Prince's pop life, song by song, in chronological order.

While “Glamorous” sounded tailor-made for Sheila’s particular talents (even if it wasn’t), “Belle” is well-crafted but faceless, embodying the essentialist cynicism of the publishing imprint Prince used for his female side projects: “Girlsongs.”
“Crazy You” is straight-up pop-bossa nova; one could imagine Antônio Carlos Jobim singing it.
The Minneapolis Sound was basically the defining style of the 1980s; but “In Love,” for all its structural resemblance to that later style, is still very much a product of the ’70s.