Podcast: Prince (1979) Revisited

Podcast: Prince (1979) Revisited

(Featured Image: Cover art for Prince, 1979; photo by Jurgen Reisch, © Warner Bros.)

October 19, 2018 marks the 39th anniversary of Prince’s self-titled second album–not the most glamorous occasion, perhaps, but reason enough to reassemble the review panel from our For You podcast for a reappraisal. Once again, Zach is joined by Harold and KaNisa for a track-by-track discussion of this underappreciated album, its resonances throughout Prince’s career, and why it still matters.

If you want to keep in the loop for our forthcoming Dirty Mind podcast, you can subscribe to dance / music / sex / romance on your aggregator of choice (iTunesStitcher, or Google Play); and if you like what we’re doing and want to spread the word, please leave us a review! In the meantime, the d / m / s / r blog will return next week with one last track from 1981.

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Podcast: New Power – A Conversation with Takuya Futaesaku, Author of Words of Prince

Podcast: New Power – A Conversation with Takuya Futaesaku, Author of Words of Prince

(Featured Image: Japanese newspaper coverage of Prince’s arrival in the country, September 1986.)

I gave myself a little hiatus from the dance / music / sex / romance podcast after Celebration 2018, but now we’re back in business with guest Takuya Futaesaku, author of the book Words of Prince. Takki and I talk about his book and his experiences as a Prince fan in Japan; it was a pleasure to speak with him, so hopefully it will be a pleasure to listen, too!

You can check out my review of Words of Prince here on the d / m / s / r blog. You can also subscribe to the podcast on your aggregator of choice (iTunesStitcher, Google Play), and consider leaving a review to help spread the word. Special thanks this episode go to Crystal for helping me track down the Japanese shows you’ll hear during the podcast! I’ll be back soon, hopefully next week, with another blog post.

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Cool

Cool

(Featured Image: 1981 publicity photo for the Time. L to R: Jesse JohnsonTerry LewisMorris DayJimmy Jam, Jellybean JohnsonMonte Moir. © Warner Bros.)

While guitarist Dez Dickerson’s most fleshed-out contribution to The Time was the aforementioned “After Hi School,” it was his work as a lyricist that had the more lasting impact. Dickerson wrote lyrics for at least three songs recorded in April of 1981 and (most likely) intended for the new side project. Two of these, “Dancin’ Flu” and “I Can’t Figure It Out,” we only know as titles from The Vault; but the third, “Cool,” would become the Time’s second single and one of their trademark songs. “Prince called me up one day with the title and asked me to write some lyrics to go with it,” Dez recalled to Per Nilsen’s Uptown fanzine. “I called him back about 20 minutes later with the song” (Nilsen 1999 86).

According to Dickerson, the genesis for “Cool” came during the Dirty Mind tour, on a night when the band was hanging out with Warner Bros. A&R exec Ted Cohen. “I had this voice that I adopted at times, and, that night I just kind of got ‘stuck’ in it, cracking jokes,” he wrote in his 2003 memoir. “I fell into this thing where I kept telling Ted, ‘Ted, man, you bad! Ain’t nobody bad like you, Ted!’ Well, you guessed it–the voice and the phrase ‘ain’t nobody bad…’, which would later become the signature of the Time’s banter, came from that night” (Dickerson 137).

While I am skeptical of attributing the whole “Morris Day” persona to Dez alone–both Prince and André Cymone, not to mention Morris himself, are also on record as having used the hoarse, jive-talking “pimp voice” most publicly identified with the Time–it is certainly true that “Cool,” and Dickerson’s “ain’t nobody bad but me” lyric, played an essential role in bringing that persona to life. Equal parts smooth and clownish, “Cool” laid the parameters for the hair-slicking, Stacy Adams-wearing, two-stepping caricature from which Morris remains publicly inseparable to this day.

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Prince Track by Track: “Dinner with Delores”

Prince Track by Track: “Dinner with Delores”

(Featured Image: Cover art for the “Dinner with Delores” CD single, 1996; photo by Steve Parke, © Warner Bros.)

Darren Husted’s Prince: Track by Track podcast has reached the end of the Warner Bros. era, and I was lucky enough to discuss SymbolSmallerBlue.png’s final single for the label, the elegaic-but-also-kinda-sexist “Dinner with Delores.” Check it out here:

Prince Track by Track: “Dinner with Delores”

While I’m in podcast-plugging mode, allow me to shout out the first episode of Muse 2 the Pharaoh, the latest addition to Michael Dean’s purple podcast empire hosted by friend of the blog Darling Nisi. I had the opportunity to hang with KaNisa and three of her guests (Stephanie, Crystal, and Erika) at Celebration last month and they are warm, funny people; so it comes as no surprise that their conversation for the podcast is heartwarming and positive, a perfect balance of intelligence and totally relatable fangirlishness. I can’t wait to hear the second episode:

Muse 2 the Pharaoh #1

And if you enjoy that, then keep an eye out for when Erika shows up on my other podcast, Dystopian Dance Party, on Friday! We’ll be talking about our Paisley Park experiences, and she’ll quiz my sister and I on some Prince songs we love to hate.

Finally, I’m hoping to get back in the weekly-post groove and knock out another song from The Time by the end of the week. Wish me luck!

Podcast: 40 Years of For You

Podcast: 40 Years of For You

(Featured Image: Cover art for For You, 1978; photo by Joe Giannetti, © Warner Bros.)

dance / music / sex / romance is fast approaching its third year, so to celebrate, we’re going…backwards? That’s right, to mark the 40th anniversary of Prince’s debut album, I thought now was the perfect time to go ahead with an idea I’ve been toying with for a while: our own sub-series of review podcasts looking at each of Prince’s albums in isolation.

I’m doing this for a few reasons. First, it’s a way to bring those of you who have been listening to the podcasts but not reading the blog into the loop on my chronological Prince project–and also a way for me to work through some of these albums before I can get to it with my glacially paced writing schedule.

Second, I’ve known from the beginning of this project that if I really wanted to do Prince’s catalogue justice, I would need to incorporate more voices and perspectives than just my own. We all have our biases and blind spots, and as a Prince fan I am acutely aware that one person’s sentimental favorite can be another’s unlistenable mess (and vice versa). That’s why I asked my friends Harold and KaNisa, both of whose encyclopaedic knowledge of Prince’s career dwarfs my own, to join me. I think you’ll find that our tastes and opinions both intersect and diverge in a lot of interesting ways, which allowed us–and hopefully, will allow you–to take a different perspective on some of these songs and the context in which they were created.

I hope you enjoy this new approach to an album that remains underappreciated in Prince’s catalogue. If you do, I hope you’ll subscribe to the podcast on your streaming app of choice (iTunes, Stitcher, or Google Play), and if you’re so inclined, leave a review! No matter what, thanks for listening, and see you again soon.

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