If you’ve read any of my other reviews of posthumous releases from the Prince Estate, then it should come as no surprise that I was pleased with the new Super Deluxe edition of 1999. How could I not be? 1999 is one of my favorite albums by any artist, and the Super Deluxe edition is exactly the kind of exhaustive (and expensive) release fans have been craving since the halcyon days of the expanded reissue. Everything about it exudes quality and care: from the gorgeous, silver foil-covered slipcase, to the lavish booklet, to the three (six, on vinyl!) discs of previously unreleased live and studio material. Whatever else we might have thought about their previous efforts–and I’ll admit that I was a lot more positive on those than many–it’s clear that this time, Warner Bros and the Estate have nailed it.
It’s hard to believe that it’s been a whole two years since I launched dance / music / sex / romance. I want to thank everyone who’s been following along thus far; many of you, I know, have been here pretty much from the beginning. If you need a refresher on (most of) what’s happened since the last year-end round-up, here you go:
And for those who are just stumbling upon it now, here’s where I recommend you start (all of the posts in chronological order):
Jane Clare Jones
Felicia Holman and Harold Pride
Joni Todd and Karen Turman
Chris Aguilar-Garcia and Natalie Clifford
Then the miscellaneous episodes, including a few with noted authors in the Prince community:
And finally, the first installment of what I hope will become another miniseries offering alternate perspectives on Prince’s studio albums:
So, what have we done in the last 12 months? A little less than I promised this time last year, but also a lot more. If you look purely at the number of songs covered on the blog, my progress has slowed significantly: a mere 20, versus last year’s 45. If I keep up this pace, the 2036 end point I semi-jokingly offered last year just might become a reality. But I’ve also been doing a lot more than I was doing in June 2017. The podcast has taken on a life of its own; I’ve become a regular guest on another podcast, Prince: Track by Track; I wrote an essay about Prince and New Wave for publication in an anthology on Prince and the Minneapolis Sound; I presented on two panels at the Prince from Minneapolis conference; I launched my own magazine, thanks in large part to the support and goodwill of a small but dedicated group of readers.
I’m not gonna lie, I have more plans for extracurricular activities in 2018-19. Some of them depend on external forces outside my control; some of them you’ll probably be hearing about in the near future. But I also think that the next 12 months of d / m / s / r will be a little bit of a “back to basics” move. I really want to get through more than two albums by next June; I really want to go back to my weekly post routine. I have some thoughts about how to make this possible with my other commitments, which I’ll be sharing in the near future. For now, if you’ve been reading this blog, thanks for hanging in there for the lean times and thanks for your support. And if you’ve just started reading, welcome! I hope you enjoy this labor of love as much as I continue to.
As listeners are no doubt aware, next week will be a big one for Prince fans in Minneapolis: Monday through Wednesday is Prince from Minneapolis, the second-ever (and first in the States) academic symposium devoted to papers about Prince; then, from Thursday to Sunday, Paisley Park will open its doors for its second annual posthumous Celebration event. I will be there for both, so I thought now was the perfect opportunity to talk to Stuart Willoughby, whose book Minneapolis Reign: A Guide to Prince’s Hometown documented his own trip to last year’s Celebration 2017. Stuart and I had a really fun conversation, which will hopefully give everyone else out there planning their own pilgrimages some pointers about where to go and what to do in Prince’s hometown.
As always, remember to subscribe to the d / m / s / r podcast on your service of choice (iTunes, Stitcher, or Google Play), and to leave us a review if the spirit moves you. I look forward to meeting some of you in Minneapolis next week!
After much delay, here is my conversation with Chris Aguilar-Garcia and Natalie Clifford, two presenters from this May’s interdisciplinary Prince conference at the University of Salford. Both Chris and Nat identify as queer, and both have interesting things to say about Prince’s legacy of “revolutionary queerness” and the space he created for less conventional expressions of gender and sexuality in the mainstream. If you liked the last episode with Snax, chances are you’ll like this one.
This is the part where I would normally say we’re switching gears and moving away from the Salford conference, but as it happens, we already have another interview with a presenter in store. So basically, I’ll keep doing these as long as people want to talk to me. If you still want to listen to me–and, more importantly, my eloquent guests–feel free to subscribe on your podcast service of choice. And if you really like us, take that aforementioned podcast app and shoot us a rating or review; it will make us more “discoverable” and broaden the listening base. In the meantime, thanks as always for listening!
This episode, I’m taking a little break from the University of Salford Purple Reign conference to talk to musician Paul Bonomo, a.k.a. Snax. We discuss Prince’s professional and personal impact on Paul, of course, but we also speak more broadly to the two-way flow of influence between Prince and gay culture–an area that’s been vastly underexplored in the popular discourse around the artist. I’m excited to see the extended conversation that comes out of this frank and at times provocative discussion.
Next episode, we’re returning to both Manchester and queerness with two presenters from one of the Purple Reign conference’s Gender and Sexuality panels: independent scholars Chris Aguilar-Garcia and Natalie Clifford. If you like what you’ve heard of Snax, you can also follow him on Facebook and check out his new album, Shady Lights, when it releases on October 27.