Not a lot to talk about this month (no, I’m not weighing in on “scarfgate”), but I did take some time for a mini-review of the Walmart-exclusive Hits 2 white vinyl reissue (spoiler: it ain’t great!). The late-2022 Prince release doldrums continue, but at least we have a lot of new books to read, right? Also, look out for “When Doves Cry” in December, by hook or by crook! Our two-and-a-half-year journey through the Purple Rain album is finally coming to a close… thanks for your support, and happy holidays if that’s what you’re into!
You’ll have to forgive me as I do this month’s Patreon video update “hit-n-run” style; I’m getting married tomorrow and I need to hit the road! So here are just a few quick thoughts to tie up September and look forward to the next month or so on D / M / S / R. As always, thanks so much for your support; I’ll be back in a couple of weeks!
As promised/threatened, we’re back to a monthly schedule on the D / M / S / R podcast! For this month’s episode, it was my pleasure to speak to music writer Jack Riedy (Pitchfork, GQ, VIBE) about his new book Electric Word Life: Writing on Prince 2016-2021. It was a really fun conversation, running through each of the pieces collected in his book and covering everything from Prince’s influence on Chicago house to the degree to which the Batman album goes (spoiler: it’s hard). Check it out, and if you’re so inclined, get yourself a copy of Jack’s book! It’s a great read and highly recommended.
By the way, I caught this too late to mention it “on air,” but thanks so much to cittalente for their review on Apple Podcasts! If you’re interested in reviewing D / M / S / R on your podcast service of choice, please do, and I will read it on the next episode–which, if all goes to plan, should be dropping next month.
Late last month, De Angela Duff uploaded the presentation I delivered at her #1plus1plus1is3 virtual symposium back in March. I had the privilege of sharing the Controversy panel with Christopher A. Daniel, Steven G Fullwood, Edgar Kruize, and moderator C. Liegh McInnis. My paper, “I Wish We All Were Nude: Allen Beaulieu’s Infamous ‘Shower Poster’ as Aesthetic Linchpin and Artifact,” was definitely the silliest of the four, so my thanks once again to De Angela for her indulgence.
One quick correction, which came up in the chat at the symposium: While Allen Beaulieu was involved in the Controversy poster shoot, the actual image that made it onto the poster was taken by none other than Lisa Coleman! So, Lisa, if you ever want to come on my podcast and spend an entire hour talking about nothing but this photo, consider this your open invitation.
If you can’t get enough of me and my pandemic hair, below is the Q&A I did with Christopher, Steven, Edgar, and C. Liegh:
Finally, I’d like to share a few of my favorite presentations from the symposium. It isn’t an exhaustive list–my real recommendation is that you watch every video on De Angela’s channel!–but if you’re looking for a good place to start, you can’t go wrong with these.
Robert Loss on work and racial capitalism in The Rainbow Children (and also the infamous “Avalanche”):
KaNisa Williams’ audiovisually stimulating exegesis of The Rainbow Children/One Nite Alone era:
My favorite “discovery” of the symposium, Melay Araya, on the Diamonds and Pearls videos’ place in Prince’s canon as a filmmaker:
Kamilah Cummings on Diamonds and Pearls and the “myth of colorblindness” in Prince’s work:
And, last but not least, the aforementioned C. Liegh McInnis on the lyrics of Diamonds and Pearls, which had us reconsidering, of all things, the poetic merits of “Jughead”:
In short, the symposium was an absolute joy, and I’m proud to have been a part of it. I’m already counting the days until next year’s “Triple Threat” symposium on 1999, What Time is It?, and Vanity 6!
(Edit: I posted too soon and didn’t include this great recap video De Angela posted on Monday! It captures so much of the fun we all had that weekend. See you again at #TripleThreat40!)
Well, looks like I’m beginning another year by apologizing for my inactivity at the end of the previous one; at this point, is there any more predictable tradition? I’m not a big believer in New Year’s resolutions, so I’ll refrain from making any grand promises. Just know that I’m eager to get back to work and out of the months-long rut that my “Cloreen Bacon Skin” post has become, so the drought should be over soon.
In the meantime, embedded below is the #PrinceTwitterThread with which I technically broke my two-month break from writing about and even, largely, listening to Prince. In a real “famine to feast” move, the subject was “Crystal Ball,” one of the densest and headiest tracks in Prince’s greater oeuvre. “Doing it justice” was, of course, an impossibility; but I think I at least succeeded in starting a conversation. Thanks as always for sticking with me, and here’s to a happy and fruitful 2021.