July 2021 marks the 40th anniversary of the self-titled debut album by the Time; so, I decided to commemorate the occasion by bringing back Darling Nisi and Harold Pride for one of our trademark track-by-track deep dives. As always, the conversation left me thinking about the album in new ways: from KaNisa’s interpretation of it as Prince’s tribute to the funk music of his youth, to Harold’s insight on its significance to the development of electronic dance music. I remain grateful to be able to talk about music with these two brilliant people.
Last time, I promised I’d have another podcast episode ready in less than the almost two-year gap between our Prince (1979) and Dirty Mind episodes; and, technically, I did make good on that promise, since it’s “only” been 10 months since Dirty Mind last September. But for real, I’ll be back much sooner this time–like, probably around this time next month. So, if you haven’t already, subscribe to Dance / Music / Sex / Romance on your podcast provider of choice; and, if the spirit moves you, you can even leave a review! You’ll be hearing from me again very soon.
One quick correction, which came up in the chat at the symposium: While Allen Beaulieu was involved in the Controversy poster shoot, the actual image that made it onto the poster was taken by none other than Lisa Coleman! So, Lisa, if you ever want to come on my podcast and spend an entire hour talking about nothing but this photo, consider this your open invitation.
If you can’t get enough of me and my pandemic hair, below is the Q&A I did with Christopher, Steven, Edgar, and C. Liegh:
Finally, I’d like to share a few of my favorite presentations from the symposium. It isn’t an exhaustive list–my real recommendation is that you watch every video on De Angela’s channel!–but if you’re looking for a good place to start, you can’t go wrong with these.
Well, you know what happened next: DM40GB30 was delayed, then went virtual, while I slipped into a pandemic-related depression fog that only lifted, appropriately enough, after I participated in the virtual symposium back in June. Meanwhile, the podcast continued to lavish in the D / M / S / R Vault (a.k.a. the “Documents” folder on my computer) until the end of last month, when I was promptly reminded of just how laborious a task editing a three-hour podcast recording can be.
Now, the wait is finally over: the D / M / S / R podcast is back, in all its wildly self-indulgent glory. I want to thank everyone for their patience, and assure you that there won’t be a two-year wait before the next episode; in fact, I’d recommend you go ahead and use one of the links above to subscribe on your podcast service of choice using one of the links above, because I’m aiming to put out one of these bad boys (i.e., podcasts, not necessarily review episodes) per month. As always, let me know what you think, and feel free to leave a review on your podcast provider if you’re so inclined.
According to an interview with sessionographer Duane Tudahl for the Minnesota Public Radio podcast The Story of 1999, “Rearrange” was long known to researchers by its title alone: “it was one of those songs that we’d heard existed, but I didn’t think it was actually a song,” Tudahl told host Andrea Swensson. “I thought it was just some shuffling of his stuff”–a studio note indicating a literal rearrangement of tapes. As it turned out, of course, it was real–though it was also little more than an admittedly funky sketch: a stark, mid-paced groove with a slick rhythm guitar hook similar to the Time track “The Stick.”
Given this similarity–not to mention Prince’s guitar solo, which plays neatly to Jesse Johnson’s combustive style–it seems likely that “Rearrange” was at least provisionally mooted for that group. But this is just speculation; ultimately, says Tudahl, we “don’t know whether it was intended for 1999, whether he was searching for a voice for 1999, or whether he was saying, ‘I gotta record another Time album soon.’ But either way it was something that was not planned. He just thought, ‘I’m in the studio, I gotta record… This is what I’m gonna do’” (Swensson 2019 Episode 2).
I was focused on finishing up my “Lady Cab Driver” post when it came out last week, so I’m a little late in sharing my latest appearance on Jason Breininger’s Press Rewind podcast, talking about one of my biggest guilty pleasure B-sides from 1982:
And speaking of 1982, there are only two official posts left before d / m / s / r leaves that year behind and moves into 1983! I was initially planning to go straight into “1999,” but I decided to take a short detour into “No Call U” first: partly because I already know “1999” is going to be a huge, time-consuming post to write, and partly because I think it will end up making a little more “narrative” sense. So you can expect “No Call U” at the end of the week on Patreon/late next week on the blog, with “1999” following at the beginning of February. I also may try and sneak a Patreon exclusive on one of the 1999 Super Deluxebonus tracks in there, too. We’ll be starting in on the Purple Rainera before you know it! I’ve also got a few ideas cooking for the podcast relaunch, so stay tuned for that. Later!