Just under two weeks ago, I had the pleasure of speaking with two more presenters from the University of Salford’s interdisciplinary Prince conference: Joni Todd and Karen Turman, who you may know by reputation as the “esoteric French panel.” But if all that sounds a little too highbrow, don’t worry; we mostly talked about Prince’s impeccable fashion sense and uncompromising artistic vision, just with a lot of references to Charles Baudelaire and Marcel Duchamp. It’s probably the only Prince podcast you’ll hear that mentions both “Pussy Control” and Walter Benjamin, and that’s the best endorsement I can possibly give.
As usual, if you like what you hear, you can subscribe to d / m / s / r on your podcast app of choice: iTunes, Stitcher, or Google Play. If you want to help, you can also leave a review, which will make it easier for new listeners to find us. See you (hopefully) next week!
We’re nearing the end of our miniseries on the University of Salford’s interdisciplinary Prince conference, but there are still a few treats in store–starting with today’s conversation with Carmen Hoover. Carmen is a current professor at Olympic College in Washington, and a former First Avenue employee who watched Prince conquer the world from Minneapolis in the early 1980s. We talked about the conference, the time she saw Prince at a gas station, and most importantly, her paper on the evolution of a particular moment (you know the one) between Prince and Wendy in Purple Rain. If your interests are anywhere near as prurient as mine, it’s a can’t-miss.
Remember that you can subscribe to d / m / s / r on any of the major podcast services (iTunes, Stitcher, Google Play). If you like what you hear and want to share it with others, leave a review–it will help us reach more listeners! We’ll be back in a week with another pair of presenters from the conference.
(Featured Image: “The Band with No Name”; from the Sign “O” the Times tour book, 1987.)
Settle in, folks, because today we’ve got not one, but two presenters from this spring’s Prince conference at the University of Salford: interdisciplinary artist/activist Felicia Holman and independent scholar/activist Harold Pride. Both were part of the organic community of Black artists and academics who came together in Manchester and, each in their own way, helped to reclaim Prince’s legacy as a specifically African American artist. The three of us talk about that, as well as their specific papers–Harold’s on the underrated, short-lived “Band with No Name” from 1987–1988; Felicia’s on Prince’s autodidacticism and its connection to traditions of Black self-determination–and, as usual, a lot of other things along the way. It’s a great conversation that could have easily been twice as long; I hope you enjoy it as much as I did!
I still have a handful of these interviews lined up, and will be posting them at least through Labor Day. If you want to hear them, you can follow the podcast on any of the major services (iTunes, Stitcher, or Google Play). Appearances to the contrary, I’m also still writing: I’ll be back to the ol’ grind next week. See you then!