Podcast: It’s Time Someone Programmed You – Leah McDaniel on the Salford Purple Reign Conference

Podcast: It’s Time Someone Programmed You – Leah McDaniel on the Salford Purple Reign Conference

(Featured Image: The infamous “Prince’s Women” cover, Rolling Stone, April 1986; photo by Jeff Katz.)

For the third installment of my miniseries on the University of Salford’s interdisciplinary Prince conference, I’m talking to Leah McDaniel (née Stone), a businesswoman, world traveler, and lifelong Prince fan. Her paper was on the eternally unsettled question of whether or not Prince was a feminist; we reflect on that question, as well as the contrast between his artistic warmth and his sometimes-chilling approach to interpersonal relationships, and why even Prince at his worst was still better than R. Kelly at his best.

If you’re frustrated that we don’t issue a final verdict, come back in a few months, when I plan to host a round table discussion on the “was Prince a feminist” debate (and almost certainly still won’t offer a definitive answer). In the meantime, you can check us and our way-improved new logo out on all the major podcast services (iTunes/Stitcher/Google Play). Your reviews and subscriptions on your service of choice would be a big help in getting us more visibility. As always, thanks for listening–we’ll be back with another episode by the end of next week!

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Electric Intercourse

Electric Intercourse

(Featured Image: Prince by Michael Ochs, 1985.)

It’s been a long five months since the release of 4Ever, the first posthumous compilation of Prince’s work, and “Moonbeam Levels,” the first “new” track to be officially released since his death last April. Many of us, I think, were expecting Paisley Park’s “Celebration,” a four-day event marking the first anniversary of his passing, to be the end of this drought. Certainly, with the long-promised Purple Rain reissue looming in the near future, the time felt ripe for some more concrete information, if not an actual release.

And, as it turned out, we did get new music that week–but not from Paisley Park, and not from the Purple Rain era. Instead, a former engineer named Ian Boxill surprise-released an EP of six previously unheard 2006 recordings–including the gorgeous, gospel-flavored “Deliverance”–implying that he had the blessing of Prince’s estate to do so. This turned out not to be true: within hours of the announcement, the estate had filed suit, and a United States District Court Judge had granted a temporary restraining order to halt the sale of the EP. Meanwhile, the Celebration came and went with no official mention of the Purple Rain set. Even after a fan group leaked what turned out to be an accurate track list, both Warner Bros. and NPG Records remained mum–until the following Friday, that is, when the announcement we’d been expecting finally came through, along with the second “official” posthumous track, “Electric Intercourse.”

I recount all of this, in part, to note that the more things change, the more they stay the same. Prince may no longer be with us physically, but his spirit clearly lives on in the capricious, contested, and scattershot handling of his music. In a weird way, this is also the most relevant Prince has been to the contemporary recording industry in decades: a drama-filled album launch, botched in part by the vagaries of online music services, puts him in the rarefied (if, in this case, dubious) company of 21st century pop titans like Rihanna and Kanye West.

But all facetiousness aside, I also want to explain why I’m writing about “Electric Intercourse” right now, and not about “Deliverance.” It isn’t necessarily that I disapprove of the EP’s release: I’m glad Boxill leaked it, just as I’m glad that more anonymous sources have leaked the hundreds of other non-sanctioned songs I continue to enjoy. But I broke my chronology with “Moonbeam Levels” last fall because it was an official and easily accessible release; and, while “Deliverance” as of this writing is still available for purchase on the iTunes store, the legal grappling around its parent EP doesn’t give me much confidence for the future. Besides that, I remain skeptical of Boxill’s claims that the majority of the proceeds for the song/EP will go to Prince’s estate: I’m no lawyer, but I can’t think of many cases where an individual successfully paid royalties to a group in the process of pursuing legal action against him. So, basically, I’m treating “Deliverance” like a bootleg: I’ll write about it, of course, but not until I reach the proper point in the chronology–so, at my current pace, our grandchildren should be able to enjoy it, provided we all survive the impending Third World War.

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Podcast: Dig If U Will – Part 2 of a Conversation with Jane Clare Jones

Podcast: Dig If U Will – Part 2 of a Conversation with Jane Clare Jones

(Featured Image: Prince emerges from the bath in the “When Doves Cry” video; © Warner Bros.)

A week and a half ago, I recorded what was supposed to be a single, one-to-two-hour podcast with writer, philosopher, and fellow Prince obsessive Jane Clare Jones; needless to say, we ended up talking for almost six hours, which necessitated us splitting the conversation into parts. In this second installment, we begin with a discussion of Ben Greenman’s new book, Dig If You Will the Picture: Funk, Sex, God, & Genius in the Music of Prince; but that discussion quickly branches out into more interesting conversations about Prince’s supernatural ability to enter “flow,” his unparalleled understanding of women’s desire, and his complicated relationship with spirituality and religion.

Next week, we’ll dig into another recent book about Prince–the memoir of his ex-wife, Mayte Garcia–and begin to take full stock of our feelings in the wake of his passing last April. If you missed the first episode, you may want to check it out before listening; also, I’m happy to announce that dance / music / sex / romance is now on all the major podcast aggregators (iTunes, Stitcher, and Google Play), and available for streaming on Mixcloud. If you like what we’re doing, please do subscribe and leave a review on your service of choice; this will help increase our visibility on the respective platforms. As always, thanks for listening!

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Dystopian Listening Party Podcast: Prince, 1958-2016

Dystopian Listening Party Podcast: Prince, 1958-2016

(Featured Image: Prince tribute outside First Avenue; photo by Jeff Wheeler, stolen from the Minneapolis Star Tribune.)

Yesterday, I spent an unbelievably self-indulgent six hours on Skype with Jane Clare Jones, preparing and recording a podcast to mark the first anniversary of Prince’s death (because of our unbelievable self-indulgence, it will actually be several podcasts). The first installment of our conversation should be ready to post by Friday; but in the meantime, here’s another conversation from last year with my sister Callie, which ran on our blog Dystopian Dance Party just over a week after we heard the terrible news. In case you’re concerned–I know emotions are raw this week–it’s mostly a joyous discussion, focusing on Prince and what he means to us rather than the tragic conditions of his end. I thought now was as good a time as any to share it with a wider audience. Show notes are here, and I’ll be back tomorrow with a review of another recent addition to the canon of Prince literature.