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#SexyMF30 Presentation and Panel

Hey, everyone! I’m still toiling away at my next post on the Time’s “Ice Cream Castles”; it’s almost ready, just needs some finishing touches. Meanwhile, a little bird told me that my presentation from last month’s #SexyMF30 virtual symposium is now up on YouTube, so I thought I’d share that just to make sure you all know I’m not dead. As always, I had a blast at the symposium; shoutout to my co-panelists, Steven G. Fullwood, Robert Loss, and Edgar Kruize, as well as moderator Monroe France, all of whose work pushed me to continue raising the bar in my annual cosplay as a pop culture scholar. You can see all of us in action in the panel discussion below:

As usual, I’d also like to share a few of my favorite presentations from throughout the symposium. It should be noted that this is by no means an exhaustive list; each and every presentation I was able to see was well worth my time, and I recommend every reader peruse De Angela Duff’s YouTube channel and see what catches your eye. Just take the recommendations below as a few good places to start.

First up, Casci Ritchie’s presentation on the “My Name is Prince” chain hat, per usual, hit it out of the park. She and I really must get together and record a podcast one of these days (hint, hint):

Also on the fashion tip (and someone with whom I already have recorded a podcast!) was Karen Turman, who did a fabulous presentation on the aesthetics of the “Sexy MF” song and music video. Of particular note for me: she cited Rena Clamen’s fantastic article on Prince and consent, which to my knowledge was only ever published in the now-out-of-print magazine my sister and I released back in 2018. If you’re interested, I posted a Twitter thread about this blast from the past and how much it meant to me.

Much of my favorite material around the “Love Symbol Album” is the extramusical material (hence my own presentation’s focus on transmedia storytelling), so I’d be remiss not to mention the 3 Chains o’ Gold movie roundtable featuring Kamilah Cummings, Rhonda Nicole, Tonya Pendleton, Casey Rain, and one of my faves, Melay Araya, moderated by Eloy Lasanta:

Last but not least, I have to shout out my fellow #PrinceTwitterThread alum Robin Shumays for her presentation on “Love Symbol” and Orientalism–probably the single paper I learned the most from:

All in all, it was another great weekend, and just what the doctor ordered during a time when it can be difficult to stay motivated due to [gestures at the entire world]. Thanks as always to De Angela for putting together such an incredible event and an even better community. Count me in for the Triple Threat symposium later this year–and every other one, for that matter!

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Prince Track by Track: “My Medallion”

I’m still hoping to finish my next proper post by the end of the week–though I have to say that today I’m laid out in bed with what feels depressingly like the flu, which is not the most conducive state for quality or coherent writing. I can, however, crank out a quick post to publicize my latest guest appearance on Darren Husted’s Prince: Track by Track podcast:

Prince Track by Track: “My Medallion”

I believe we have two more of these scheduled before the end of the month, so I’ll be posting them as they become available. Unless, of course, I’m dying, in which case, goodbye cruel world!

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Ephemera, 1984

Nothing Compares 2 U

Last week, I made my long-awaited, surreal, exhausting pilgrimage to the Twin Cities to attend the Prince from Minneapolis conference and Paisley Park’s Celebration 2018. I have complicated feelings, which I’m still processing–and will continue to do so, with the help of some other people who were there, on the podcast in the coming weeks. For now, though, I have some basic reactions to Celebration, and to the newly-released Prince song that was debuted on the event’s first day.

I wasn’t sure what to expect from Celebration coming in–reports of last year’s event suggested a combination music festival, fan convention, and cult indoctrination–but in my experience, it was basically a corporate retreat for hardcore Prince fans. There were hours of panel discussions with ex-band members Gayle Chapman, Dez Dickerson, Matt Fink, and Bobby Z; photographers Allen Beaulieu, Nancy Bundt, Terry Gydesen, and Nandy McLean; and dancers Tomasina Tate and, um, Wally Safford. There were screenings of Prince concerts from the Piano & A Microphone, HitnRun 2015, and–via the associated “Prince: Live on the Big Screen” event at the Target Center–Welcome 2 America tours. There were live performances by Sheila E, fDeluxe (née the Family), and a (fantastic) new supergroup of New Power Generation alumni dubbed the Funk Soldiers. And, of course, there was the debut of the music video for Prince’s previously-unreleased studio version of his pop standard “Nothing Compares 2 U.”

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Prince Track by Track: “Eye Wanna Melt with U”

January hasn’t been as productive on the blog front as I’d hoped–blame it on me actually having to work at my day job. Unfortunately, I don’t think next month will be much of an improvement, as I’ll be dedicating a lot of my blog-writing time to finishing my chapter for the upcoming Prince and the Minneapolis Sound anthology. Luckily, I have some excess productivity from last month to help me out, with another appearance on Darren Husted’s excellent podcast Prince: Track by Track. This time around, we’re discussing an underrated track from the O(+>/Love Symbol album, “Eye Wanna Melt with U”:

Prince Track by Track:
Eye Wanna Melt with U”

Slower-than-planned pace aside, I do still have a little bit saved up for the rest of the month: namely, a podcast episode of my own with scholar Kimberly Ransom. And, whatever else happens in February, I plan to at least start the month off right with the first of my posts on the 1981 debut by the Time. See you soon!