Prince's pop life, song by song, in chronological order.
A “weird” guitarist with multiple girlfriends, a piano in his bathroom, and an Oedipal complex? They may as well have called the song “Prince’s House.”
The sheer celebration of life visible in every frame of Sign “O” the Times was a balm for the soul, an antidote to fascism’s anti-life equation.
Prince had tried before with his protégées, most notably Vanity, to Pygmalion a female version of himself; but while a few of these femme-Princes (Princesses?) could emulate him as a sex symbol, none before Sheila had the stage presence or musicianship.