Nothing Compares 2 U

Nothing Compares 2 U

(Featured Image: Cover art for “Nothing Compares 2 U,” 2018; photo by Nancy Bundt, © NPG Records/Warner Bros.)

Last week, I made my long-awaited, surreal, exhausting pilgrimage to the Twin Cities to attend the Prince from Minneapolis conference and Paisley Park’s Celebration 2018. I have complicated feelings, which I’m still processing–and will continue to do so, with the help of some other people who were there, on the podcast in the coming weeks. For now, though, I have some basic reactions to Celebration, and to the newly-released Prince song that was debuted on the event’s first day.

I wasn’t sure what to expect from Celebration coming in–reports of last year’s event suggested a combination music festival, fan convention, and cult indoctrination–but in my experience, it was basically a corporate retreat for hardcore Prince fans. There were hours of panel discussions with ex-band members Gayle Chapman, Dez Dickerson, Matt Fink, and Bobby Z; photographers Allen Beaulieu, Nancy Bundt, Terry Gydesen, and Nandy McLean; and dancers Tomasina Tate and, um, Wally Safford. There were screenings of Prince concerts from the Piano & A Microphone, HitnRun 2015, and–via the associated “Prince: Live on the Big Screen” event at the Target Center–Welcome 2 America tours. There were live performances by Sheila E, fDeluxe (née the Family), and a (fantastic) new supergroup of New Power Generation alumni dubbed the Funk Soldiers. And, of course, there was the debut of the music video for Prince’s previously-unreleased studio version of his pop standard “Nothing Compares 2 U.”

Continue reading “Nothing Compares 2 U”

Advertisements

Podcast: Paisley Park is in Your Heart – A Conversation with Stuart Willoughby, Author of Minneapolis Reign

Podcast: Paisley Park is in Your Heart – A Conversation with Stuart Willoughby, Author of Minneapolis Reign

(Featured Image: Cover art for Minneapolis Reign: A Guide to Prince’s Hometown by Stuart Willoughby.)

As listeners are no doubt aware, next week will be a big one for Prince fans in Minneapolis: Monday through Wednesday is Prince from Minneapolis, the second-ever (and first in the States) academic symposium devoted to papers about Prince; then, from Thursday to Sunday, Paisley Park will open its doors for its second annual posthumous Celebration event. I will be there for both, so I thought now was the perfect opportunity to talk to Stuart Willoughby, whose book Minneapolis Reign: A Guide to Prince’s Hometown documented his own trip to last year’s Celebration 2017. Stuart and I had a really fun conversation, which will hopefully give everyone else out there planning their own pilgrimages some pointers about where to go and what to do in Prince’s hometown.

As always, remember to subscribe to the d / m / s / r podcast on your service of choice (iTunesStitcher, or Google Play), and to leave us a review if the spirit moves you. I look forward to meeting some of you in Minneapolis next week!

Continue reading “Podcast: Paisley Park is in Your Heart – A Conversation with Stuart Willoughby, Author of Minneapolis Reign”

Podcast: Nothing Compares – A Conversation with Marylou Badeaux, Author of Moments… Remembering Prince

Podcast: Nothing Compares – A Conversation with Marylou Badeaux, Author of Moments… Remembering Prince

(Featured Image: Marylou and Prince, 1979; photo from Moments… Remembering Prince by Marylou Badeaux.)

This is the last d / m / s / r podcast of 2017, and I have to say we’re going out on a high note. It was my honor and privilege to speak with Marylou Badeaux: a former Warner Bros. executive who worked closely with Prince for his 17 years with the label, and the author of the newly-released memoir Moments… Remembering Prince. You can probably tell that I was a little nervous at the beginning of the conversation, but we warmed up quickly and had a great chat about Prince and his relationship with the label that, for better or worse, defined his era of peak artistic achievement.

Now, I have one last item of business to conduct before the podcast goes on holiday break. There are actually two winners of my contest for iTunes and Stitcher reviews–one for each platform. The first is Louise Be, for her eloquent and incredibly flattering review on Stitcher; the second is Mafalda Taborda, who not only left a very nice review on iTunes, but was also the first person to review the podcast on any platform. Louise and Mafalda, if you’re reading and/or listening to this, please email me and let me know which of the two recent Prince books you would prefer me to send: Marylou’s Moments, or Duane Tudahl’s Prince and the Purple Rain Era Studio Sessions. And for everyone else who participated–and those who didn’t!–thanks for making the first year of the dance / music / sex / romance podcast such a pleasure to put together. I can’t wait to see where things go in 2018.

Continue reading “Podcast: Nothing Compares – A Conversation with Marylou Badeaux, Author of Moments… Remembering Prince”

Podcast: 24 Feelings All in a Row – A Conversation with Duane Tudahl, Author of Prince and the Purple Rain Era Studio Sessions: 1983 and 1984

Podcast: 24 Feelings All in a Row – A Conversation with Duane Tudahl, Author of Prince and the Purple Rain Era Studio Sessions: 1983 and 1984

(Featured Image: Prince by Neal Preston, circa 1984.)

Last week, Duane Tudahl’s long-awaited book Prince and the Purple Rain Era Studio Sessions: 1983 and 1984 was finally published, and I was lucky enough to speak to him about it. If you haven’t read the book yet, you need to listen to this podcast: Duane is a knowledgeable and passionate Prince fan-turned-scholar, and his enthusiasm for the project is infectious. And if you have read the book, you should still listen, because he has a lot to share not only about his research and writing process, but also about his experiences with the celebrated Uptown fanzine and his ideas for preserving Prince’s legacy moving forward. NPG/Comerica/Warner Bros., if you’re out there, give this man some consulting work; we can all benefit from someone with his dedication and expertise steering the ship.

Now, for those of you who haven’t read the book yet, allow me to sweeten the pot: I’ve already bought my copy, but I am planning to secure another one (hopefully signed by the author!) and gift it to a lucky listener who reviews d / m / s / r on their podcast app of choice (iTunes, Stitcher, or Google Play). If you’ve never done this before, it’s easy: just subscribe, give the podcast a rating, and leave a short review, then leave a comment on the blog so I know you did it. In about a month, I’ll send my extra copy of Duane’s book to whoever wrote my favorite review. Note that this doesn’t mean your review has to be positive–if you hate my podcast and want to drag me, knock yourself out! As long as you leave a review and tell me where to look for it (and are willing to send me your mailing address, of course), you’re eligible to receive the book.

For now, I hope you enjoy this interview, and I hope you’ll check out Duane’s book–it really is phenomenal. Thanks for listening, and see you again soon!

Continue reading “Podcast: 24 Feelings All in a Row – A Conversation with Duane Tudahl, Author of Prince and the Purple Rain Era Studio Sessions: 1983 and 1984”

Review: Prince and the Purple Rain Era Studio Sessions – 1983 and 1984

Review: Prince and the Purple Rain Era Studio Sessions – 1983 and 1984

(Featured Image: Cover art for Prince and the Purple Rain Era Studio Sessions – 1983 and 1984 by Duane Tudahl, from Amazon.)

It is no exaggeration to say that without Duane Tudahl, Prince fandom and Prince scholarship would both look very different. In the 1990s and early 2000s, Tudahl was one of the amateur historians behind Uptown, the venerated fanzine that remains the chief source of what we know about Prince’s work beyond the official studio recordings. If you have a dogeared copy of Per Nilsen’s Dance Music Sex Romance or Alex Hahn’s Possessed on your shelf, if you’ve ever consulted Prince Vault for information on a rare outtake, and yes, if you’re reading this very blog, Tudahl is among the people you have to thank.

But Uptown’s research, for all its significance, is getting a little long in the tooth. The magazine has been defunct for well over a decade, during which time new information on Prince’s recording sessions have continued to emerge unabated; so it was with great excitement that many of us learned Tudahl was preparing an update. Prince and the Purple Rain Era Studio Sessions: 1983 and 1984 is the first of, hopefully, many such updates–and I don’t think I need to tell this particular readership that it is absolutely essential.

As the title suggests, Tudahl takes a long view of the “Purple Rain era,” beginning in the middle of the 1999 tour in January 1983 and ending with the completion of Around the World in a Day in December 1984. Obviously, setting firm chronological boundaries on the work of an artist in perpetual motion will always be arbitrary; Tudahl, however, makes a good case for his selection. The 24 months he chose include Prince’s slow ascension to superstardom, and his first post-crossover left turn; the “official” formation of his most iconic band, the Revolution, and the beginning of their expansion with vital auxiliary musicians such as Eric Leeds; the club show that provided the nucleus for much of the Purple Rain film and album, and the stadium performances with which he promoted them. This is, in other words, an era that provides a fascinating microcosm for the various trends, tensions, and themes that would persist throughout Prince’s career.

1983 and 1984 are also where Prince recorded some of his most popular and accomplished music: not only Purple Rain and Around the World in a Day, but also the Time’s Ice Cream Castle, Sheila E’s The Glamorous Life, the eponymous albums by Apollonia 6 and the Family, and many of his most renowned B-sides: “Irresistible Bitch,” “Erotic City,” “She’s Always in My Hair.” Even the songs written for other artists in this period are household names: “Manic Monday,” “Nothing Compares 2 U,” “Sugar Walls” (well, maybe not “Sugar Walls”). Regardless of one’s personal feelings on the “Purple Rain era,” it’s undeniable that this was one of the artist’s richest and most prolific periods, making it the perfect place to start with what could easily have been a dry, pedantic “for fans only” exercise.

That being said, it still takes a special kind of music geek to read a 550-page book about the recording sessions for (give or take) a single album. This is, by its very nature, not a book for casual fans; but it’s to Tudahl’s credit that it is immensely readable, as much of a page-turner as a chronological studio record can possibly be. The author brings to life the heart of his research–work orders obtained from Sunset Sound, Prince’s base of operations in Los Angeles at the time–with judiciously-selected quotes from former engineers, band members, and other collaborators, as well as some (through archival means) from Prince himself. For writers and researchers like myself, of course, Prince and the Purple Rain Era Studio Sessions will be invaluable as a resource for information about this period (I just hope all of us are considerate about citing our sources). But for readers who just want to learn more about an artist working at the peak of his powers, the insight it provides is just as worthy.

I say this a lot in reviews on this blog, but I mean it especially this time: if you read and enjoy dance / music / sex / romance, you need to buy this book. Not just because it will be of interest to anyone with a desire to dig into Prince’s oeuvre song by song, but because, quite frankly, we owe it to Duane for his decades of hard work, without which I know none of my writing on Prince would exist. Plus, I’m dying to get another one of these for 1985-86. Let’s make it happen!

If you want to support Duane and d / m / s / r in one fell swoop, please feel free to preorder Prince and the Purple Rain Era Studio Sessions using our Amazon affiliate link. The book comes out next Wednesday, November 15.