Podcast: Nothing Compares – A Conversation with Marylou Badeaux, Author of Moments… Remembering Prince

Podcast: Nothing Compares – A Conversation with Marylou Badeaux, Author of Moments… Remembering Prince

(Featured Image: Marylou and Prince, 1979; photo from Moments… Remembering Prince by Marylou Badeaux.)

This is the last d / m / s / r podcast of 2017, and I have to say we’re going out on a high note. It was my honor and privilege to speak with Marylou Badeaux: a former Warner Bros. executive who worked closely with Prince for his 17 years with the label, and the author of the newly-released memoir Moments… Remembering Prince. You can probably tell that I was a little nervous at the beginning of the conversation, but we warmed up quickly and had a great chat about Prince and his relationship with the label that, for better or worse, defined his era of peak artistic achievement.

Now, I have one last item of business to conduct before the podcast goes on holiday break. There are actually two winners of my contest for iTunes and Stitcher reviews–one for each platform. The first is Louise Be, for her eloquent and incredibly flattering review on Stitcher; the second is Mafalda Taborda, who not only left a very nice review on iTunes, but was also the first person to review the podcast on any platform. Louise and Mafalda, if you’re reading and/or listening to this, please email me and let me know which of the two recent Prince books you would prefer me to send: Marylou’s Moments, or Duane Tudahl’s Prince and the Purple Rain Era Studio Sessions. And for everyone else who participated–and those who didn’t!–thanks for making the first year of the dance / music / sex / romance podcast such a pleasure to put together. I can’t wait to see where things go in 2018.

Continue reading “Podcast: Nothing Compares – A Conversation with Marylou Badeaux, Author of Moments… Remembering Prince”

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Prince Track by Track: “Dance On”

Prince Track by Track: “Dance On”

(Featured Image: Prince with Boni Boyer and Sheila E at Oakland Coliseum, 1988; photo stolen from SF Weekly.)

First, allow me to make my customary apology for how quiet it’s been around these parts lately: October was a disaster for me on several fronts, and my free time has taken an according hit. Fortunately, Darren Husted has come through with my latest guest appearance on his chronological Prince podcast, Prince: Track by Track. We’re talking about one of my favorite dark-horse cuts from Lovesexy, “Dance On”:

Prince Track by Track: “Dance On”

I believe this will be my last appearance on Track by Track in 2017–in the meantime, look out for some more stuff in the coming weeks on d / m / s / r!

Podcast: I am Something That You’ll Never Understand – Chris Aguilar-Garcia and Natalie Clifford on the Salford Purple Reign Conference

Podcast: I am Something That You’ll Never Understand – Chris Aguilar-Garcia and Natalie Clifford on the Salford Purple Reign Conference

(Featured Image: Prince at his most gender-nonconforming on the Lovesexy tour program cover, 1988; photo by Jeff Katz.)

Here at last, after much delay, is my conversation with Chris Aguilar-Garcia and Natalie Clifford, two presenters from this May’s interdisciplinary Prince conference at the University of Salford. Both Chris and Nat identify as queer, and both have very interesting things to say about Prince’s legacy of “revolutionary queerness” and the space he created for less conventional expressions of gender and sexuality in the mainstream. If you liked the last episode with Snax, chances are you’re gonna like this one.

This is the part of the description where I would normally say we’re switching gears and moving away from the Salford conference, but as it happens, we already have another interview with a presenter in store. So basically, I’ll keep doing these as long as people want to talk to me. If you still want to listen to me–and, more importantly, my eloquent guests–feel free to subscribe on your podcast service of choice (iTunes, Stitcher, or Google Play), or listen on Mixcloud. And if you really like us, take that aforementioned podcast app and shoot us a rating or review; it will make us more “discoverable” and broaden the listening base. In the meantime, thanks as always for listening!

