Even as he continued to record for himself and his prospective protégés, Prince also managed to lend the occasional hand on sessions for other local artists. He’d helped raise money for his 1976 demo tape by contributing guitar and backing vocals to the Lewis Connection’s “Got to Be Something Here” (later released on their self-titled album in 1979), and had also played and sung on “10:15” and “Fortune Teller”–featuring a young Colonel Abrams on lead vocals!–by his cousin and mentor Pepé Willie’s band 94 East. The latter had been intended for release as the group’s first single, but a change in management at Polydor Records resulted in 94 East being dropped in mid-1978. Pepé and singers Marcy Involdstad and Kristie Lazenberry were understandably upset; but Prince, Willie later claimed to Minnesota Public Radio’s the Current, “was more upset than anybody.” With the help of André Anderson–another beneficiary of Willie’s tutelage, from his time in Grand Central–he resolved to “go back in the studio and record more songs with Pepé” (Renzetti 2016).
The resulting sessions took place at Sound 80, with Willie on percussion and keyboards, André on bass, and Prince, as was his wont, on everything else. Two of the three tracks recorded, “Dance to the Music of the World” and “Lovin’ Cup,” received no formal songwriting input from Prince–though the former, an instrumental, does feature some fiery synthesizer and guitar licks by the 20-year-old virtuoso. It’s the third track, however, that’s the real gem: “Just Another Sucker,” the only song in either the 94 East or Prince catalogue to bear a “Willie/Prince” songwriting credit.