777-9311

777-9311

(Featured Image: Dez Dickerson shoots Prince a bemused look, not for the last time, at the 1982 Minnesota Black Music Awards while Brown Mark looks on; photo stolen from Housequake.)

When he wasn’t busy upgrading his home studio and recording his first Top 10 hit, Prince spent the better part of May 1982 soaking up some long-awaited hometown acclaim. On May 12, he attended the inaugural Minnesota Black Music Awards at the Prom Ballroom in St. Paul, where he was honored in the “Rhythm & Blues” category alongside protégés the Time and fellow-travelers including Enterprize, Pierre Lewis and the Lewis Connection, and Sue Ann Carwell. According to biographer Per Nilsen, his acceptance speech was delivered “in such low tones that no one could hear him” (Nilsen 1999 100).

Two weeks later, on May 24, he was back at the Prom–which, the Twin Cities Music Highlights website ominously notes, “refused to turn on the air conditioning”–for the second annual Minnesota Music Awards, sponsored by the alternative weekly City Pages. Prince was nominated, either himself or by proxy, in eight categories: Best 45 or EP (“Controversy,” the Time’s “Get It Up”), Best LP (Controversy, The Time), Best New Act (the Time), Best Electric Guitar (Dez Dickerson), Best Male Vocalist (himself), Best R&B/Funk/Soul/Band (the Time), Best Producer (himself, for Controversy), and Musician of the Year (himself). The night’s big award went to him; this time–maybe because he’d just recorded “Little Red Corvette” four days earlier–he accepted it with a little more swagger, asking, “When do they give the award for best ass?”

Memorable quips aside, Prince didn’t actually perform at the Minnesota Music Awards ceremony; but the Time did, making their first public appearance since the end of the Controversy tour two months earlier. Seeing his side project in action again–and watching them take home the R&B/Funk/Soul award–may have been what prompted Prince to get back to work recording their second album, which he’d left in a state of suspended animation since his sessions at Sunset Sound in January. Those sessions had produced “The Walk,” “Gigolos Get Lonely Too,” and “Wild and Loose,” all of which made it onto the final track list; as well as “Bold Generation” and “Colleen,” which did not. An early version of “Jerk Out,” which the group would ultimately re-record for their 1990 album Pandemonium, was also mooted and discarded around the same time. But it was “777-9311,” recorded in late May or early June at Kiowa Trail, that gave the nascent album its linchpin.

Continue reading “777-9311”
Advertisements

Podcast: I Know That the Lord is Coming Soon – Erica Thompson on the Salford Purple Reign Conference

Podcast: I Know That the Lord is Coming Soon – Erica Thompson on the Salford Purple Reign Conference

(Featured Image: Purple Rain Tour Shirt, 1984; photo stolen from the Current.)

It’s been just under two months since I started interviewing presenters from this spring’s interdisciplinary Prince conference at the University of Salford, and I’ve been absolutely thrilled with the results. But all good things must come to an end, so I had planned to make this chat with writer Erica Thompson the last of my post-conference podcasts. It would have been a great choice, too; Erica’s presentation was the result of many years of research for a book project on Prince’s spiritual journey, so our conversation was less about the conference in particular and more about her findings more generally: a nice segue into future, less Manchester-centric episodes.

But just when I think I’m out, they keep pulling me back in. Contrary to my own statements in this episode, I have already set up another interview with a few presenters from one of the conference’s gender and sexuality panels. So basically, expect me to keep interviewing scholars from the Purple Reign conference until the next milestone in Prince scholarship comes along. And in the meantime, please enjoy my and Erica’s conversation about the importance–and, sometimes, difficulty–of understanding Prince’s religious faith in relationship with his art.

As usual, I invite you to subscribe to the podcast on iTunes, Stitcher, or Google Play for mobile listening; you can also stream episodes on Mixcloud. And keep listening, because there’s good stuff–Purple Reign-related and otherwise–coming up in the near future!

Continue reading “Podcast: I Know That the Lord is Coming Soon – Erica Thompson on the Salford Purple Reign Conference”

Podcast: The Evolution Will Be Colorized – Zack Stiegler on the Salford Purple Reign Conference

Podcast: The Evolution Will Be Colorized – Zack Stiegler on the Salford Purple Reign Conference

(Featured Image: Cover for “The War” CD Promo, © NPG Records.)

This episode, it’s 2 Zacks United 4 Prince Conference (sorry) as your usual host, Zach Hoskins, talks to Zack Stiegler, Associate Professor in Communications Media Studies at Indiana University of Pennsylvania. As in my last episode with Jane Clare Jones, we’re here to talk about Zack’s time at the University of Salford’s interdisciplinary Prince conference back in May;  but we also touch upon a lot of other interesting subjects, including Prince’s ever-shifting attitudes toward the Internet, his racial consciousness, and the subtle (/sometimes not-so-subtle) current of Afrofuturism in his work.

Again, I’ll be posting more of these conversations in the weeks to come–already have another one in the can, in fact!–and would love to speak to anyone else who attended the conference and wants to chat. If you enjoyed this and would like to hear more, remember to subscribe and (if you want!) review the podcast on any of the major services: iTunes, Stitcher, or Google Play. I’ll also be adding the episode to Mixcloud, but frankly I’m not always as good at doing that in a timely fashion. See you again soon!

Continue reading “Podcast: The Evolution Will Be Colorized – Zack Stiegler on the Salford Purple Reign Conference”