Prince's pop life, song by song, in chronological order.
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The Belle of St. Mark
While “Glamorous” sounded tailor-made for Sheila’s particular talents (even if it wasn’t), “Belle” is well-crafted but faceless, embodying the essentialist cynicism of the publishing imprint Prince used for his female side projects: “Girlsongs.”
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Oliver’s House
A “weird” guitarist with multiple girlfriends, a piano in his bathroom, and an Oedipal complex? They may as well have called the song “Prince’s House.”
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D / M / S / R Subscriber Dispatch #8: September 1, 2025
The sheer celebration of life visible in every frame of Sign “O” the Times was a balm for the soul, an antidote to fascism’s anti-life equation.