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Dream Factory, 1986

Now on Patreon: Witness 4 the Prosecution (Version 1)

Note: I’m still in the midst of prep work for the next “chapter” of Dance / Music / Sex / Romance, but in the meantime, I thought writing about the recent official release of “Witness 4 the Prosecution” would make a fun warmup. It’s currently available on the Patreon for easy access; I’ll be posting it here a week from today!

As has become tradition for Warner’s posthumous Prince collections, last month’s Sign “O” the Times Super Deluxe announcement was accompanied by the release of a “new” song from the Vault. “Witness 4 the Prosecution (Version 1)” was recorded on March 14, 1986–one of the first recordings at Prince’s new home studio at Galpin Blvd. in Chanhassen, where he had moved in November of 1985. The stripped-down blues-rock number featured Prince on all instruments, including live drums and some decidedly Hendrixian guitar.

Lyrically, “Witness” finds Prince in a metaphorical courtroom, testifying against a “heinous love affair” in which he claims to be “guilty of nothin’ but always wantin’ you to be there.” “Whatever it is you think that I did,” he argues passionately, “You’re wrong, I wouldn’t even dare.” Susan Rogers, Prince’s home studio engineer from 19831987, told Per Nilsen’s Uptown fanzine that the song was written “as a direct result” of his tumultuous relationship with Susannah Melvoin, his live-in partner at the time and the twin sister of Revolution guitarist Wendy (Nilsen 1999 214). “He had gone further with her than anybody else,” Rogers recalled. “She was wearing his ring, he loved her and didn’t want to lose her, but he didn’t think that he could carry out his commitment. They were fighting a lot, and it was sort of over nothing” (195).

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Patreon Exclusives

Patreon Exclusive: So, Let’s Talk About That Sign “O” the Times Reissue

Last Thursday, after weeks of rumors and leaks, it finally became official: the next expanded reissue from Warner and the Prince Estate is Sign “O” the Times, and it’s a doozy: 8 CDs (13 LPs, for the wax-inclined) and a DVD covering the full breadth of Prince’s output from late 1985 to early 1987. I won’t be “officially” writing about this music until 2021 at the earliest (more on that later), but damned if I can’t share some preliminary thoughts about it now. Supporters on Patreon can read them now, disc by disc (and, in the case of the Vault discs, track by track):

Patreon Exclusive: “So, Let’s Talk About That Sign ‘O’ the Times Reissue”

Meanwhile, while I have you here, let me share that I am reasonably confident that the blog relaunch I’ve been working on will be ready by next week. This means, among other things, a return to regular posts in July. Thank you all for your patience during my extended leave of absence; I’ll have more to say next week, but for now, I’m excited to be back!

Categories
Ephemera, 1981-1982

Moonbeam Levels (The New Master)

Note: Incredibly, it’s been just over three years since I first wrote about “Moonbeam Levels” for dance / music / sex / romance. That post focused on the song’s status as the first posthumously-released track from Prince’s Vault, and was colored by the then-recent passings of both Prince and David Bowie, who I still consider to be an unsung source of inspiration for the song. You can still read that version if you want; but here is what I now consider to be the official d / m / s / r take on “Moonbeam Levels.”

In early July 1982, after spending the latter half of the spring back home in Minnesota, Prince returned to Sunset Sound in Los Angeles. His goal, almost certainly, was to finish the album that would become 1999. But in typical fashion, he overshot that goal: instead, launching himself into the stratosphere with the fittingly extraterrestrial outtake “Moonbeam Levels.”

In some ways, “Moonbeam Levels” feels very much of a piece with the other songs Prince was recording in mid-1982. Like many of the tracks that would end up on 1999, it opens with a prominent Linn LM-1 beat: in this case, the mechanical pulse of a bass drum, punctuated by a hiss of synthesized exhaust. To this futuristic foundation, Prince adds Blade Runner synth pads and lyrics evoking space travel: his narrator fantasizes about “a nice condo overlookin’ the rings of Saturn” and asks for the titular “moonbeam levels,” a poetic turn of phrase that conjures up images of interplanetary transmissions and cosmic rays. Meanwhile, the ever-present threat of annihilation looms: Prince imagines a never-written novel with the capsule summary, “Boy loses girl in a rainstorm, nuclear World War III,” his pet themes of personal and global apocalypse summed up in a single, devastating line. The whole package feels custom-built for precisely the kind of science-fiction pop-funk epic Prince had spent the past six months assembling piece by piece.

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Uncategorized

Prince Track by Track: “U KNOW”

We’re down to my final three appearances on Darren Husted’s Prince: Track by Track podcast! This time, the subject is (probably) my favorite track from Prince’s last three albums:

Prince Track by Track: “U KNOW”

Also, as promised, my review of Lizzo’s new album is up on Slant Magazine! She’s come a long way from “BOYTROUBLE”:

Lizzo’s Cuz I Love You is a
Vessel for Pure Exuberance

Hoping to have another Vanity 6 post up by the end of the week–and, of course, it being Celebration week, I’d be surprised if there wasn’t a “new” track to write about sometime in the next couple of days. We’ll see what happens!

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Uncategorized

Prince Track by Track New Year’s Roundup

As usual, I took the last couple weeks of December off for the holidays, which meant I didn’t post the links to my last two appearances on Darren Husted’s Prince: Track by Track podcast. So here they are now: one of my favorite tracks from Prince’s extended universe, as well as one of the most forgettable. I’ll let you guess which one is which:

Prince Track by Track: “Hynoparadise”

Prince Track by Track: “A Love Bizarre”

With this bit of business out of the way, I’m now officially on track to kick off the blog for 2019. We’ll start tomorrow with a belated post from one of our alternate timelines, then it’s back to the Time’s second album next week. Happy New Year!