It’s a little hard to believe that I posted my Dirty Mind roundup almost exactly one year ago today. The ensuing year has been hectic for mostly day-job-related reasons, but I feel like I’ve finally hit my stride again. As always, thanks for coming along with me on this journey.

I have a weird relationship with Controversy; catch me when I’m wearing my critic hat and I’ll probably tell you it’s Prince’s second-weakest record of the ’80s (sorry, Batman). But it’s also an essential stepping-stone to his more anointed classics of that decade: it’s hard to imagine 1999 or even Purple Rain without Controversy there to lay the groundwork. And while it clearly has lower lows than its more-loved predecessor, it also has higher highs: no single song on Dirty Mind was as epochal as Controversy’s title track.

Anyway, here’s how I rank the tracks (at least for today):

8. “Ronnie, Talk to Russia” As recently as a couple of months ago, I would have put “Annie Christian” in the bottom spot. But over the summer while listening to Controversy on vinyl, I had an epiphany: “Annie Christian” actually kinda slaps. So I guess that makes “Ronnie, Talk to Russia” the album’s low point by default, and the shoe frankly fits: it’s short, silly, and pretty right-wing to boot. I kinda like the demented pace and delivery, though.

7. “Annie Christian” Look, I only said it “kinda” slaps. Still feels like a rough draft for better songs–namely “Something in the Water,” as frequent commenter Arno pointed out–but it’s peak New Wave Prince, which means I’ll always have a soft spot for it.

6. “Jack U Off” Let me be clear that I have affection for this song because: a) I love all of Prince’s rockabilly moments, and b) it is so goddamn stupid. But as much as I don’t condone throwing garbage at performers, I can kind of understand why the crowd at the Rolling Stones shows reacted the way they did. On the other hand, I can totally imagine Mick Jagger singing this song and killing it. Can Mick Jagger please sing this song?

5. “Sexuality” I suspect this may be my most surprising placement on this list, as I know it’s well-loved; I love it too, for its futuristic synthpop pulse and its introduction of the signature “Prince scream” (“IOWA,” as he memorably spelled it on Twitter). I guess I just feel like the “tourists” sermon, delightfully weird as it is, takes a little bit of the wind out of its sails. Anyway, anything in the top five is splitting hairs–it’s a great track.

4. “Let’s Work” If I were judging based on the album cut alone, this probably would swap places with “Sexuality”; I’m giving it the nod for the 1982 12″ mix, which is 110% My Shit. “Hard dick and bubblegum is all you get!”

3. “Private Joy” Okay, maybe this one is my most surprising placement, and I can’t promise that it isn’t partly reactionary; it’s just that I so often see this song being dismissed as candyfloss filler, and it’s so much more than that. Not only the introduction of Sunset Sound and the Linn LM-1, two cornerstones of Prince’s mid-’80s peak, but also just a weird, densely-arranged pop concoction that only Prince could have made. Listen to all of the voices he uses in the mix! A low-key art-pop masterpiece and a preview of even better, weirder things to come.

2. “Do Me, Baby” The opposite of “Let’s Work,” this one would probably be lower if it weren’t for the completely bonkers denouement of the album version, in which Prince self-pleasures and self-soothes alone in the studio at Sunset Sound. This is a song that really separates the men from the boys, as it were: if you can’t hang with Prince after hearing him whimper, “I’m so cold… hold me,” then you probably can’t hang with Prince. Keep in mind, this is only track three of the album… he’s already come (at least) once, and there’s still a whole vinyl side to go!

1. “Controversy” (Parts 1, 2, & 3) I guess I kinda showed my hand by citing it at the beginning of the post, but then, I’m sure the fact that I wrote a combined total of over 6,500 words on “Controversy” was a clue to my affection. If you want to know who Prince was–at least in the first half of the ’80s–just listen to this song. Preferably loud.

To no one’s surprise,  Controversy was my most loquacious series of posts yet: approximately 1,758 words per song (counting “Controversy” as three) vs. 1,653 for Dirty Mind, 1,383 for Prince, 1,379 for For You, and a mere 833 for The Time.

Next week, I’ll be jumping back into Controversy-era ephemera with a quick post on a widely-bootlegged cut from 1981. Also, another review podcast with Harold and KaNisa! See you then.