Continue reading “Podcast: I am Something That You’ll Never Understand – Chris Aguilar-Garcia and Natalie Clifford on the Salford Purple Reign Conference”

Roundup: Dirty Mind, 1980

Roundup: Dirty Mind, 1980

(Featured Image: Outtake from the Dirty Mind cover photo sessions, 1980; photo by Allen Beaulieu.)

It’s been a long six months since my last roundup post, but this time I’m not going to make any promises about picking up the pace: my inherent slothfulness aside, Dirty Mind also marks the beginning of my personal favorite era for Prince, and I want to do it justice. Hopefully, with this latest batch of posts, I’m off to a good start; as always, I’m looking forward to the rest!

Here’s my ranking of the songs from Dirty Mind:

8. “Do It All Night” First, let me be clear: I consider Dirty Mind to be Prince’s first set of wall-to-wall classics, so when I say “Do It All Night” is my least favorite track, it’s barely a criticism. It’s just that on an album that introduced a bolder, rawer Prince, this was one of the few tracks that sounded like it could have been held over from his previous record. It’s still a jam, though–and, as I noted in the post, it really came to life in concert.

7. “Sister” Again, no disrespect intended to what remains Prince’s most literal interpretation of the punk aesthetic. It’s just that “Sister” is less a great song than it is a great segue: doubling down on “Head”’s gleeful vulgarity, before getting political with “Partyup.” I never really listen to “Sister” on its own, but I can’t imagine the album without it.

6. “Gotta Broken Heart Again” I’ve already confessed my love for Prince’s early, simple R&B ballads, and this is one of the simplest and purest of the bunch. Sometimes I think I might even like it more than “How Come U Don’t Call Me Anymore” (don’t tell anyone I said that, though).

5. “UptownThis might be blasphemy, but for me this song is significant mostly for what it represents: the first of Prince’s grand utopian visions, an idealized multicultural Minneapolis invented out of sheer willpower, and an early example of the intersectional identity-fucking he’d perfect in the years to come. As a song, it doesn’t do much for me that “Controversy” wouldn’t improve upon later; but that doesn’t stop me from singing along when it comes on in the car.

4. “Dirty Mind” Like “Do It All Night,” this isn’t breaking as much new ground as you might expect, subject matter-wise; but in this case, the sound is pure throbbing future erotica, pointing the way to even deeper New Wave and electronic indulgences to come.

3. “When You Were Mine” Prince’s best pop song to date, and one of his catchiest ever; plus, it’s the one track on Dirty Mind I can (somewhat) comfortably listen to with my five-year-old, so that scores it a few bonus points.

2. “Head” Yeah, it’s “just” a funky song about blowjobs, but it’s hard to overstate the importance of this song to Prince’s oeuvre. So much of the rest of his 1980s, from the literal and musical miscegenation to the “Filthy Fifteen” explicit lyrics, can be traced directly back to “Head.” In its own way, this is Prince’s “Brown Sugar”: an unfiltered, borderline obscene id dump that nevertheless says something deeply significant about rock and roll.

1. “Partyup” My favorite track on Dirty Mind is also quite possibly the least “dirty”; in my opinion, though, this sudden album-closing pivot toward conventional politics gives the other songs an even more liberatory charge. On his next album, of course, Prince would deal even more explicitly with current events, but not with anywhere near this level of ease, concision, or panache.

Now let’s take a look at those tags:

tagcloud-1979dirtymind-tagcloud

Obviously things are skewed a bit by the podcast, but there are some interesting trends to be observed: old collaborators (Owen Husney, Pepé Willie) are beginning to recede, while new ones (Dez Dickerson, Lisa Coleman) are starting to emerge. In case anyone had any doubts, this was also the longest series of posts I’ve done so far: 1,653 words on average, vs. 1,383 for Prince and 1,379 for For You.

I’m hoping to jump into the brave new post-Dirty Mind world next week; first, though, I need to deliver that podcast episode that was supposed to come out today. New ETA is Monday. In the meantime, here’s the Spotify playlist!