“I can’t believe people are gullible enough to buy Prince’s jive records,” Rick James griped to Britain’s Blues and Soul magazine in 1983. “He’s out to lunch. You can’t take his music seriously. He sings songs about oral sex and incest” (Matos 2015). It was the first public shot across the bow in a years-long, mostly one-sided beef between the godfather of “punk-funk” and the young upstart who first rivaled, then surpassed him. But it was hardly the first time these titans had clashed: James’ comments were transparently rooted in tensions from three years earlier, when Prince was the opening act for his early 1980 Fire It Up tour. And it was just before his tour with James when the “mentally disturbed young man” debuted his most notorious song about oral sex, “Head.”
Well, folks, the podcast episode I promised yesterday isn’t going to happen until early next week; I simply didn’t have enough time to finish editing. Luckily, though, Warner Bros. has my back, because last night they surprise-released another advance track from the new Purple Rain reissue: the studio-recorded medley of “Our Destiny” and “Roadhouse Garden.” So, rather than completely skip a post today, let’s take a short look at these songs and how they fit into the grander scheme of Prince’s work.
Like the previously-discussed “Electric Intercourse,” “Our Destiny”/”Roadhouse Garden” has advance notoriety among hardcore fans and collectors–though, in this case, its connection to the Purple Rain project is much less clear. Prince and the Revolution performed the song only once, at his 26th birthday celebration at Minneapolis’ First Avenue on June 7, 1984: the same concert that yielded the basic track for Jill Jones’ “All Day, All Night.” And as all of us Prince obsessives know, that might as well have been a decade after the previous year’s August 3 First Avenue date, which similarly provided the majority of Purple Rain’s second side. By summer of 1984, Prince was already hard at work on his next project(s), including tracks that would end up on 1985’s Around the World in a Day.
Adding to the confusion, Roadhouse Garden would later become the title of an aborted late-’90s compilation of refurbished Revolution tracks by the artist then-formerly known as Prince–most of which seemed to date from what Princeologists would consider to be the “Dream Factory era” of 1985-1986. This, in turn, appears to have transformed in many fans’ reckonings into a whole other album between Purple Rain and Around the World in a Day, possibly also called Roadhouse Garden. Basically, the song’s provenance is a mess, and I’ve seen more than a few people cry foul over its and its sister song’s inclusion in what “should” be a compilation of outtakes specifically related to Purple Rain.
(Featured Image: The new, shiny Purple Rain cover; © Warner Bros./NPG Records)
Three years ago (and again six months ago), I tried to predict the contents of the new deluxe edition of Purple Rain. So, now that we have an official track list, I thought it would be fun to use my weekly guest post on Andresmusictalk as an opportunity to “grade” myself on my predictions. You can see the results here:
This seems like an appropriate time to remind everyone that the deluxe and “Deluxe Expanded” versions of Purple Rain are available for preorder, and you can support the blog by using my affiliate link to purchase them (or anything else) from Amazon. In less sales-pitchy news, this week I’m writing about the final circulating Prince song of 1979; you can also expect the last installment of my podcast with Jane Clare Jones by the end of the week. See you again soon!
(Featured Image: Mayte and O(+> in their wedding program, 1996; © Noelle-Elaine Media Consultants.)
Way back in mid-April, I spoke with writer, philosopher, and fellow Prince obsessive Jane Clare Jones for so long that our conversation ended up being split into four parts; but by the end of that conversation, we were also talking around things more often than we were talking about them. So, last week, we got together for a redo. The resulting podcast is a Frankenstein’s monster–but a fun, interesting Frankenstein’s monster!–of our original discussion on Mayte’s The Most Beautiful (placed, for maximum confusion, at the end) and some setup for the things we were talking around–which we’ll finally address in our episode next week. We also take advantage of the passage of time by discussing some of the major developments in the Princeverse last month: the Celebration, “Deliverance,” and that godawful TV movie. I promise it’s all a lot more coherent than it sounds.
You can listen to the podcast here or on any of the major aggregators: iTunes, Stitcher, and Google Play; feel free also to subscribe and leave a review on the service of your choice. We should have it up on Mixcloud soon, too. If you’re just coming in now, you can–and should!–check out the first and second episodes here. As always, thanks for listening!