Lust U Always (Divinity)

Lust U Always (Divinity)

(Featured Image: “The Nightmare,” Henry Fuseli, 1781.)

Note: Please be advised that this post contains frank and uncensored discussion of lyrics which explicitly reference sexual assault. 

There are any number of reasons why Prince may have left a given song in the Vault. There were, of course, the basic limitations of recorded media formats: by 1982, Prince was producing more music than could possibly be accommodated on two 12-inch sides of vinyl–hence why 1999 ended up as a double album, and why his singles increasingly came backed with non-LP B-sides. There were instances where a certain song may have been deemed too similar to another that ended up making the cut on the album: see, for example, “Turn It Up,” which is believed to have been left off 1999 in favor of “Delirious.” There was also an even simpler explanation, per Prince himself: “If any track is unreleased, it’s because it’s not done,” he reportedly told Dan Piepenbring, the coauthor of his unfinished memoir, in 2016 (Prince 2019 16).

The particular song Prince was discussing with Piepenbring was “Extraloveable,” a widely-bootlegged track recorded at the beginning of April 1982 and not officially released until 2011. Taking Prince at his word that the song wasn’t “done” until Andy Allo rapped on it, I won’t be writing about it until we get to that point in our chronology; however, I will posit a theory that there was another reason why it didn’t see the light of day. As anyone who’s heard the original version can attest, the song takes a turn in the last minute and a half or so. After six minutes of gently cajoling the listener to take a bath with him, Prince suddenly becomes menacing: “I’m on the verge of rape,” he grunts, repeating himself for good measure. A blast of discordant synthesizer noise takes over the mix, as if the song itself has begun to malfunction. “I’m sorry,” Prince intones in his detached android voice over the ongoing din, “but I’m just gonna have to rape you. Now are you going to get into the tub, or do I have to drag you? Don’t make me drag you.”

Prince was obviously no stranger to aberrant expressions of sexuality at this point in his career: on “Horny Toad,” as we’ve discussed, he had imagined himself as an obscene phone caller, a groper, and a stalker; perhaps most notably, “Sister” had described an incestuous relationship of dubious consent. But the former song was obviously played for laughs, while the latter crucially depicted Prince as the victim of abuse, not the perpetrator. Interrupting an exuberant, sexy frolic to outright threaten sexual violence was clearly a bridge too far, even in the thick of Prince’s “Rude Boy” era. Which makes it all the more surprising that he did it again with another unreleased track recorded in the same year, “Lust U Always.”

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Press Rewind: “Head”

Press Rewind: “Head”

(Featured Image: Our favorite rude boy; photo by Allen Beaulieu, stolen from Lansure’s Music Paraphernalia.)

It was a stroke of good timing that just as Darren Husted’s Prince: Track by Track podcast was coming to an end, I got the opportunity to guest on another track-by-track podcast, Jason Breininger’s Press Rewind. Similar to my and Darren’s respective projects, Jason’s is to go through the full Prince catalogue song by song, but with a specific focus on lyrics that pleases my inner lit major. It also made for an ideal opportunity to talk about some songs that I didn’t get to talk about on Track by Track, starting with “Head” from Dirty Mind:

Press Rewind: “Head”

It was a pleasure talking to Jason about the second dirtiest song on Dirty Mind. And if you enjoyed it as much as I did, you’re in luck: we also recorded another episode talking about the first dirtiest song on the album, which should be coming out in the next couple of weeks.

While I have you here, I want to thank everyone who has already signed up for my Patreon! Pierre Igot, Caroline S., Oliver A., and Demetrius, your day-one support was extremely heartwarming. If you’re just joining us now and interested in supporting, check out my Patreon page here:

Patreon: dance / music / sex / romance

I’ll have my first patron-exclusive post ready soon–hopefully as soon as tomorrow! And of course, the next “official” post will be here soon as well. Thanks for your patience.

Podcast: I Know That the Lord is Coming Soon – Erica Thompson on the Salford Purple Reign Conference

Podcast: I Know That the Lord is Coming Soon – Erica Thompson on the Salford Purple Reign Conference

(Featured Image: Purple Rain Tour Shirt, 1984; photo stolen from the Current.)

It’s been just under two months since I started interviewing presenters from this spring’s interdisciplinary Prince conference at the University of Salford, and I’ve been absolutely thrilled with the results. But all good things must come to an end, so I had planned to make this chat with writer Erica Thompson the last of my post-conference podcasts. It would have been a great choice, too; Erica’s presentation was the result of many years of research for a book project on Prince’s spiritual journey, so our conversation was less about the conference in particular and more about her findings more generally: a nice segue into future, less Manchester-centric episodes.

But just when I think I’m out, they keep pulling me back in. Contrary to my own statements in this episode, I have already set up another interview with a few presenters from one of the conference’s gender and sexuality panels. So basically, expect me to keep interviewing scholars from the Purple Reign conference until the next milestone in Prince scholarship comes along. And in the meantime, please enjoy my and Erica’s conversation about the importance–and, sometimes, difficulty–of understanding Prince’s religious faith in relationship with his art.

As usual, I invite you to subscribe to the podcast on iTunes, Stitcher, or Google Play for mobile listening; you can also stream episodes on Mixcloud. And keep listening, because there’s good stuff–Purple Reign-related and otherwise–coming up in the near future!

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Podcast: Something Wrong with the Machinery – Carmen Hoover on the Salford Purple Reign Conference

Podcast: Something Wrong with the Machinery – Carmen Hoover on the Salford Purple Reign Conference

(Featured Image: “That Moment” during “Computer Blue,” Purple Rain, 1984; © Warner Bros.)

We’re nearing the end of our miniseries on the University of Salford’s interdisciplinary Prince conference, but there are still a few treats in store–starting with today’s conversation with Carmen Hoover. Carmen is a current professor at Olympic College in Washington, and a former First Avenue employee who watched Prince conquer the world from Minneapolis in the early 1980s. We talked about the conference, the time she saw Prince at a gas station, and most importantly, her paper on the evolution of a particular moment (you know the one) between Prince and Wendy in Purple Rain. If your interests are anywhere near as prurient as mine, it’s a can’t-miss.

Remember that you can subscribe to d / m / s / r on any of the major podcast services (iTunes, Stitcher, Google Play). If you like what you hear and want to share it with others, leave a review–it will help us reach more listeners! We’ll be back in a week with another pair of presenters from the conference.

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