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Press Rewind: “Jack U Off”

Apparently I’ve found my niche on Jason Breininger’s Press Rewind podcast, because after guesting on his episodes for “Head” and “Sister” in June, I came back to talk about “Jack U Off.” Not much more to say than that, to be honest–just tune in for some decent dad jokes and way more analysis than the average person has ever thought to apply to a goofy rockabilly song about mutual masturbation:

Press Rewind: “Jack U Off”

I also am happy (and a little surprised!) to announce that we’re now 87% of the way to meeting our Patreon goal to bring back the d / m / s / r podcast–so who knows, by this time next month, I could be promoting a new episode of my own! Big thanks to our latest patron, Robin Seewack, for her generous support. If you want to join Robin and the 16 other patrons who are helping me keep d / m / s / r regularly updated, please consider clicking the link below:

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Podcast Prince, 1979

Podcast: Prince (1979) Revisited

October 19, 2018 marks the 39th anniversary of Prince’s self-titled second album–not the most glamorous occasion, perhaps, but reason enough to reassemble the review panel from our For You podcast for a reappraisal. Once again, Zach is joined by Harold and KaNisa for a track-by-track discussion of this underappreciated album, its resonances throughout Prince’s career, and why it still matters.

If you want to keep in the loop for our forthcoming Dirty Mind podcast, you can subscribe to dance / music / sex / romance on your aggregator of choice (iTunesStitcher, or Google Play); and if you like what we’re doing and want to spread the word, please leave us a review! In the meantime, the d / m / s / r blog will return next week with one last track from 1981.

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Controversy, 1981

Let’s Work

Mid-1981 was the first great period of prolificacy for Prince. In astonishingly little time, he completed work on his own fourth album, a full-length debut for protégés the Time, and several other assorted odds and ends, including a handful of songs for the Hookers (“Drive Me Wild,” “Make-Up,” “Wet Dream,” “Gym Class,” “I Need a Man,” “Jealous Girl,” “Mink Kitty Cat,” and “Pizza”), as well as other tracks with tantalizing titles like “Delivery Boy,” “Friction,”  “Heart Attack,” “Hump You,” “Poppa Grooves,” “The Rain and You,” and “See U Dead.” One of those odds and ends would even end up on the album: the taut funk track “Let’s Work.”

According to legend, “Let’s Work” began life as “Let’s Rock”: Prince’s version of a ’60s-style dance craze song, like “The Twist” or “The Loco-Motion.” The song, inspired by a dance Prince had seen in Minneapolis clubs called “the Rock,” had been kicking around as early as 1979; its title appears in one of Prince’s notebooks in what appears to be an early, handwritten tracklist for the Prince album, alongside “I Wanna Be Your Lover,” “Bambi,” “Why You Wanna Treat Me So Bad?”, “When We’re Dancing Close and Slow,” “With You,” “Still Waiting,” “It’s Gonna Be Lonely,” “Sexy Dancer,” and “Darling Marie.” When it didn’t make it onto the album, Prince allegedly tried to release it as a non-LP single; but Warner didn’t bite, a minor setback that, in retrospect, foreshadowed more serious conflicts with the label to come.

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Podcast

Podcast: It’s Time Someone Programmed You – Leah McDaniel on the Salford Purple Reign Conference

For the third installment of my miniseries on the University of Salford’s interdisciplinary Prince conference, I’m talking to Leah McDaniel (née Stone), a businesswoman, world traveler, and lifelong Prince fan. Her paper was on the eternally unsettled question of whether or not Prince was a feminist; we reflect on that question, as well as the contrast between his artistic warmth and his sometimes-chilling approach to interpersonal relationships, and why even Prince at his worst was still better than R. Kelly at his best.

If you’re frustrated that we don’t issue a final verdict, come back in a few months, when I plan to host a round table discussion on the “was Prince a feminist” debate (and almost certainly still won’t offer a definitive answer). In the meantime, you can check us and our way-improved new logo out on all the major podcast services (iTunes/Stitcher/Google Play). Your reviews and subscriptions on your service of choice would be a big help in getting us more visibility. As always, thanks for listening–we’ll be back with another episode by the end of next week!

