had no intention of spending his entire career as a sideman; and, like Gayle Chapman, he’d begun to find that Prince’s sexual boundary-pushing was at odds with his own beliefs.

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Roundup: Vanity 6, 1982

Roundup: Vanity 6, 1982

(Featured Image: Vanity 6 pose for Creem magazine, 1983; photo stolen from Lansure’s Music Paraphernalia.)

It’s been about nine months since the last time we completed an album around here–which, if nothing else, means that we’re just about keeping pace with Prince himself, who released Vanity 6 just under 10 months after his own Controversy. Let’s see if we can finish 1999 by October!

In the meantime, here’s how I rank the songs on Vanity 6:

7. “3 x 2 = 6 For the record, I don’t think this is a bad song; but I understand why a lot of Prince fans do. As I noted in my post last week, the arrangement is a bit of a slog, and Vanity’s karaoke-caliber vocals are, shall we say, an acquired taste. Still, the pathos of it all still draws me in.

6. “Wet Dream Another one that I actually like more than the consensus opinion, I think this one could have been a hit if Prince had given it to a stronger singer and kept the lyrics a little more PG-13. Also, any song that gives me a chance to reference Hokusai’s “Dream of the Fisherman’s Wife” is okay by me. Also also, bonus points for “Wet Dream (Cousin),” a clip from the soundtrack for the most wholesome imaginary porno never filmed.

5. “Bite the Beat Maybe I should rank this below “Wet Dream,” but my enduring love for New Wave Prince means that I’m a sucker for that ersatz Farfisa. Besides, the song’s sexual forthrightness feels like the clearest evidence, save one obvious track, for the argument in my head about Vanity 6 serving as predecessors for today’s crop of hyper-explicit female rappers (cf. Cupcakke).

4. “Drive Me Wild I think I’m once again in the minority on this one, as I happen to prefer the other Susan Moonsie-fronted electro track on the album; I also know I’m in the minority for preferring the minimalist album track to the more conventionally funky–and much, much longer–12″ version. I guess I just feel like I have a lot of options when it comes to Prince’s extended robo-James Brown workouts; but if I want to hear him inventing electroclash, it’s basically this and…

3. “Make-Up Yup, that’s right, I’m the weirdo who was excited–almost to the exclusion of everything else on the album–to see this on the tracklist of last month’s Originals. And just for the record, it lived up to expectations. Fingers crossed that a Prince-sung version of “Drive Me Wild” comes out–either on an Originals-style compilation or, preferably, as part of an expanded Vanity 6 reissue–so I can reevaluate.

2. “If a Girl Answers (Don’t Hang Up) Whether or not you, like me, hear this song as a drag performance, I think most of us can agree that it’s a highlight of the album and one of the funniest songs in the extended Prince canon. Plus, that Terry Lewis bassline makes it a rare Vanity 6 song that actually sounds like it was performed by the Time.

1. “Nasty Girl Look, they can’t all be unorthodox choices. A classic is a classic, and if any song on Vanity 6 qualifies for that title, this is the one. I’d put “Nasty Girl” up against any Prince song from 1982–a claim I don’t make lightly, as the 1999 era is in strong contention for my all-time favorite.

With that, I hope that I’ve made my case for Vanity 6 as a worthy part of Prince’s early discography. It’s a scrappy, often sordid, borderline amateurish effort: a quick and (literally) dirty side project recorded mostly at home, with mostly nonprofessional singers, in a little over a month. But its scrappiness is key to its charm, and helps to make what could be a truly slick and exploitative enterprise feel, at minimum, genuine. I guess what I’m saying is, it may be smut, but at least it’s DIY artisinal smut.

Now, as we shift our focus to the other two albums Prince recorded in 1982, here’s a snapshot of the tag cloud:

The most significant addition is probably the Linn LM-1, which makes sense as we’re now firmly in Prince’s golden age for that particular instrument. Another interesting change to note: Sound 80 has officially fallen off the board, in favor of other recording locations–chiefly Sunset Sound, which we’ll be hearing about a lot more moving forward.

