In late 1979, an interview with Prince appeared in the African American teen magazine Right On! The interviewer, Cynthia Horner, was one of the up-and-coming artist’s earliest champions in the media, yet even she was not spared the usual quirks of his interactions with the press; to her growing exasperation, Prince spent most of the article deflecting her questions with flirtatious evasions. But then, just as Horner seemed about to give up and asked him the hoariest teen-mag question in the book–does he have a girlfriend?–Prince gave a response that feels disarmingly real: “I had one but she left me. I wrote some songs about it on the album.” At her expression of disbelief–“Do you know how many young ladies would love to fill her shoes?”–he replied, “That’s why she left me” (Horner 1979).
It’s perhaps a tribute to Prince’s growing facility as a pop songwriter that I never suspected the songs of love and heartbreak on his second album were inspired by real women; they feel much too universal in their vagueness, like the dozens of songs for imaginary girls by Lennon and McCartney. Yet, Prince suggested to Horner–and the various biographies agree–that several of his songs from around this period were inspired by his early girlfriend, Kim Upsher. Upsher, you might recall, was probably Prince’s first “serious” relationship; when he moved into his house on France Avenue, she was the one who helped decorate and made it feel like a home, rather than a glorified studio space. Due to the deliberate fudging of Prince’s age around this time, she’s often assumed to have been his high-school sweetheart; biographers Alex Hahn and Laura Tiebert, however, have clarified that they didn’t begin dating until around the time he signed to Warner Bros.–though he did apparently nurse an intense crush for her in high school, while she was seeing his close friend Paul Mitchell (Hahn 2017).