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Prince, 1979 Roundup Posts

Roundup: Prince, 1979

Well, here we are: another album’s worth of posts complete. I’d always preferred Prince’s second full-length to its predecessor, For You, but I rediscovered it in a big way while writing about it for this blog. Critical consensus tends to cite 1980’s Dirty Mind as the moment when the pieces all fell into place, but I’d actually argue that it happened here first: whatever it is you like about Prince, you can find it on his self-titled 1979 album. Unless what you like about Prince is Tony M’s raps, I guess. You’ll have to wait about 12 years for those.

Anyway, here’s how I rank the songs, at least at the moment. Feel free to let me know your own rankings in the comments:

9. “With You” The one weak spot on an otherwise pretty damn stellar album. If he’d replaced this with, say, “Wouldn’t You Love to Love Me?,” we’d have nothing but hits on our hands.

8. “When We’re Dancing Close and Slow” For the record, there’s a big gap between this and “With You”; I gave other songs an edge just because I prefer burners to ballads. A gorgeous, dreamy, arty slow jam, brimming with potential for even better things to come.

7. “Still Waiting” Prince at his most R&B-classicist. Like I said in the original post, it doesn’t hold up as well as later songs in this vein, like “How Come U Don’t Call Me Anymore?”; but it’s heartfelt and expertly crafted, and it really came alive in concert.

6. “Sexy Dancer” I used to think this song was dated because “disco”; now I listen to it and it just feels ahead of its time. Early electronic music, from Frankie Knuckles to the Egyptian Lover, owes a lot to “Sexy Dancer.”

5. “Bambi” Yes, yes, the lyrics are so un-P.C., but the headbanger in me can’t resist that sledgehammer of a riff. Prince’s Grand Funk worship has never been so gloriously evident.

4. “I Feel for You” Maybe the most head-slappingly obvious shoulda-been-a-single in Prince’s discography. Chaka’s version is great, of course, but “I Feel for You” was pure pop-soul perfection from the start.

3. “Why You Wanna Treat Me So Bad?” Speaking of shoulda-beens, the fact that this wasn’t a hit in early 1980 blows my mind, and is a testament to the absurd level of segregation (not to mention homophobia) in the music industry at the time. It’s arena-level power pop that out-Bostons Boston, but it missed the Hot 100 because the guy wailing on his guitar looked “ethnic” and dressed “queer.” Disco Sucks sucked.

2. “I Wanna Be Your Lover” Predictable choice, I know, but it’s just so goddamn good. Prince’s first major hit, and his first absolute classic song. That’s worth celebrating.

1. “It’s Gonna Be Lonely” Now, for a less conventional choice: I know I said I prefer burners to ballads, but I fucking adore this song. I don’t even have that much to say about it, specifically; it’s just so wonderfully Prince. One day, I want to listen to this song the way it was meant to be listened to: in a bubble bath, surrounded by caged doves.

And hey, here’s a piece of data that might only be interesting to me. I was worried I was writing less about the tracks on Prince than I was about For You, so I went ahead and ran the numbers: average post length was 1,383 words for the former, 1,379 words for the latter. Guess we have ourselves a sweet spot.

I have to say, I’m super excited about the coming weeks, and if you’re reading this now, I hope you’ll stay on board. Next week, as I mentioned yesterday, we pick up with the Rebels side project; then it’s on to one of my all-time favorite records, the aforementioned Dirty Mind. And somewhere in there, I’ll be working in another experiment in alternate history, plus reviews of new books by Ben Greenman and Mayte Garcia. April, for obvious reasons, is a sad month for Prince fans; but we’re also lucky, because he’s left us such a wealth of material to remember him by.

I’ll see you next week for a new, “proper” post. In the meantime, here’s the playlists, if that’s your kind of thing: