Prince's pop life, song by song, in chronological order.

While “Glamorous” sounded tailor-made for Sheila’s particular talents (even if it wasn’t), “Belle” is well-crafted but faceless, embodying the essentialist cynicism of the publishing imprint Prince used for his female side projects: “Girlsongs.”
These are dark and challenging times; and if writing in excruciating detail about 40-year old pop songs is the way I’ve found to bring an iota of positivity into some small corner of the larger world, then I will forever be thankful for finding it.

A “weird” guitarist with multiple girlfriends, a piano in his bathroom, and an Oedipal complex? They may as well have called the song “Prince’s House.”