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Review: Musicology/3121/Planet Earth

It’s been a little bit of a crazy week, so I’m afraid we’re going to have to wait a while longer for my next real post on “All the Critics Love U in New York”; but I haven’t been completely lax in my Prince-writing duties. Over at Spectrum Culture, where I occasionally lend my pen, I reviewed the new batch of vinyl reissues from Prince’s mid-2000s “comeback” era:

Review: Musicology/3121/Planet Earth

These weren’t my favorite albums when they came out, and to be frank they still aren’t (though 3121 aged pretty damn well); but they cover a period of great historical interest, and I’m glad they’re being made available for a new audience.

On a somewhat Prince-related tip, I also wrote a piece for Spectrum this week about Beck’s Midnite Vultures, which is turning 20 this year in what I can only interpret as an act of personal aggression against me. You can read it here and find out why I think it actually owes less to Prince than to David Bowie, specifically 1975’s Young Americans:

Holy Hell: Midnite Vultures Turns 20

Next week, I’ll finally have a little more time to do some writing for himself (a.k.a., this blog). I’m also recording another batch of Prince: Track by Track episodes tomorrow, the first of which you should be hearing very soon. Perhaps, at some point, I will also get some sleep.

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Prince Track by Track: “3121”

Things have gotten quiet again around here, both because I’ve been feeling under the weather and because I’ve been buried in other writing assignments. I’m working on the latter and crossing my fingers that the former is on its way out, but in the meantime, here’s an episode of Darren Husted’s Prince: Track by Track podcast I recorded late last year:

Prince Track by Track: “3121”

Also! YouTuber Prince’s Friend was kind enough to ask me back on his channel to talk about the blog, which we did over the weekend. Please check out the video and everything else he’s doing below:

As I alluded to in the interview, I will be posting about the Time’s “Wild and Loose” very soon. Thanks for your patience!

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After 4Ever: Why We’re Still Waiting for a Definitive Prince Compilation

I know I wrote a lot about “Moonbeam Levels” earlier this week, but it turns out I had a lot more to say about Prince 4Ever (you’ve probably noticed, I always have a lot to say). So here’s a rundown of Prince’s compilations from 1993 to 2016, what each gets right, and why even now, we still need a truly definitive set. Check it out at Andresmusictalk below:

After 4Ever: Why We’re Still Waiting for a Definitive Prince Compilation

Next week, it’s back to the post-For You grind with a couple of light, but pleasant outtakes from mid-1978. See you then!