(Featured Image: From Kustom Kar Kommandos, Kenneth Anger, 1965. © Fantoma Films.)
Despite the band name on the label and the six musicians credited on the sleeve, the Time’s first album
Guitarist Dez Dickerson wrote the lyrics for “Cool”–more on that later–and, less successfully, was solely responsible for “After Hi School.” “The idea was for the record to have a youthful vibe,” Dickerson wrote in his 2003 memoir, so he recorded a four-track demo for a song “where the main character is a kid about to graduate, facing the usual questions from adults, and decisions to be made. Prince liked it, but changed it from its original AC/DC-ish rhythm to a more up-tempo Brit/New Wave feel” (Dickerson 112). The song’s faux-Farfisa accompaniment does recall Prince’s New Wave-flavored “When You Were Mine”; but the cloying lyrics and Morris’ still-untutored vocals do it no favors.
For the album’s most fruitful collaboration, however, Prince didn’t have to look far: in April of 1981, keyboardist and recent Los Angeles transplant Lisa Coleman was still living in his home at 9401 Kiowa Trail. “My room was upstairs,” she later told biographer Matt Thorne, “so he would call me down. ‘Lisa, would you help me do this string part? What about these lyrics? Can you finish this verse?’ He involved me. I punched him in while he was playing the drums, whatever it was” (Thorne 2016). Lisa’s backing vocals are prominent throughout The Time: she, along with Sue Ann Carwell, is one of the “Various Girlfriends” credited in the liner notes. And it was Lisa who provided the lyrical spark–and maybe more–for the album’s comically raunchy closing track, “The Stick.”
, “Get It Up” sounds like the missing link between 
and 
(Nilsen 1999 86). The brittle New Wave funk arrangement and wheedling 