As warned/promised last month, I have been up to my neck in drafting my chapter for the upcoming Prince and the Minneapolis Soundanthology (which is now two days late as of this writing–sorry, editors). As always, however, my much more consistent colleague in chronological Prince studies Darren Husted has come to the rescue with another episode of his podcast Prince: Track by Track featuring yours truly:
As usual, I picked a track that I consider a bit of a dark horse favorite. I hope you enjoy listening as Darren somehow manages to reference an obscure Michael Cera coming-of-age film, and I spend a solid minute and a half clearly describing a vagina without actually saying the word “vagina.”
We’ll be back to our regular schedule (I hope) next week, assuming I finish my chapter and/or my editors don’t kill me first. Have a great weekend!
Happy New Year, everyone! I’m starting 2018 more excited about this project than ever, and I think you’ll enjoy what I have planned. But first, here’s something I did for another chronological Prince project: Darren Husted’s excellent podcast Prince: Track by Track. Our topic this time around is a bit of a guilty pleasure: the Diamonds and Pearlsalbum cut “Daddy Pop.” But you should still listen, if only to hear my surprisingly spirited defense of Tony M:
While I’ve got you here, I guess I might as well talk about a few of those things I have planned for the months to come. First up will be another, imaginative look at what might have been for Prince’s relationship with André Cymone; then, starting next week, I’ll be jumping into the songs that became the debut album by Prince’s first official protégé group, the Time. On the podcast, you can also look forward to an interview with Kimberly Ransom, whose work appeared both at last spring’s University of Salford Prince conference and in last fall’s special Prince issue of the Journal of African American Studies. I’m also in the very, very early brainstorming period for a series of podcasts on each of Prince’s albums I’ve covered in writing so far, beginning with the 40th anniversary of For Youin April. If you have any ideas for that–including suggestions for possible guests–you know where to find me.
(Featured Image: Purple Rain Tour Shirt, 1984; photo stolen from the Current.)
It’s been just under two months since I started interviewing presenters from this spring’s interdisciplinary Prince conference at the University of Salford, and I’ve been absolutely thrilled with the results. But all good things must come to an end, so I had planned to make this chat with writer Erica Thompson the last of my post-conference podcasts. It would have been a great choice, too; Erica’s presentation was the result of many years of research for a book project on Prince’s spiritual journey, so our conversation was less about the conference in particular and more about her findings more generally: a nice segue into future, less Manchester-centric episodes.
But just when I think I’m out, they keep pulling me back in. Contrary to my own statements in this episode, I have already set up another interview with a few presenters from one of the conference’s gender and sexuality panels. So basically, expect me to keep interviewing scholars from the Purple Reign conference until the next milestone in Prince scholarship comes along. And in the meantime, please enjoy my and Erica’s conversation about the importance–and, sometimes, difficulty–of understanding Prince’s religious faith in relationship with his art.
As usual, I invite you to subscribe to the podcast on iTunes, Stitcher, or Google Play for mobile listening; you can also stream episodes on Mixcloud. And keep listening, because there’s good stuff–Purple Reign-related and otherwise–coming up in the near future!
Hi everyone! While I drag my feet on actually updating this goddamn blog, here’s some Prince-related writing of mine from elsewhere on the Internet: a piece I wrote for the online magazine published by record-of-the-month club Vinyl Me, Please. Thanks very much to VMP for making this happen!