(Featured Image: Cover art for “Let’s Pretend We’re Married”/”Irresistible Bitch”; photo by Allen Beaulieu, © Warner Bros.)
Well, folks, it’s another week, so I guess that means another 15 minutes of me and Darren Husted talking about Prince. The subject this time around is another of my favorite B-sides, 1983’s “Irresistible Bitch”:
I know content has been scarce around these parts lately, but we should be back in business by next week! In the meantime, watch this space for more information about another one of my seemingly endless Prince-related projects.
(Featured Image: Ooh wee baby, your body’s like no other; photo stolen from Darling Nisi’s Tumblr.)
As warned/promised last month, I have been up to my neck in drafting my chapter for the upcoming Prince and the Minneapolis Sound anthology (which is now two days late as of this writing–sorry, editors). As always, however, my much more consistent colleague in chronological Prince studies Darren Husted has come to the rescue with another episode of his podcast Prince: Track by Track featuring yours truly:
As usual, I picked a track that I consider a bit of a dark horse favorite. I hope you enjoy listening as Darren somehow manages to reference an obscure Michael Cera coming-of-age film, and I spend a solid minute and a half clearly describing a vagina without actually saying the word “vagina.”
We’ll be back to our regular schedule (I hope) next week, assuming I finish my chapter and/or my editors don’t kill me first. Have a great weekend!
(Featured Image: Prince, Kim Upsher, and André Cymone, early 1980s; photo by Sylvia Amos, née Anderson. Stolen from Neon Rendezvous.)
Around the same time that Prince was co-opting Flyte Tyme for his project with Morris Day, he was also falling out with another of his oldest comrades: the co-founder of Grand Central and his closest musical partner, André Cymone.
André’s and Prince’s musical fates had been linked since the moment they first locked eyes in the Bryant Junior High gymnasium. Both were budding multi-instrumentalists, the children of talented jazz musicians: André’s father, Fred Anderson, used to play bass with Prince’s father, John L. Nelson. Both, too, possessed a preternatural drive far beyond the norms of their age and circumstance. “There was a sixth sense between the two of us,” Cymone told Billboard in 2016. “It’s something that doesn’t happen, I don’t think, very often where you find two people come together who are really passionate about what they do at a time when they’re both growing and learning” (Cymone 2016).
Continue reading “Do Me, Baby”
(Featured Image: The Kid’s Saintly Refusal to Sexually Assault Aura in Graffiti Bridge; © Warner Bros.)
Last month, I said I wouldn’t be on any more episodes of Prince: Track by Track in 2017, but it turns out I was misremembering. So, here’s me with podcast host Darren Husted talking about one of my all-time favorite Prince tracks, “Joy in Repetition”:
This is–for real–the last time you’ll hear me talking about Prince until next year. I will, however, be back by the end of the week with a nice, long post about “Do Me, Baby,” so don’t go into winter hibernation just yet!