Just under two weeks ago, I had the pleasure of speaking with two more presenters from the University of Salford’s interdisciplinary Prince conference: Joni Todd and Karen Turman, who you may know by reputation as the “esoteric French panel.” But if all that sounds too highbrow, don’t worry; we mostly talked about Prince’s impeccable fashion sense and uncompromising artistic vision, just with a lot of references to Charles Baudelaire and Marcel Duchamp. It’s probably the only Prince podcast you’ll hear that mentions both “Pussy Control” and Walter Benjamin, and that’s the best endorsement I can give.
Well, the podcast episode I promised yesterday isn’t going to happen until early next week; I simply didn’t have enough time to finish editing. Luckily, Warner Bros. has my back, because last night they surprise-released another advance track from the new Purple Rain reissue: the studio-recorded medley of “Our Destiny” and “Roadhouse Garden.” So, rather than completely skip a post today, let’s take a short look at these songs and how they fit into the grander scheme of Prince’s work.
Like the previously-discussed “Electric Intercourse,” “Our Destiny” and “Roadhouse Garden” have advance notoriety among hardcore fans and collectors–though their connection to the Purple Rain project is less clear. Prince and the Revolution performed the song only once, at his 26th birthday celebration at Minneapolis’ First Avenue on June 7, 1984: the same concert that yielded the basic track for Jill Jones’ “All Day, All Night.” And as all of us Prince obsessives know, that might as well have been a decade after the previous year’s August 3 First Avenue date, which similarly provided the majority of Purple Rain’s second side. By summer 1984, Prince was already at work on his next project(s), including tracks that would end up on 1985’s Around the World in a Day.
Adding to the confusion, Roadhouse Garden would later become the title of an aborted late-’90s compilation of refurbished Revolution tracks by the artist then-formerly known as Prince–most of which seemed to date from what Princeologists would consider to be the “Dream Factory era” of 1985-1986. This, in turn, appears to have transformed in many fans’ reckonings into a whole other album between Purple Rain and Around the World in a Day, possibly also called Roadhouse Garden. Basically, the song’s provenance is a mess, and I’ve seen more than a few people cry foul over its and its sister song’s inclusion in what “should” be a compilation of outtakes specifically related to Purple Rain.
As promised/threatened, I’m once again interrupting the usual flow for a Prince-related feature from our sister site Dystopian Dance Party. Today, Callie and I talk about our mutual, misguided, only semi-ironic love for the second installment of Prince’s cinematic saga, Under the Cherry Moon, which released 30 years ago this Monday. Tune in for lots of incredulous laughter, and one moment in which I actually compare the film to Jean-Luc Godard’s Breathless (don’t worry, it makes slightly more sense in context). And of course, feel free to check out Dystopian Dance Party, which is where I write about whatever I feel like writing at any given time (though, unsurprisingly, there’s a lot of Prince on there, too). Show notes here. See you next week!