Prince's pop life, song by song, in chronological order.
Prince had tried before with his protégées, most notably Vanity, to Pygmalion a female version of himself; but while a few of these femme-Princes (Princesses?) could emulate him as a sex symbol, none before Sheila had the stage presence or musicianship.
“Crazy You” is straight-up pop-bossa nova; one could imagine Antônio Carlos Jobim singing it.
The Minneapolis Sound was basically the defining style of the 1980s; but “In Love,” for all its structural resemblance to that later style, is still very much a product of the ’70s.