More than any other song on the album, “3 x 2 = 6” reflects the personal relationship between Prince and Vanity (née Denise Matthews), which had blossomed in the months since their first meeting. “Prince became like a father to me,” Matthews later recalled. “He loves playing dad. The first thing he did when we met was to nurse me, take care of me. I was very dependent on him, [‘]cause I needed a father because of the terrible insecurity I had experienced as a child” (Nilsen 1999 105).
(Featured Image: Prince and Dez Dickerson face an unruly crowd opening for the Rolling Stones, October 1981; photo by Allen Beaulieu, from his forthcoming book Prince: Before the Rain.)
In January 1981, after the first leg of the Dirty Mind tour, Prince’s publicist Howard Bloom sent an exuberant memo to his manager, Steve Fargnoli: “The verdict from the press is clear,” Bloom wrote. “Prince is a rock and roll artist! In fact, the press is saying clearly that Prince is the first black artist with the potential to become a major white audience superstar since Jimi Hendrix” (Hill 82). Nine months later, with his fourth album, Controversy, days away from release, Prince faced the biggest test of his crossover potential to date: two shows opening for the Rolling Stones at the massive, 94,000-capacity Los Angeles Memorial Coliseum.
The booking was a major coup for Prince, who had made it his mission to break rock music’s de facto color line and even, according to guitarist Dez Dickerson, described his early vision for his band as a kind of “multiracial Rolling Stones” (Dickerson 95). “The one thing he talked to me about a number of times in the early going was he wanted he and I to be the Black version of the Glimmer Twins,” Dez elaborated to cultural critic Touré. “To have that Keith and Mick thing and have a rock ‘n’ roll vibe fronting this new kind of band. That’s what he wanted” (Touré 15). As keyboardist Lisa Coleman recalled to biographer Matt Thorne, “We were so excited, we’d rehearsed our little booties off, our funky black asses. This is it, we’re gonna make the big time” (Thorne 2016). But like so many of Prince’s earlier potential big breaks, things did not go according to plan.
As warned/promised last month, I have been up to my neck in drafting my chapter for the upcoming Prince and the Minneapolis Soundanthology (which is now two days late as of this writing–sorry, editors). As always, however, my much more consistent colleague in chronological Prince studies Darren Husted has come to the rescue with another episode of his podcast Prince: Track by Track featuring yours truly:
As usual, I picked a track that I consider a bit of a dark horse favorite. I hope you enjoy listening as Darren somehow manages to reference an obscure Michael Cera coming-of-age film, and I spend a solid minute and a half clearly describing a vagina without actually saying the word “vagina.”
We’ll be back to our regular schedule (I hope) next week, assuming I finish my chapter and/or my editors don’t kill me first. Have a great weekend!
Just under two weeks ago, I had the pleasure of speaking with two more presenters from the University of Salford’s interdisciplinary Prince conference: Joni Todd and Karen Turman, who you may know by reputation as the “esoteric French panel.” But if all that sounds a little too highbrow, don’t worry; we mostly talked about Prince’s impeccable fashion sense and uncompromising artistic vision, just with a lot of references to Charles Baudelaire and Marcel Duchamp. It’s probably the only Prince podcast you’ll hear that mentions both “Pussy Control” and Walter Benjamin, and that’s the best endorsement I can possibly give.
As usual, if you like what you hear, you can subscribe to d / m / s / r on your podcast app of choice: iTunes, Stitcher, or Google Play. If you want to help, you can also leave a review, which will make it easier for new listeners to find us. See you (hopefully) next week!
(Featured Image: Artwork for the University of Salford’s Purple Reign Conference.)
It’s been a long gestation period, but at last, the d / m / s / r podcast has returned with our “roving reporter,” philosopher and budding Princeologist Jane Clare Jones. She’s here to talk about the University of Salford’s interdisciplinary conference on Prince, which she attended back in May, but we also (of course) cover a lot of other territory: including the connections between Prince’s much-discussed messianism and his much-less-discussed radical political consciousness. If you’re interested in hearing what’s going on in the rapidly-growing field of Prince scholarship, this will be an interesting listen.
And, as the man himself was wont to say, it ain’t over: having missed the opportunity to attend the Salford Purple Reign conference, I’m now bringing the conference to me (and you!). For the next several weeks, I’ll be lining up more conversations with attendees of the conference, to discuss their work and their ideas about Prince. If you presented at Salford and are interested in recording a podcast, hit me up! I’d love to hear from as many of you as I can. The conference may have happened two months ago, but from the looks of things, scholarly interest in Prince has just begun. Let’s keep it going!
As always, you can subscribe to the d / m / s / r podcast using any of the major services: iTunes, Stitcher, or Google Play (I’d recommend Stitcher over Google for Android users). You can also stream episodes on Mixcloud. If you like what you hear, leave a review on your service of choice–this will help to make us more visible! Thanks for listening, and see you again soon.