Back in mid-April, I spoke with writer, philosopher, and fellow Prince obsessive Jane Clare Jones for so long that our conversation ended up being split into four parts; but by the end of that conversation, we were also talking around things more often than we were talking about them. So, last week, we got together for a redo. The resulting podcast is a Frankenstein’s monster–but a fun, interesting Frankenstein’s monster!–of our original discussion on Mayte’s The Most Beautiful (placed, for maximum confusion, at the end) and some setup for the things we were talking around–which we’ll finally address in our episode next week. We also take advantage of the passage of time by discussing some of the major developments in the Princeverse last month: the Celebration, “Deliverance,” and that godawful TV movie. I promise it’s more coherent than it sounds.
Last Sunday, I spoke with writer, philosopher, and fellow Prince obsessive Jane Clare Jones about…well, a lot of things, which is why we ended up having to break our podcast up into four episodes. For this first installment, we talk about our stories as Prince fans and articulate some of the reasons why his music–and, to a not-insignificant extent, the man himself–continues to mean so much to us. In the weeks to come, I’ll post the later installments, where we discuss the two recent books by Ben Greenman and Mayte Garcia, and try to unpack some of our thoughts around Prince’s death last April. I hope you enjoy it.
Well, folks, it’s Saturday afternoon, and that means another guest post about Prince protégés on Andresmusictalk. This week, I’m digging in to the short, widely-misunderstood discography of Vanity and Apollonia 6. As with last Saturday’s post on the Time, there’s a lot left to say, but just consider it a preview for a more extended discussion on this blog:
You can also check out the bonus guest post from yesterday, in which Andre and I discuss our favorite 12″ Prince singles. I think my favorite might be “Mountains”; what’s yours?
On Tuesday, I’ll be back with our first piece of ephemera from the For You era. Have a great weekend!
As promised/threatened, I’m once again interrupting the usual flow for a Prince-related feature from our sister site Dystopian Dance Party. Today, Callie and I talk about our mutual, misguided, only semi-ironic love for the second installment of Prince’s cinematic saga, Under the Cherry Moon, which released 30 years ago this Monday. Tune in for lots of incredulous laughter, and one moment in which I actually compare the film to Jean-Luc Godard’s Breathless (don’t worry, it makes slightly more sense in context). And of course, feel free to check out Dystopian Dance Party, which is where I write about whatever I feel like writing at any given time (though, unsurprisingly, there’s a lot of Prince on there, too). Show notes here. See you next week!