Just one more piece of housekeeping before I get back to proper posts–here’s my latest appearance on Darren Husted’s Prince: Track by Track podcast, where I got to talk about what has, in what feels like an escalating series of bets with myself, somehow become my favorite song from 2007’s Planet Earth:
This is actually my last Slant review for a while, as I’m trying to focus my extracurricular writing time on this blog. And on that note, the next time you hear from me, it’ll be with a new post on “All the Critics Love U in New York.”
It’s been a little bit of a crazy week, so I’m afraid we’re going to have to wait a while longer for my next real post on “All the Critics Love U in New York”; but I haven’t been completely lax in my Prince-writing duties. Over at Spectrum Culture, where I occasionally lend my pen, I reviewed the new batch of vinyl reissues from Prince’s mid-2000s “comeback” era:
These weren’t my favorite albums when they came out, and to be frank they still aren’t (though 3121 aged pretty damn well); but they cover a period of great historical interest, and I’m glad they’re being made available for a new audience. If you haven’t picked up your own copies yet and you want to support d / m / s / r, you are welcome to do so through these Amazon affiliate link: Musicology, 3121, Planet Earth.
On a somewhat Prince-related tip, I also wrote a piece for Spectrum this week about Beck’s Midnite Vultures, which is turning 20 this year in what I can only interpret as an act of personal aggression against me. You can read it here and find out why I think it actually owes less to Prince than to David Bowie, specifically 1975’s Young Americans:
Next week, I’ll finally have a little more time to do some writing for himself (a.k.a., this blog). I’m also recording another batch of Prince: Track by Track episodes tomorrow, the first of which you should be hearing very soon. Perhaps, at some point, I will also get some sleep.
Things have gotten quiet again around here, both because I’ve been feeling under the weather and because I’ve been buried in other writing assignments. I’m working on the latter and crossing my fingers that the former is on its way out, but in the meantime, here’s an episode of Darren Husted’s Prince: Track by Track podcast I recorded late last year:
As I continue to work on my next proper post, I’m happy to share another collaborative effort I had the opportunity to participate in with popular YouTubers Prince’s Friend, Nightchild-Ethereal, and Mr. Ant. We discussed the eight main drummers Prince worked with during his career–Bobby Z, Sheila E, Michael B, Kirk Johnson, Cora Coleman-Dunham, John Blackwell, and Hannah Welton–and ranked them based on our performances. I hope you enjoy it, even if for some reason I was not looking at the camera in the first clip! Thanks to Prince’s Friend for the opportunity, and to Darling Nisi for recommending me.