Got something today for the patrons: an exclusive post on “You’re My Love,” the most surprising–and arguably the most controversial–track on last month’s Originals. For those who haven’t yet become patrons, here’s a taste:
Last month’s Originals had plenty of surprises for even dedicated Prince collectors–but none quite as surprising as “You’re My Love,” a track recorded in March 1982 at Prince’s Kiowa Trail home studio and later gifted to, of all people, country music crooner and rotisserie chicken mogul Kenny Rogers. Most reviews of the collection greeted the song with mild (or not-so-mild) bafflement. Paste’s Zach Schonfeld intimated that “there’s a reason” Prince didn’t keep “You’re My Love” for himself. PopMatters’ Chris Ingalls panned it as a “bland-yet-serviceable 1980s pop song” that “sees Prince almost veering into parody with a Vegas-style croon.” In her excellent piece for The Quietus, Soma Ghosh dismissed the song as “schmaltzy.” Even Michael Howe, the A&R professional in charge of Prince’s posthumous Vault releases, described it as a “full-on Holiday Inn lounge vibe” in an interview with The West Australian.
To hear what I have to say about the track, it will cost you a buck a month–butthat buck a month also helps make it possible for me to post regular blog posts each week, and will entitle you to more exclusive content in the weeks to come. If that sounds like a good deal to you, then check it out here:
I wish I could say that the critics had been wrong all along and this is a buried, misunderstood gem, but quite frankly, it isn’t; even 20 years later, this still one of (the Artist Formerly Known as) Prince’s most deeply mediocre records. But I find that the additional hindsight, as well as Sony Legacy’s excellent presentation, has made me a lot more affectionate than I may have been otherwise. I look forward to this deluxe treatment being given to more of the albums that deserve it!
In the meantime, if you’re interested in supporting this release but have found the price tag too steep, at time of posting it’s a little less than $16 on Amazon; that’s about $10 less than I paid for it, even lower compared to list price. And if you use my affiliate link, you can support me, too!
Okay, that’s enough shilling for one day. See you tomorrow!
(Featured Image: Our co-conspirators, circa 1982.)
Over the weekend, I made another appearance on Darren Husted’s Prince: Track by Track podcast, discussing a song that Darren hates and I honestly kinda love: “Cloreen Bacon Skin,” the longest and quite possibly least consequential single track in Prince’s entire officially-released oeuvre. Listen to my spirited, albeit slightly sheepish defense, which goes on for just over the length of the song itself, at the link below:
I’m still hoping to get another proper post out by the end of the week, but it’s gonna be a long one, so apologies in advance if it doesn’t make it until next week. I’ll do my best to make it worth the wait!
(Featured Image: Japanese newspaper coverage of Prince’s arrival in the country, September 1986.)
I gave myself a little hiatus from the dance / music / sex / romance podcast after Celebration 2018, but now we’re back in business with guest Takuya Futaesaku, author of the book Words of Prince. Takki and I talk about his book and his experiences as a Prince fan in Japan; it was a pleasure to speak with him, so hopefully it will be a pleasure to listen, too!
You can check out my review of Words of Prince here on the d / m / s / r blog. You can also subscribe to the podcast on your aggregator of choice (iTunes, Stitcher, Google Play), and consider leaving a review to help spread the word. Special thanks this episode go to Crystal for helping me track down the Japanese shows you’ll hear during the podcast! I’ll be back soon, hopefully next week, with another blog post.
As you may or may not know, Dystopian Dance Party is the other, more irreverent project I do with my sister Callie. We recently launched a physical magazine, the first issue of which is dedicated to art and writing inspired by the music of Prince. On this episode of the DDP podcast, Callie and I are joined by our friend Erika Peterson to talk about her work for the magazine–an exhaustive guide to the 3 Chains O’ Gold film–the most absurd/surreal moments of Celebration 2018, and our ongoing beef with Questlove. It’s definitely a bit looser and sillier than the average d / m / s / r podcast, but if you enjoy my other stuff, you should enjoy it:
For those of you who haven’t picked up the magazine yet, we’re also offering the opportunity to get it for free, along with a set of rewards otherwise exclusively made available to our Kickstarter backers. All you have to do is follow Dystopian Dance Party on Twitter, Facebook, Instagram, and/or Tumblr, and share a link to this episode with us tagged so we know you did it. Toward the end of May, we’ll choose one or two people to receive a free copy of the magazine, a sheet of custom-designed stickers, three buttons, and a poster of the cover art by Callie. None of this stuff is available anywhere else, so take advantage of this chance to get your hands on it!
And if you can’t get enough of Erika, remember that she also recently appeared on our friend KaNisa’s excellent Muse 2 the Pharaoh podcast. Take a listen if you haven’t already:
Finally, an update on my next post for d / m / s / r. I had been planning to get something out by the end of the week, but I decided to make some changes which resulted in a delay: basically, I was writing separate posts on “The Stick” and “Cool,” but I decided to combine the two and just write a longer post on “Cool” that also touches on “The Stick” (and “After Hi School,” in case anybody was waiting for that). I fully expect to have this post out next week–which means that we’re finally going to be done with the Time’s first album! After that, we’ll turn to another 1981 outtake, and then back to Controversy. I also have plans for a few podcasts in the pipeline, so there’s plenty to look forward to!