Gigolos Get Lonely Too

Gigolos Get Lonely Too

(Featured Image: Richard Gere in the poster for Paul Schrader’s American Gigolo, 1980; © Paramount Pictures.)

Prince may have taken back one of the ballads he wrote for the Time’s second album, but he was at least considerate enough to leave them a backup: “Gigolos Get Lonely Too” was recorded at Sunset Sound on January 11, 1982, three days before “International Lover” and the completion of “The Walk.” It was–along with another song that remains unreleased, “Bold Generation”–the first track completed for What Time is It? And, unlike its erstwhile sibling “International Lover,” it was destined for Morris Day to sing.

The concept behind “Gigolos Get Lonely Too” is pretty much exactly what the title suggests: Morris–and by extension, Prince–inhabiting the role of a sex worker who longs for the intimacy to “make love without taking off my clothes.” The conceit was something of a departure from the Morris Day persona to date, which read more as an aspiring pimp than a gigolo. But then, gigolos were experiencing something of a resurgence in the early ’80s: Paul Schrader’s neo-noir American Gigolo had released to some attention in early 1980, making a star out of both leading man Richard Gere and costume designer Giorgio Armani. It’s hardly far-fetched to imagine Gere’s character, with his taste for Italian suits and the high life, influencing the Time’s visual aesthetic; certainly his refusal to engage gay clients, however unconvincing, would have helped to mitigate male sex work’s homosexual connotations.

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The Walk

The Walk

(Featured Image: The Time get ready to walk a hole in their Stacy Adams on the back cover of What Time is It?, 1982; L to R: Jesse Johnson, Morris Day, Monte Moir, Jimmy Jam, Jellybean Johnson, Terry Lewis. Photo by Allen Beaulieu, © Warner Bros.)

While work on the Time’s second album didn’t formally begin until January 1982, at least one track had an earlier genesis: according to Prince Vault, the original 2″ tape of “The Walk” stored in the Paisley Park Vault (and, now, at Iron Mountain in Los Angeles) was labeled with a date of July 1, 1981. This suggests Prince recorded something by that title–either an early version or the actual basic track–in his own home studio, a few weeks before the release of the Time’s first album on July 29.

And that makes a lot of sense, because “The Walk” is the track from What Time is It? that most resembles the style of its predecessor. It’s long: nine and a half minutes, to be exact, roughly halfway between the lengths of “Get It Up” and “Cool.” And, like both “Get It Up” and “The Stick,” it moves at a sauntering pace, driven by an unhurried “walking” bassline and singer Morris Day’s casual, half-spoken vocals. The titular “Walk”–a dance-craze homage in the tradition of “Let’s Rock”–references both the song’s moderate tempo and Prince’s early instructions to Morris while the pair were developing his stage presence: “Walk, put your hand in your pocket, and be cool,” as the frontman later summarized (Crandell 2015).

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