For my own reference as much as anything, I wrote about 1,269 words per post on Vanity 6; not too shabby for a side project, that’s only a little less than the 1,379 per post I wrote for For You and significantly more than the 833 per post I wrote for The Time.

It’s a short week for me with Fourth of July weekend looming, but thanks to supporters of the Patreon, I’m still committed to a post this week, and every other week moving forward! I will aim to publish my piece on “If It’ll Make U Happy” Wednesday. Meanwhile, my thanks to our newest patron, Anne Clark. If you’d like to join Anne and the 11 other supporters who have already jumped on board, please consider checking out the Patreon here. We’ve already reached our first goal–hence the guaranteed weekly posts–which means it’s time to start thinking about the second one. At the moment, I’ve said that if the Patreon reaches $100 a month I will go back to monthly podcast episodes, but I also know that that may not be what you all actually want. I plan on checking in with the patrons this week to determine whether or not that should be our next goal, so if you want to be part of that conversation, get your pledges in soon!

Meanwhile, though there haven’t been many changes due to Vanity 6 remaining out of print, here’s the Spotify playlist:

3 x 2 = 6

3 x 2 = 6

(Featured Image: Vanity 6–L to R: Brenda, Vanity, Susan–circa 1983; photo stolen from Law and Order Party.)

Just as he’d done for his own Controversy, Prince put the finishing touches on Vanity 6 at Sunset Sound in Los Angeles. The last song he recorded for the album, on April 5, 1982, was also the last song on the track list: a gauzy synthpop ballad titled “3 x 2 = 6.”

More than any other song on the album, “3 x 2 = 6” reflects the personal relationship between Prince and Vanity (née Denise Matthews), which had blossomed in the months since their first meeting. “Prince became like a father to me,” Matthews later recalled. “He loves playing dad. The first thing he did when we met was to nurse me, take care of me. I was very dependent on him, [‘]cause I needed a father because of the terrible insecurity I had experienced as a child” (Nilsen 1999 105).

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Post-Vacation Update: Patreon-Exclusive Originals Review, plus “Sister” on Press Rewind

Post-Vacation Update: Patreon-Exclusive Originals Review, plus “Sister” on Press Rewind

(Featured Image: Cover art for the new Originals compilation; photo by Allen Beaulieu, © NPG Records/Warner Bros.)

Hello again! Last week was quiet on the d / m / s / r front because I was out of town on a family vacation, which was great fun but decidedly light on writing time. I did, however, get one thing done for supporters of the new Patreon: a review of the Originals compilation, which released on TIDAL early this month and on CD and other streaming platforms last Friday.

Patreon Exclusive: Originals Review

As I explained on the Patreon over the weekend, this is just one of the kinds of things I’ll be offering over there, but I’ll probably be keeping the patron exclusives Originals-related for the next month or so; my next exclusive post will be a full-blown song post on “You’re My Love,” which happened to be recorded right around the time I’m currently covering on the blog.

Also while I was out, the second episode I recorded for Jason Breininger’s Press Rewind podcast was released. Check that out if you haven’t already:

Press Rewind: “Sister”

Finally, I am still writing a blog, and I plan on putting up the next post, “3 x 2 =6,” on Thursday. In fact, the Patreon has been doing so well that I wouldn’t be surprised if we reached my $50-a-month goal by next week–meaning that there will be a guaranteed four new posts in July. My sincere thanks to the latest group of patrons for helping make that happen: Cliff Dinwiddie, Marilyn Hinson, Jessica, Darling Nisi, and Kaitlyn. If you want to be the one to put us over the edge toward that first goal, you know what to do:

Patreon: dance / music / sex / romance

As always, thanks for reading! Coming back from vacation is rough, but I’m happy to return to this project.