(Featured Image: Prince by Robert Whitman, 1977.)
Hi, everyone! In an effort to break up the flow of this blog a bit, I’d like to insert the occasional “Roundup” post whenever we come to the close of a particular phase of Prince’s musical career. So, now that we’re officially finished with 1976 ephemera and moving into For You territory, here are the songs so far. And hey, since everyone loves a totally subjective ranking–this is the Internet, is it not?–I’ll give them to you in ascending order of my personal preference:
9. Home Recordings, 1976 These probably shouldn’t even be on the list, as it’s a little unfair to consider them “songs.” What can I say, though, I dig some of ’em.
7. Moonsound Instrumentals The first time I posted this, I thought the version I’d heard of the legitimately funky “Jelly Jam” was recorded at Moonsound; it wasn’t, and as a result these recordings have dropped a bit in my esteem. Still, they show promise.
6. “Nightingale” Historically interesting and poignant, but so twee.
5. “Don’t You Wanna Ride?” More sexist than sexy, but also sort of endearingly dorky. It’s nice to know that at least 17-year-old Prince wasn’t smoother than 31-year-old me.
4. “I Spend My Time Loving You” Like “Nightingale,” this one’s a little on the twee side, but the vocal and guitar performances are moving beyond Prince’s years.
3. “Leaving for New York” Like I said in the post, probably Prince’s most musically accomplished song to date. I slept on this one for ages, then I listened to it in the car and it just came alive. A sublime indication of a blossoming talent.
2. “Rock Me, Lover” It’s slight, sure, but like I said in the article, it offers a valuable glimpse of Prince’s future as a more feminist (or at least submissive) brand of lover. As teenage masturbatory fantasies go, I’ll take this over “Don’t You Wanna Ride?” any day. Also, great discussion with Jane Clare Jones in the comments.
1. “Sweet Thing” To be perfectly honest, this is the only song we’ve discussed so far that I really go out of my way to listen to. A beautiful, delicate cover version that I may even prefer to the original by Chaka Khan and Rufus. On a more personal note, this was the post that made Chaka retweet me and blow my blog the fuck up (at least for a couple of days). For that reason, it will always have a special place in my heart.
Also, let’s not forget the two introductory posts that fill in a few early gaps in Prince’s recorded oeuvre. I obviously can’t rank these because I haven’t heard any of the songs (though I’m sure the one of five-year-old Skipper banging rocks together was dope):
Finally, because I’m weirdly fascinated by tag clouds, here’s a snapshot of the tags I’ve used so far and their relative frequency. The data isn’t perfect because of a few crossposts that have fucked with the chronology, but it should still be interesting to see how the people, places, and songs we discuss change over time. To me, I mean. It will be interesting to me.
Tomorrow, we continue with the next chapter of our journey: the series of studio recordings that ultimately resulted in Prince’s first album. If you’ve been rocking with me so far, I mean this sincerely: thank you so much. The response to this blog–especially these early, obscure entries–has honestly been beyond anything I dared to hope for. It’s so gratifying to get the feedback from people who enjoy what I’ve been doing. Just stick around, because it’s going to get better.