Podcast: I am Something That You’ll Never Understand – Chris Aguilar-Garcia and Natalie Clifford on the Salford Purple Reign Conference

Podcast: I am Something That You’ll Never Understand – Chris Aguilar-Garcia and Natalie Clifford on the Salford Purple Reign Conference

(Featured Image: Prince at his most gender-nonconforming on the Lovesexy tour program cover, 1988; photo by Jeff Katz.)

Here at last, after much delay, is my conversation with Chris Aguilar-Garcia and Natalie Clifford, two presenters from this May’s interdisciplinary Prince conference at the University of Salford. Both Chris and Nat identify as queer, and both have very interesting things to say about Prince’s legacy of “revolutionary queerness” and the space he created for less conventional expressions of gender and sexuality in the mainstream. If you liked the last episode with Snax, chances are you’re gonna like this one.

This is the part of the description where I would normally say we’re switching gears and moving away from the Salford conference, but as it happens, we already have another interview with a presenter in store. So basically, I’ll keep doing these as long as people want to talk to me. If you still want to listen to me–and, more importantly, my eloquent guests–feel free to subscribe on your podcast service of choice (iTunes, Stitcher, or Google Play), or listen on Mixcloud. And if you really like us, take that aforementioned podcast app and shoot us a rating or review; it will make us more “discoverable” and broaden the listening base. In the meantime, thanks as always for listening!

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Review: Got to Be Something Here

Review: Got to Be Something Here

(Featured Image: Cover art for Got to Be Something Here: The Rise of the Minneapolis Sound by Andrea Swensson, from Amazon.)

As readers of this blog are no doubt aware, the last 18 months have seen an explosion in critical and scholarly discourse on Prince: his music, persona, cultural significance, and beyond. It was only a matter of time until the focus would widen to include the “Minneapolis Sound” Prince played a significant role in shaping and delivering to an international audience. Got to Be Something Here, written by former City Pages music editor and current Minnesota Public Radio host Andrea Swensson, is the first major book to discuss the Twin Cities’ unique contributions to African American music; it should go without saying that it comes highly recommended to anyone who reads dance / music / sex / romance.

To be clear, this is not a book about Prince–though he casts a long, purple shadow over the story, lending foreshadowed significance to places like The Way community center, Sound 80, and of course Sam’s Danceteria, later known as First Avenue. Swensson’s history begins in the year of Prince’s birth, 1958, when a Near North doo-wop group called the Big M’s recorded Minnesota’s first R&B single; the narrative path continues through the “chitlin circuit” of early African American R&B venues, the ill-fated integrated dance club King Solomon’s Mines, and finally the grassroots Northside funk community that spawned Flyte Tyme, the Family, and Grand Central. This expanded perspective offers a broader, but ultimately more useful definition for the Minneapolis Sound than the usual “post-disco R&B with synthesizers for horns.” In particular, Swensson convincingly argues that from the 1950s to the 1980s and beyond, music from the Twin Cities was marked by an “aggressive blend of genres” that crossed Minnesota’s de facto but sharply-drawn color lines.

By focusing on the material conditions that necessitated this line-crossing, Swensson offers a valuable, politicized context for Prince and the other Black musicians who put Minneapolis on the map. The most eye-opening part of the book, especially for a non-Minnesotan like myself, is Swensson’s research on the construction of Interstate 94, which displaced St. Paul’s predominantly African American Rondo neighborhood and cut off Minneapolis’ North Side from the rest of the city. The story of the Minneapolis Sound is thus a story of unequal access to resources, and the things Black musicians had to do to get their fair share: chiefly, working twice as hard as their white counterparts, and becoming versatile enough to appeal to audiences outside of the city’s tiny African American enclaves. Pair this socioeconomic backdrop with the emergence of one phenomenally gifted individual, and you have as good an explanation for Prince as any.

If there is a complaint to be had about Got to Be Something Here, it’s that there simply isn’t enough of it: at just over 200 pages, it’s a surprisingly swift read, and it left me, at least, wanting more. While I understand why the book focuses on the Minneapolis scene “Before Prince,” it would have been great to hear more about the Purple One’s immediate peers: not just Jam and Lewis and Morris Day, but also Sue Ann Carwell, to name one perpetually underrepresented figure. I’m also curious to learn more about cross-pollination between the city’s funk and punk scenes: did Minneapolis have its share of Black New Wavers, or were Prince and André Cymone the only outliers? Again, it’s understandable that Swensson would narrow her focus here, as the story of First Avenue, Twin/Tone Records, and so on has been more thoroughly covered elsewhere; it would be fascinating, however, to find the connections between these parallel communities, in the same way that other pop historians have found the connections between punk and disco in late-1970s New York.

But again, these are quibbles: Swensson has made an important contribution to the study of Minneapolis’ musical history, and her passion for both the city and the music is evident on every page. If there are stones left to unturn–and there are–it will be the happy task of future researchers (maybe even Swensson herself!) to continue the work. For now, Got to Be Something Here is a great start: a story that needed telling, carefully and incisively told.

Got to Be Something Here releases tomorrow, October 10, 2017. If you want to support dance / music / sex / romance, you can preorder the book–or buy anything else you want!–using our Amazon affiliate link.

Podcast: Vous êtes très belle – Joni Todd and Karen Turman on the Salford Purple Reign Conference

Podcast: Vous êtes très belle – Joni Todd and Karen Turman on the Salford Purple Reign Conference

(Featured Image: Prince in French Dandy Mode, Under the Cherry Moon, 1986; © Warner Bros.)

Just under two weeks ago, I had the pleasure of speaking with two more presenters from the University of Salford’s interdisciplinary Prince conference: Joni Todd and Karen Turman, who you may know by reputation as the “esoteric French panel.” But if all that sounds a little too highbrow, don’t worry; we mostly talked about Prince’s impeccable fashion sense and uncompromising artistic vision, just with a lot of references to Charles Baudelaire and Marcel Duchamp. It’s probably the only Prince podcast you’ll hear that mentions both “Pussy Control” and Walter Benjamin, and that’s the best endorsement I can possibly give.

As usual, if you like what you hear, you can subscribe to d / m / s / r on your podcast app of choice: iTunes, Stitcher, or Google Play. If you want to help, you can also leave a review, which will make it easier for new listeners to find us. See you (hopefully) next week!

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Podcast: Something Wrong with the Machinery – Carmen Hoover on the Salford Purple Reign Conference

Podcast: Something Wrong with the Machinery – Carmen Hoover on the Salford Purple Reign Conference

(Featured Image: “That Moment” during “Computer Blue,” Purple Rain, 1984; © Warner Bros.)

We’re nearing the end of our miniseries on the University of Salford’s interdisciplinary Prince conference, but there are still a few treats in store–starting with today’s conversation with Carmen Hoover. Carmen is a current professor at Olympic College in Washington, and a former First Avenue employee who watched Prince conquer the world from Minneapolis in the early 1980s. We talked about the conference, the time she saw Prince at a gas station, and most importantly, her paper on the evolution of a particular moment (you know the one) between Prince and Wendy in Purple Rain. If your interests are anywhere near as prurient as mine, it’s a can’t-miss.

Remember that you can subscribe to d / m / s / r on any of the major podcast services (iTunes, Stitcher, Google Play). If you like what you hear and want to share it with others, leave a review–it will help us reach more listeners! We’ll be back in a week with another pair of presenters from the conference.

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