Prince's pop life, song by song, in chronological order.
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The Belle of St. Mark
While “Glamorous” sounded tailor-made for Sheila’s particular talents (even if it wasn’t), “Belle” is well-crafted but faceless, embodying the essentialist cynicism of the publishing imprint Prince used for his female side projects: “Girlsongs.”
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The Loser
The Rebels project also offered Prince an opportunity to experiment with different styles outside of his official albums.
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Hard to Get
Prince’s most conventional rocker this side of “Bambi,” with a swaggering rhythm guitar riff, honky tonk piano, and either Dez or Prince playing with a slide (!).
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Roundup: Prince, 1979
Well, here we are: another album’s worth of posts complete. I’d always preferred Prince’s second full-length to its predecessor, For You, but I rediscovered it in a big way while writing about it for this blog. Critical consensus tends to cite 1980’s Dirty Mind as the moment when the pieces all fell into place, but I’d actually argue that…