As promised/warned back at the beginning of the month, I’m intentionally taking my sweet time on the next post (though I will commit to getting it out by the end of the month). In the meantime, here’s my latest guest appearance on Darren Husted’s Prince: Track by Track podcast:
The last time I shared an episode of Prince: Track by Track, I promised that my next post would be something more substantial; so, to keep that promise, I held back on sharing this latest episode until now.
I have to confess that I wasn’t familiar with “The Morning After” until I signed up to talk about it; I bought my copy of LOtUSFLOW3R on CD (from Zia Records in Tucson, Arizona), so I was only familiar with the configuration of the album that included “Crimson and Clover” instead. I literally listened to the song seconds before recording this, so you’re hearing my unfiltered first impressions here:
Also, this week I noticed a curious spike in views for one of the most obscure songs discussed on the blog: a late 1978 demo that has been circulating under the title “Nadeara.” Turns out the reason for all the attention was one of Prince’s old notebooks, currently up for auction, which contains (among other things) a breakup letter from the real woman who inspired the song. Also, it turns out we’ve been spelling “Nadira” wrong all these years. Oops. Anyway, I’ve added a photo of the note to the post on “Nadira,” the song, and also included it below for those who might be interested:
This is usually where I would make some kind of vague promise about when I’ll be posting again, but I’m actually not going to nail anything down yet because I know that the next piece I write is going to be longer and more research-intensive than usual. I will just say it’s a pretty significant chapter of the “story,” and I hope you’ll enjoy it once it’s ready.
Just one more piece of housekeeping before I get back to proper posts–here’s my latest appearance on Darren Husted’s Prince: Track by Track podcast, where I got to talk about what has, in what feels like an escalating series of bets with myself, somehow become my favorite song from 2007’s Planet Earth:
This is actually my last Slant review for a while, as I’m trying to focus my extracurricular writing time on this blog. And on that note, the next time you hear from me, it’ll be with a new post on “All the Critics Love U in New York.”
Things have gotten quiet again around here, both because I’ve been feeling under the weather and because I’ve been buried in other writing assignments. I’m working on the latter and crossing my fingers that the former is on its way out, but in the meantime, here’s an episode of Darren Husted’s Prince: Track by Track podcast I recorded late last year:
As usual, I took the last couple weeks of December off for the holidays, which meant I didn’t post the links to my last two appearances on Darren Husted’s Prince: Track by Track podcast. So here they are now: one of my favorite tracks from Prince’s extended universe, as well as one of the most forgettable. I’ll let you guess which one is which:
With this bit of business out of the way, I’m now officially on track to kick off the blog for 2019. We’ll start tomorrow with a belated post from one of our alternate timelines, then it’s back to the Time’s second album next week. Happy New Year!