As you may or may not know, Dystopian Dance Party is the other, more irreverent project I do with my sister Callie. We recently launched a physical magazine, the first issue of which is dedicated to art and writing inspired by the music of Prince. On this episode of the DDP podcast, Callie and I are joined by our friend Erika Peterson to talk about her work for the magazine–an exhaustive guide to the 3 Chains O’ Gold film–the most absurd/surreal moments of Celebration 2018, and our ongoing beef with Questlove. It’s definitely a bit looser and sillier than the average d / m / s / r podcast, but if you enjoy my other stuff, you should enjoy it:
For those of you who haven’t picked up the magazine yet, we’re also offering the opportunity to get it for free, along with a set of rewards otherwise exclusively made available to our Kickstarter backers. All you have to do is follow Dystopian Dance Party on Twitter, Facebook, Instagram, and/or Tumblr, and share a link to this episode with us tagged so we know you did it. Toward the end of May, we’ll choose one or two people to receive a free copy of the magazine, a sheet of custom-designed stickers, three buttons, and a poster of the cover art by Callie. None of this stuff is available anywhere else, so take advantage of this chance to get your hands on it!
And if you can’t get enough of Erika, remember that she also recently appeared on our friend KaNisa’s excellent Muse 2 the Pharaoh podcast. Take a listen if you haven’t already:
Finally, an update on my next post for d / m / s / r. I had been planning to get something out by the end of the week, but I decided to make some changes which resulted in a delay: basically, I was writing separate posts on “The Stick” and “Cool,” but I decided to combine the two and just write a longer post on “Cool” that also touches on “The Stick” (and “After Hi School,” in case anybody was waiting for that). I fully expect to have this post out next week–which means that we’re finally going to be done with the Time’s first album! After that, we’ll turn to another 1981 outtake, and then back to Controversy. I also have plans for a few podcasts in the pipeline, so there’s plenty to look forward to!
dance / music / sex / romance is fast approaching its third year, so to celebrate, we’re going…backwards? That’s right, to mark the 40th anniversary of Prince’s debut album, I thought now was the perfect time to go ahead with an idea I’ve been toying with for a while: our own sub-series of review podcasts looking at each of Prince’s albums in isolation.
I’m doing this for a few reasons. First, it’s a way to bring those of you who have been listening to the podcasts but not reading the blog into the loop on my chronological Prince project–and also a way for me to work through some of these albums before I can get to it with my glacially paced writing schedule.
Second, I’ve known from the beginning of this project that if I really wanted to do Prince’s catalogue justice, I would need to incorporate more voices and perspectives than just my own. We all have our biases and blind spots, and as a Prince fan I am acutely aware that one person’s sentimental favorite can be another’s unlistenable mess (and vice versa). That’s why I asked my friends Harold and KaNisa, both of whose encyclopaedic knowledge of Prince’s career dwarfs my own, to join me. I think you’ll find that our tastes and opinions both intersect and diverge in a lot of interesting ways, which allowed us–and hopefully, will allow you–to take a different perspective on some of these songs and the context in which they were created.
I hope you enjoy this new approach to an album that remains underappreciated in Prince’s catalogue. If you do, I hope you’ll subscribe to the podcast on your streaming app of choice (iTunes, Stitcher, or Google Play), and if you’re so inclined, leave a review! No matter what, thanks for listening, and see you again soon.
Well, folks, it’s another week, so I guess that means another 15 minutes of me and Darren Husted talking about Prince. The subject this time around is another of my favorite B-sides, 1983’s “Irresistible Bitch”:
(Featured Image: Prince by Neal Preston, circa 1984.)
Last week, Duane Tudahl’s long-awaited book Prince and the Purple Rain Era Studio Sessions: 1983 and 1984was finally published, and I was lucky enough to speak to him about it. If you haven’t read the book yet, you need to listen to this podcast: Duane is a knowledgeable and passionate Prince fan-turned-scholar, and his enthusiasm for the project is infectious. And if you have read the book, you should still listen, because he has a lot to share not only about his research and writing process, but also about his experiences with the celebrated Uptown fanzine and his ideas for preserving Prince’s legacy moving forward. NPG/Comerica/Warner Bros., if you’re out there, give this man some consulting work; we can all benefit from someone with his dedication and expertise steering the ship.
Now, for those of you who haven’t read the book yet, allow me to sweeten the pot: I’ve already bought my copy, but I am planning to secure another one (hopefully signed by the author!) and gift it to a lucky listener who reviews d / m / s / r on their podcast app of choice (iTunes, Stitcher, or Google Play). If you’ve never done this before, it’s easy: just subscribe, give the podcast a rating, and leave a short review, then leave a comment on the blog so I know you did it. In about a month, I’ll send my extra copy of Duane’s book to whoever wrote my favorite review. Note that this doesn’t mean your review has to be positive–if you hate my podcast and want to drag me, knock yourself out! As long as you leave a review and tell me where to look for it (and are willing to send me your mailing address, of course), you’re eligible to receive the book.
For now, I hope you enjoy this interview, and I hope you’ll check out Duane’s book–it really is phenomenal. Thanks for listening, and see you again soon!