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Press Rewind: “Strange Relationship”

Last week, I made my long-awaited (by somebody, I’m assuming) return to Jason Breininger’s Press Rewind podcast to talk about one of my favorite songs, “Strange Relationship.” Turns out it was actually the 100th episode, so I’m honored to have been able to participate in this milestone. Check it out below–and, if you haven’t been keeping up with Jason’s podcast, check out the other episodes, too. Every Sign “O” the Times episode I’ve listened to so far has been great.

Press Rewind: “Strange Relationship”

Now, here’s the part where I give a general update of where I am with my own stuff. The next post, on “Computer Blue,” is still coming along, but probably won’t be ready this week. In the meantime, I just recorded a podcast with Jack Riedy, author of a really cool new collection of writing about Prince. That will be available (to patrons, anyway) by the end of the week. See you then!

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Purple Rain, 1984

Baby I’m a Star

“The MUSIC segues into a fierce BEAT.
The CROWD lets out a ROAR! Prince
strips off his guitar, streaks center-
stage. The Band launches into ‘Baby,
I’m A Star.’

“…And the CROWD laughing, dancing,
shouting and loving. The CLUB is ALIVE!

“And the MUSIC continues…forever…”

Draft screenplay for Purple Rain by Albert Magnoli, 1983

In the spring of 1983, Prince’s contract with managers Cavallo, Ruffalo, and Fargnoli was up for renewal. They had, on the face of it, little reason to worry: the 1999 tour was selling out arenas, “Little Red Corvette” was in the Top 10 of the pop charts, and 1999 was well on its way to Platinum certification by the RIAA. By the end of April, Prince would make the cover of Rolling Stone: a coveted opportunity for which his managers had netted a Richard Avedon photo shoot without granting an interview. “I thought we did an incredible job, we had a creative relationship, I’m sure he’s gonna sign another contract,” Bob Cavallo later told music journalist Alan Light. But Prince sent his main handler, Steve Fargnoli, back to Cavallo with a surprising ultimatum: “he won’t sign with us again unless we get him a movie” (Light 51).

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Ephemera, 1986

Witness 4 the Prosecution (Version 1)

As has become tradition for Warner’s posthumous Prince collections, last month’s Sign “O” the Times Super Deluxe announcement was accompanied by the release of a “new” song from the Vault. “Witness 4 the Prosecution (Version 1)” was recorded on March 14, 1986–one of the first recordings at Prince’s new home studio at Galpin Blvd. in Chanhassen, where he had moved in November of 1985. The stripped-down blues-rock number featured Prince on all instruments, including live drums and some decidedly Hendrixian guitar.

Lyrically, “Witness” finds Prince in a metaphorical courtroom, testifying against a “heinous love affair” in which he claims to be “guilty of nothin’ but always wantin’ you to be there.” “Whatever it is you think that I did,” he argues passionately, “You’re wrong, I wouldn’t even dare.” Susan Rogers, Prince’s home studio engineer from 19831987, told Per Nilsen’s Uptown fanzine that the song was written “as a direct result” of his tumultuous relationship with Susannah Melvoin, his live-in partner at the time and the twin sister of Revolution guitarist Wendy (Nilsen 1999 214). “He had gone further with her than anybody else,” Rogers recalled. “She was wearing his ring, he loved her and didn’t want to lose her, but he didn’t think that he could carry out his commitment. They were fighting a lot, and it was sort of over nothing” (195).

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Prince Track by Track: “Better with Time”

As promised/warned back at the beginning of the month, I’m intentionally taking my sweet time on the next post (though I will commit to getting it out by the end of the month). In the meantime, here’s my latest guest appearance on Darren Husted’s Prince: Track by Track podcast:

Prince Track by Track:
“Better with Time”

Not much more to say on this one. See you again soon!

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Dystopian Dance Party: The Prince Issue Podcast with Guest Erika Peterson

As you may or may not know, Dystopian Dance Party is the other, more irreverent project I do with my sister Callie. We recently launched a physical magazine, the first issue of which is dedicated to art and writing inspired by the music of Prince. On this episode of the DDP podcast, Callie and I are joined by our friend Erika Peterson to talk about her work for the magazine–an exhaustive guide to the 3 Chains O’ Gold film–the most absurd/surreal moments of Celebration 2018, and our ongoing (one-sided) beef with Questlove. It’s definitely a bit looser and sillier than the average d / m / s / r podcast, but if you enjoy my other stuff, you’ll probably enjoy this, too:

Dystopian Dance Party: The Prince Issue Podcast with Guest Erika Peterson

And if you can’t get enough of Erika, remember that she also recently appeared on our friend KaNisa’s excellent Muse 2 the Pharaoh podcast. Take a listen if you haven’t already:

Muse 2 the Pharaoh #1