Prince's pop life, song by song, in chronological order.

While “Glamorous” sounded tailor-made for Sheila’s particular talents (even if it wasn’t), “Belle” is well-crafted but faceless, embodying the essentialist cynicism of the publishing imprint Prince used for his female side projects: “Girlsongs.”
Well, here we are: another album’s worth of posts complete. I’d always preferred Prince’s second full-length to its predecessor, For You, but I rediscovered it in a big way while writing about it for this blog. Critical consensus tends to cite 1980’s Dirty Mind as the moment when the pieces all fell into place, but I’d actually argue that
On an album that arguably set the mold for who Prince was as an artist, “It’s Gonna Be Lonely” feels like the most “Prince” of all.
Heartbreak is the bread and butter of country and soul music alike; Prince employs these well-worn tropes with lines so note-perfect they seem almost timeless.