Happy New Year, everyone! I’m starting 2018 more excited about this project than ever, and I think you’ll enjoy what I have planned. But first, here’s something I did for another chronological Prince project: Darren Husted’s excellent podcast Prince: Track by Track. Our topic this time around is a bit of a guilty pleasure: the Diamonds and Pearlsalbum cut “Daddy Pop.” But you should still listen, if only to hear my surprisingly spirited defense of Tony M:
While I’ve got you here, I guess I might as well talk about a few of those things I have planned for the months to come. First up will be another, imaginative look at what might have been for Prince’s relationship with André Cymone; then, starting next week, I’ll be jumping into the songs that became the debut album by Prince’s first official protégé group, the Time. On the podcast, you can also look forward to an interview with Kimberly Ransom, whose work appeared both at last spring’s University of Salford Prince conference and in last fall’s special Prince issue of the Journal of African American Studies. I’m also in the very, very early brainstorming period for a series of podcasts on each of Prince’s albums I’ve covered in writing so far, beginning with the 40th anniversary of For Youin April. If you have any ideas for that–including suggestions for possible guests–you know where to find me.
(Featured Image: Purple Rain Tour Shirt, 1984; photo stolen from the Current.)
It’s been just under two months since I started interviewing presenters from this spring’s interdisciplinary Prince conference at the University of Salford, and I’ve been absolutely thrilled with the results. But all good things must come to an end, so I had planned to make this chat with writer Erica Thompson the last of my post-conference podcasts. It would have been a great choice, too; Erica’s presentation was the result of many years of research for a book project on Prince’s spiritual journey, so our conversation was less about the conference in particular and more about her findings more generally: a nice segue into future, less Manchester-centric episodes.
But just when I think I’m out, they keep pulling me back in. Contrary to my own statements in this episode, I have already set up another interview with a few presenters from one of the conference’s gender and sexuality panels. So basically, expect me to keep interviewing scholars from the Purple Reign conference until the next milestone in Prince scholarship comes along. And in the meantime, please enjoy my and Erica’s conversation about the importance–and, sometimes, difficulty–of understanding Prince’s religious faith in relationship with his art.
As usual, I invite you to subscribe to the podcast on iTunes, Stitcher, or Google Play for mobile listening; you can also stream episodes on Mixcloud. And keep listening, because there’s good stuff–Purple Reign-related and otherwise–coming up in the near future!
(Featured Image: “The Band with No Name”; from the Sign “O” the Times tour book, 1987.)
Settle in, folks, because today we’ve got not one, but two presenters from this spring’s Prince conference at the University of Salford: interdisciplinary artist/activist Felicia Holman and independent scholar/activist Harold Pride. Both were part of the organic community of Black artists and academics who came together in Manchester and, each in their own way, helped to reclaim Prince’s legacy as a specifically African American artist. The three of us talk about that, as well as their specific papers–Harold’s on the underrated, short-lived “Band with No Name” from 1987–1988; Felicia’s on Prince’s autodidacticism and its connection to traditions of Black self-determination–and, as usual, a lot of other things along the way. It’s a great conversation that could have easily been twice as long; I hope you enjoy it as much as I did!
I still have a handful of these interviews lined up, and will be posting them at least through Labor Day. If you want to hear them, you can follow the podcast on any of the major services (iTunes, Stitcher, or Google Play). Appearances to the contrary, I’m also still writing: I’ll be back to the ol’ grind next week. See you then!
This episode, it’s 2 Zacks United 4 Prince Conference (sorry) as your usual host, Zach Hoskins, talks to Zack Stiegler, Associate Professor in Communications Media Studies at Indiana University of Pennsylvania. As in my last episode with Jane Clare Jones, we’re here to talk about Zack’s time at the University of Salford’s interdisciplinary Prince conference back in May; but we also touch upon a lot of other interesting subjects, including Prince’s ever-shifting attitudes toward the Internet, his racial consciousness, and the subtle (/sometimes not-so-subtle) current of Afrofuturism in his work.
Again, I’ll be posting more of these conversations in the weeks to come–already have another one in the can, in fact!–and would love to speak to anyone else who attended the conference and wants to chat. If you enjoyed this and would like to hear more, remember to subscribe and (if you want!) review the podcast on any of the major services: iTunes, Stitcher, or Google Play. I’ll also be adding the episode to Mixcloud, but frankly I’m not always as good at doing that in a timely fashion. See you again soon!