Podcast: Vous êtes très belle – Joni Todd and Karen Turman on the Salford Purple Reign Conference

Podcast: Vous êtes très belle – Joni Todd and Karen Turman on the Salford Purple Reign Conference

(Featured Image: Prince in French Dandy Mode, Under the Cherry Moon, 1986; © Warner Bros.)

Just under two weeks ago, I had the pleasure of speaking with two more presenters from the University of Salford’s interdisciplinary Prince conference: Joni Todd and Karen Turman, who you may know by reputation as the “esoteric French panel.” But if all that sounds a little too highbrow, don’t worry; we mostly talked about Prince’s impeccable fashion sense and uncompromising artistic vision, just with a lot of references to Charles Baudelaire and Marcel Duchamp. It’s probably the only Prince podcast you’ll hear that mentions both “Pussy Control” and Walter Benjamin, and that’s the best endorsement I can possibly give.

As usual, if you like what you hear, you can subscribe to d / m / s / r on your podcast app of choice: iTunes, Stitcher, or Google Play. If you want to help, you can also leave a review, which will make it easier for new listeners to find us. See you (hopefully) next week!

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Podcast: Everybody Shut Up, Listen to the Band – Felicia Holman and Harold Pride on the Salford Purple Reign Conference

Podcast: Everybody Shut Up, Listen to the Band – Felicia Holman and Harold Pride on the Salford Purple Reign Conference

(Featured Image: “The Band with No Name”; from the Sign “O” the Times tour book, 1987.)

Settle in, folks, because today we’ve got not one, but two presenters from this spring’s Prince conference at the University of Salford: interdisciplinary artist/activist Felicia Holman and independent scholar/activist Harold Pride. Both were part of the organic community of Black artists and academics who came together in Manchester and, each in their own way, helped to reclaim Prince’s legacy as a specifically African American artist. The three of us talk about that, as well as their specific papers–Harold’s on the underrated, short-lived “Band with No Name” from 19871988; Felicia’s on Prince’s autodidacticism and its connection to traditions of Black self-determination–and, as usual, a lot of other things along the way. It’s a great conversation that could have easily been twice as long; I hope you enjoy it as much as I did!

I still have a handful of these interviews lined up, and will be posting them at least through Labor Day. If you want to hear them, you can follow the podcast on any of the major services (iTunes, Stitcher, or Google Play). Appearances to the contrary, I’m also still writing: I’ll be back to the ol’ grind next week. See you then!

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Review: Prince and Little Weird Black Boy Gods

Review: Prince and Little Weird Black Boy Gods

(Featured Image: Cover art for Prince and Little Weird Black Boy Gods: Prince Essays by Scott Woods.)

Every Prince fan, poet Scott Woods writes in one of the essays in Prince and Little Weird Black Boy Gods, “thinks they are the biggest Prince fan in the world. It is why encounters with fans are sometimes challenging: You can’t tell us anything about Prince, let alone anything that would make us change how we feel about him.” This is both a bitingly funny observation–one of many to be found here–and an accurate assessment of how his book will be received in certain corners of the Princeverse. It’s something of which Woods himself is well aware; as he writes in the book’s introduction, some readers will think his book sucks, “and mostly for the same reasons as most Prince books suck: it won’t tell you anything about Prince that you didn’t know.”

Woods is right; if fresh knowledge is what you’re looking for in a Prince book, then you should probably look elsewhere. But I have to question the philosophy–out of professional self-preservation, if nothing else–that the only reason to read a book about Prince is to learn something “new.” So much of the fandom in the wake of Prince’s passing last April has been about making connections, through shared experiences and shared grief: swapping stories, knowledge, and opinions, not because it’s something we’ve never heard before, but because the act itself brings us closer to one another. A theme that runs through several of Woods’ essays, borrowed from a speech by Wendy Melvoin at Prince’s memorial service, is that making art is a form of communion: “Being creative is how you can talk to [Prince]. If you’re being creative, he will talk to you.” This book, then, is both the long conversation with Prince Woods was never able to have, and one of the most engaging conversations about Prince you’ll ever have with another fan.

And Woods really is a huge fan (perhaps even the biggest in the world). His knowledge of Prince’s oeuvre is deep, and his opinions are as much fun to disagree with as they are the opposite (Seriously, ART OFFICIAL AGE was a “loss?” Controversy was better than Dirty Mind?!). His book, a collection of his online writing about Prince, is clearly meant for other hardcore fans, and it’s at its best when its appeal is narrowest: devoting a whole essay, for example, to the heavily processed Linn LM-1 “sidestick” that is an ineffable signature of Prince’s greatest music (you know it when you hear it). Of course, this means it’s also wildly self-indulgent; probably the longest single essay is a gratuitous (but witty!) beatdown of Kanye West in the wake of L.A. Reid’s ill-fated 2015 comparison of the two artists, which feels even more anachronistic now that Reid’s career is effectively over. But hey–people actually paid money on Kickstarter for Woods to write that one, so clearly there’s something here for everyone.

Whether Little Weird Black Boy Gods is worth its own modest asking price, then, depends on what one expects out of a Prince book. There is no real thesis here–though there are certainly recurring themes–and, again, no new information on the artist (though Woods’ detailed report on his tour of Paisley Park is a different kind of “insider info”). Personally, I’m okay with this, in large part because Woods is honest about his intentions. He’s not trying to make an overarching summation of Prince’s career, as authors like Brian Morton and Ben Greenman have tried (and, arguably, failed) to do; he’s just reflecting on his own experiences as a fan, both before and after Prince’s death. At its best–as in the title essay, one of the most moving tributes to Prince in the wake of his passing that I’ve read–it’s exactly the kind of creative, communal experience Melvoin was talking about in her memorial speech. We’re never going to know everything there is to know about Prince; but books like Woods’ let us know a little more about each other, and by extension about ourselves. In some ways, that’s an even more appealing proposition.

You can support dance / music / sex / romance by purchasing Little Weird Black Boy Gods (or anything else!) using my Amazon affiliate link. See you again soon.

Podcast: It’s Time Someone Programmed You – Leah McDaniel on the Salford Purple Reign Conference

Podcast: It’s Time Someone Programmed You – Leah McDaniel on the Salford Purple Reign Conference

(Featured Image: The infamous “Prince’s Women” cover, Rolling Stone, April 1986; photo by Jeff Katz.)

For the third installment of my miniseries on the University of Salford’s interdisciplinary Prince conference, I’m talking to Leah McDaniel (née Stone), a businesswoman, world traveler, and lifelong Prince fan. Her paper was on the eternally unsettled question of whether or not Prince was a feminist; we reflect on that question, as well as the contrast between his artistic warmth and his sometimes-chilling approach to interpersonal relationships, and why even Prince at his worst was still better than R. Kelly at his best.

If you’re frustrated that we don’t issue a final verdict, come back in a few months, when I plan to host a round table discussion on the “was Prince a feminist” debate (and almost certainly still won’t offer a definitive answer). In the meantime, you can check us and our way-improved new logo out on all the major podcast services (iTunes/Stitcher/Google Play). Your reviews and subscriptions on your service of choice would be a big help in getting us more visibility. As always, thanks for listening–we’ll be back with another episode by the end of next week!

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