(Featured Image: Prince practices social distancing sans the Revolution during the “When Doves Cry” music video shoot, 1984; photo by Larry Williams.)
As we all continue to figure out how the hell we’re supposed to get through this quarantine with some level of normalcy, please feel free to spend a little over an hour with me and Jason Breininger (not in the same room, thankfully) as we go in-depth on “When Doves Cry” for his Press Rewind podcast:
Listening back, it strikes me how much these lyrics are about touching and other forms of physical intimacy, and how wildly different those concepts sound today than they did 36 years (or two weeks) ago. May we all look forward to a day when “the sweat of your body covers me” conjures images of more than just COVID-19-spreading droplets. In the meantime, stay safe (and stay home).
(Featured Image: Cover art for Where I’m Coming From, © Motown Records.)
I know, I know, this isn’t what you want from me right now–but I recorded this podcast with Darren Husted of Prince: Track by Track fame a couple of months ago and I wanted to share it here for anyone who might be interested. If you’ve listened to any of my appearances on Track by Track, this will be familiar territory–with the obvious exception that we’re talking about Stevie Wonder, an artist with whom I am less familiar than I am with Prince, but who I obviously still appreciate on account of my functioning ears:
If you enjoy this, there’s more on the way: I’ve already recorded an episode for each of Wonder’s albums from 1972’s Music of My Mind to 1976’s Songs in the Key of Life. Also, while we’re on the subject of stuff I’ve done recently that is only vaguely Prince-related, my other project Dystopian Dance Party released a podcast the other week about George Clinton’s 2014 memoir Brothas Be, Yo Like George, Ain’t That Funkin’ Kinda Hard on You?, co-written by Prince book author Ben Greenman (and if you remember my review of said Prince book, rest assured that this one is better):
That concludes my shilling for this week! The next time you hear from me, it will be with a full post for “Purple Music.”
(Featured Image: U.K. picture sleeve for “Little Red Corvette,” 1983; © Warner Bros.)
Last month, I wrote a little more than 3,500 words about Prince’s first Top 10 single, “Little Red Corvette.” Lest you think that’s all I have to say about the song, here’s a little under an hour and a half of me on Jason Breininger’s Press Rewind podcast continuing to sing its praises:
That, at least for the time being, is the last I have to say about “Little Red Corvette”–though, as I note in the podcast, I could have gone on even longer than I did. Back here on the blog, I’ll be wrapping up the Time’s second album in the next couple of weeks. And, if you’ve been missing my beautiful voice, good news: not only am I scheduled to make another guest appearance on Press Rewind in the near future, but I am also a measly eight dollars away from my Patreon goal to relaunch the d / m / s / r podcast. The next person who supports the Patreon could easily be the person to push us over the edge! If you want to be that person, just click the link below:
(Featured Image: Sales brochure for the 1982 Chevrolet Corvette; stolen from the GM Heritage Center.)
Upon his return to Chanhassen from Los Angeles in May of 1982, Prince’s first task was to upgrade the basement studio in his home on Kiowa Trail: replacing the original 16-track console with a new 24-track Ampex MM1200 machine. According to biographer Per Nilsen, this project took about two weeks, overseen by Prince’s go-to home studio tech and engineer, Don Batts. Astonishingly, within hours of the new studio’s setup, Prince had recorded the basic track for one of his most enduring songs, “Little Red Corvette.” “It was incredible to build the studio in that short time and then come up with that tune so quickly,” Batts recalled. But, as he also acknowledged, “That’s how fast it generally went” (Nilsen 1999 100).
Indeed, much about “Corvette” seemed to emerge with almost supernatural ease, as if Prince had merely plucked it from the ether fully-formed. According to legend–and like other 20th-century pop standards, the Beatles’ “Yesterday” and the Rolling Stones’ “Satisfaction”–the song first came to him in a dream, while he was dozing off in the front seat of keyboardist Lisa Coleman’s 1964 Mercury Montclair Marauder. “I bought this vintage pink Mercury at a car auction,” Coleman told The Guardian in 2008. “It was so bitching-looking that Prince used to borrow it and dent it, which I’d make him feel bad about. He slept in it one time and came up with ‘Little Red Corvette’… even though it was a pink Mercury” (Elan 2008). Prince wrote in his unpublished liner notes for the 1993 compilation The Hits that he “always considered the song a dream because it was written between 3 or 4 catnaps and he was never fully awake” (Dash 2016).
Continue reading “Little Red Corvette”