I know, I know, I’m running behind again. But part three of “Controversy” will be out soon–no promises, but I’m aiming for this week–and once that monolith is out of the way I expect things to pick up accordingly. In the meantime, here’s my latest appearance on Darren Husted’s Prince: Track by Track podcast, talking about the hidden track that may technically be my favorite song on Rave Un2 the Joy Fantastic:
As I continue to work on my next proper post, I’m happy to share another collaborative effort I had the opportunity to participate in with popular YouTubers Prince’s Friend, Nightchild-Ethereal, and Mr. Ant. We discussed the eight main drummers Prince worked with during his career–Bobby Z, Sheila E, Michael B, Kirk Johnson, Cora Coleman-Dunham, John Blackwell, and Hannah Welton–and ranked them based on our performances. I hope you enjoy it, even if for some reason I was not looking at the camera in the first clip! Thanks to Prince’s Friend for the opportunity, and to Darling Nisi for recommending me.
My recent run of guest appearances on Prince: Track by Track has taken me out of my comfort zone, into some albums that I frankly don’t care much for. But now we’ve finally reached Crystal Ball, allowing me to return–however briefly–to the warm embrace of 1986. But first, Darren Husted and I had to address the elephant in the room that is Crystal Ball’s disastrous 1998 release. As I note, there may be a lesson to be learned in this for those who want Prince’s estate to be run “the way he would have done it.” Listen to both episodes below:
I’ll be back on Track by Track to discuss another epic from Crystal Ball later this month; before then, you can expect another track or two from Controversy. It’s taken some time, but I’m finally getting back to the grind!
Also in semi-related news, my other project Dystopian Dance Party has launched our fifth annual celebration of wet, silky ’80s R&B, Jheri Curl June. If you’re a fan of Prince’s ’80s work, you’ll find a lot to like about the stuff we cover. Check out the podcast kicking of the festivities here:
You should also check in on the blog, as we’ll be posting a vintage Jheri Curl track every weekday this month. Some of them, I’m sure, will be Prince-related. Meanwhile, over here I’ll have an end-of-year-two wrap-up post this week, and then it’s on to our next Prince track, “She’s Just a Baby.”
(Featured Image: “The Band with No Name”; from the Sign “O” the Times tour book, 1987.)
Settle in, folks, because today we’ve got not one, but two presenters from this spring’s Prince conference at the University of Salford: interdisciplinary artist/activist Felicia Holman and independent scholar/activist Harold Pride. Both were part of the organic community of Black artists and academics who came together in Manchester and, each in their own way, helped to reclaim Prince’s legacy as a specifically African American artist. The three of us talk about that, as well as their specific papers–Harold’s on the underrated, short-lived “Band with No Name” from 1987–1988; Felicia’s on Prince’s autodidacticism and its connection to traditions of Black self-determination–and, as usual, a lot of other things along the way. It’s a great conversation that could have easily been twice as long; I hope you enjoy it as much as I did!
I still have a handful of these interviews lined up, and will be posting them at least through Labor Day. If you want to hear them, you can follow the podcast on any of the major services (iTunes, Stitcher, or Google Play). Appearances to the contrary, I’m also still writing: I’ll be back to the ol’ grind next week. See you then!