(Featured Image: Lizzo pays tribute to Prince in the music video for “Boys,” 2018; © Atlantic Records.)
It’s crazy to think about, but I’m nearing the end of my guest appearances on Darren Husted’s Prince: Track by Track podcast: just three more to go, one track each from ART OFFICIAL AGE and HITnRUN Phases One and Two. In the meantime, though, the topic is “BOYTROUBLE” from 2014’s PLECTRUMELECTRUM:
This episode is serendipitously well-timed, since Lizzo–one of the featured artists on the track, who has really blown up in the last few years–is releasing her highly-anticipated third studio album Cuz I Love You next week. If all goes according to plan, I’ll be sharing a review of that album soon. And if all goes even more according to plan, I’ll have another track from Vanity 6 posted before then. Stay tuned!
(Featured Image: “D.D. Winters,” a.k.a. Denise Matthews, a.k.a. Vanity, in Tanya’s Island, Alfred Sole, 1980; © Jef Films International.)
While Prince wasn’t nominated for any American Music Awards in 1982, the night of the ceremony would turn out to be fortuitous for another reason. It was at an AMAs after-party on January 25 when he first met Denise Matthews: a 23-year-old model who, under another name, would soon become the most infamous of his 1980s paramours.
Born in Niagara Falls, Ontario to a German Jewish mother and an African American father, Matthews shared with Prince a tumultuous childhood: her parents divorced when she was young, and she and her six siblings grew up without their mother in their lives. In Matthews’ case, however, the trauma also extended to sustained physical and, it’s been alleged, sexual abuse at the hands of her father, who died when she was only 15. “For 15 years, he beat me badly,” she later told Aldore Collier of Jet magazine (Collier 1993 58). “I wish I could see my father in heaven, but I won’t. He’s in Hell” (59).
Despite–or perhaps because of–the low self-esteem she suffered as a result of this troubled upbringing, the stunningly beautiful Matthews went on to pursue a career in modeling: winning the Miss Niagara Hospitality pageant in 1977, and competing for the Miss Canada title the following year. She signed with New York’s Zoli Agency and appeared in a few ad campaigns in the U.S. and Japan. Under the pseudonym “D.D. Winters,” she acted in the 1980 Canadian slasher film Terror Train, starring Jamie Lee Curtis, and had the dubious honor of playing the title role in Tanya’s Island: a truly bizarre erotic fantasy about a model embroiled in a violent love triangle with her painter boyfriend and a bestial, apelike creature (no, seriously, see photo above).
(Harriet Brown’s Contact; © Innovative Leisure)
Hard as it may be to believe from this blog, I do occasionally listen to music other than Prince–sometimes even stuff from later than 1989! But when I hear about new music that sounds a little like Prince, that pretty much guarantees that I’ll check it out. That’s how I found out about the Inglewood, California-via-Bay Area artist Harriet Brown, who captures the ineffably weird side of His Royal Badness better than any other artist in recent memory. Definitely check him out–and also check out this short writeup I did over on Andresmusictalk:
Life is still pretty busy these days, but I hope to get a regular post out next week. Wish me luck!
(Featured Image: Locked out of Paisley Park by Judith Hill; © NPG Records/Tremolo Productions.)
For my last installment of Prince (Protégé) Summer on Andresmusictalk, I focused on a handful of young women with which Prince was associated during the last decade or so of his life: Támar Davis, Bria Valente, Andy Allo, and Judith Hill. As I note in the post, I don’t especially love his collaborations with any of these latter-day protégées (especially Bria Valente, blah). But I think it’s interesting that toward the end of his life, Prince seemed to become more generous and less overtly controlling with his collaborators; it makes for a bittersweet end to the series, and it’s something I look forward to exploring in more detail on this blog. Anyway, here’s the link:
Again, we’ve got one more take on For You next week, then I’m officially (finally!) moving on. Later!