I was originally on the fence about whether I would share this podcast appearance here; while it’s an extension of Darren Husted’s Prince: Track by Track podcast–and Darren decided to do Beck’s 1999 album Midnite Vultures because of its well-publicized Prince influence–I thought at first that the track I’d chosen to guest on wasn’t very Prince-related. Well, turns out I was in denial, because we actually ended up talking about Prince quite a bit:
So anyway, there’s me talking about a non-Prince artist. I’ll be back by the end of the week to talk some more about Prince–or at least the Time. And hey, if you want to hear/read more of my words about artists that aren’t necessarily Prince, check out my music writing portfolio and my (currently-dormant-but-not-dead) side project zine/podcast Dystopian Dance Party!
I’m still hoping to finish my next proper post by the end of the week–though I have to say that today I’m laid out in bed with what feels depressingly like the flu, which is not the most conducive state for quality or coherent writing. I can, however, crank out a quick post to publicize my latest guest appearance on Darren Husted’s Prince: Track by Track podcast:
(Featured Image: 15th century woodcarving depicting the “pearls before swine” quotation from Matthew 7:6.)
Amidst all of the excitement of actual d / m / s / r content last week, I also quietly made another guest appearance on Darren Husted’s Prince: Track by Track podcast (“quietly” in the sense that I didn’t promote it on the blog, not in the sense that I didn’t talk–we definitely talked for over 20 minutes). If you got through my three-hour podcast on Prince’s second album and somehow still aren’t sick of the sound of my voice, you can subject yourself to it here:
October 19, 2018 marks the 39th anniversary of Prince’s self-titled second album–not the most glamorous occasion, perhaps, but reason enough to reassemble the review panel from our For You podcast for a reappraisal. Once again, Zach is joined by Harold and KaNisa for a track-by-track discussion of this underappreciated album, its resonances throughout Prince’s career, and why it still matters.
If you want to keep in the loop for our forthcoming Dirty Mindpodcast, you can subscribe to dance / music / sex / romance on your aggregator of choice (iTunes, Stitcher, or Google Play); and if you like what we’re doing and want to spread the word, please leave us a review! In the meantime, the d / m / s / r blog will return next week with one last track from 1981.
Let me actually start with an update: I’m now about halfway through my second post on “Controversy,” which means it will be on track to go live next week. Very excited to share it; the first “Controversy” post was one of my favorite things I’ve written for d / m / s / r, and this one feels to me like a worthy followup. In the meantime, here’s another episode of the Prince: Track by Track podcast, where host Darren Husted and I talk about one of my favorite deep cuts of the ’90s: