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Podcast The Time, 1981

Podcast: 40 Years of The Time – A Conversation with Darling Nisi and Harold Pride

July 2021 marks the 40th anniversary of the self-titled debut album by the Time; so, I decided to commemorate the occasion by bringing back Darling Nisi and Harold Pride for one of our trademark track-by-track deep dives. As always, the conversation left me thinking about the album in new ways: from KaNisa’s interpretation of it as Prince’s tribute to the funk music of his youth, to Harold’s insight on its significance to the development of electronic dance music. I remain grateful to be able to talk about music with these two brilliant people.

Last time, I promised I’d have another podcast episode ready in less than the almost two-year gap between our Prince (1979) and Dirty Mind episodes; and, technically, I did make good on that promise, since it’s “only” been 10 months since Dirty Mind last September. But for real, I’ll be back much sooner this time–like, probably around this time next month. So, if you haven’t already, subscribe to Dance / Music / Sex / Romance on your podcast provider of choice; and, if the spirit moves you, you can even leave a review! You’ll be hearing from me again very soon.

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Patreon Exclusives Reviews

Patreon Exclusive Review: Mr. Nelson on the North Side

It’s been about two and a half years since news first broke of an official Prince documentary, to be produced by Netflix in collaboration with the artist’s estate. Since that time, the project has been mostly radio-silent–with the notable exceptions of the 2019 departure of original director, Ava DuVernay (13th), and her (still officially unconfirmed) replacement by Ezra Edelman (O.J.: Made in America) last year. So, I was intrigued to learn about Mr. Nelson on the North Side: another, independently-produced documentary which premiered online last weekend. If nothing else, the film’s focus on the beginnings of Prince’s life and artistic development in North Minneapolis promised to be an interesting change of pace–covering territory (both literal and figurative) that remains underexplored in Prince biographies across all media.

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Patreon Exclusives Reviews

Post-Vacation Update: Patreon-Exclusive Originals Review, plus “Sister” on Press Rewind

It’s a well-known fact that when Prince gave songs to other artists, he would cut his own recordings with guide vocals–not “demos” in the traditional sense so much as complete alternate takes, with production values in many cases equal to the versions that saw release. Almost as well-known, at least among bootleg enthusiasts, is the fact that Prince’s versions of these songs tended to be better than the “covers.” That makes the latest posthumous release by Warner Bros. Records and the Prince Estate, Originals, something of a no-brainer: here are 15 songs we already know and (mostly) love, preserved as they might have been had Prince decided to keep them for himself.

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Podcast Prince, 1979

Podcast: Prince (1979) Revisited

October 19, 2018 marks the 39th anniversary of Prince’s self-titled second album–not the most glamorous occasion, perhaps, but reason enough to reassemble the review panel from our For You podcast for a reappraisal. Once again, Zach is joined by Harold and KaNisa for a track-by-track discussion of this underappreciated album, its resonances throughout Prince’s career, and why it still matters.

Categories
Ephemera, 1984

Nothing Compares 2 U

Last week, I made my long-awaited, surreal, exhausting pilgrimage to the Twin Cities to attend the Prince from Minneapolis conference and Paisley Park’s Celebration 2018. I have complicated feelings, which I’m still processing–and will continue to do so, with the help of some other people who were there, on the podcast in the coming weeks. For now, though, I have some basic reactions to Celebration, and to the newly-released Prince song that was debuted on the event’s first day.

I wasn’t sure what to expect from Celebration coming in–reports of last year’s event suggested a combination music festival, fan convention, and cult indoctrination–but in my experience, it was basically a corporate retreat for hardcore Prince fans. There were hours of panel discussions with ex-band members Gayle Chapman, Dez Dickerson, Matt Fink, and Bobby Z; photographers Allen Beaulieu, Nancy Bundt, Terry Gydesen, and Nandy McLean; and dancers Tomasina Tate and, um, Wally Safford. There were screenings of Prince concerts from the Piano & A Microphone, HitnRun 2015, and–via the associated “Prince: Live on the Big Screen” event at the Target Center–Welcome 2 America tours. There were live performances by Sheila E, fDeluxe (née the Family), and a (fantastic) new supergroup of New Power Generation alumni dubbed the Funk Soldiers. And, of course, there was the debut of the music video for Prince’s previously-unreleased studio version of his pop standard “Nothing Compares 2 U.”