(Featured Image: Cover art for the new Originals compilation; photo by Allen Beaulieu, © NPG Records/Warner Bros.)
Hello again! Last week was quiet on the d / m / s / r front because I was out of town on a family vacation, which was great fun but decidedly light on writing time. I did, however, get one thing done for supporters of the new Patreon: a review of the Originals compilation, which released on TIDAL early this month and on CD and other streaming platforms last Friday.
As I explained on the Patreon over the weekend, this is just one of the kinds of things I’ll be offering over there, but I’ll probably be keeping the patron exclusives Originals-related for the next month or so; my next exclusive post will be a full-blown song post on “You’re My Love,” which happened to be recorded right around the time I’m currently covering on the blog.
Also while I was out, the second episode I recorded for Jason Breininger’s Press Rewind podcast was released. Check that out if you haven’t already:
Finally, I am still writing a blog, and I plan on putting up the next post, “3 x 2 =6,” on Thursday. In fact, the Patreon has been doing so well that I wouldn’t be surprised if we reached my $50-a-month goal by next week–meaning that there will be a guaranteed four new posts in July. My sincere thanks to the latest group of patrons for helping make that happen: Cliff Dinwiddie, Marilyn Hinson, Jessica, Darling Nisi, and Kaitlyn. If you want to be the one to put us over the edge toward that first goal, you know what to do:
As always, thanks for reading! Coming back from vacation is rough, but I’m happy to return to this project.
(Featured Image: Richard Gere in the poster for Paul Schrader’s American Gigolo, 1980; © Paramount Pictures.)
Prince may have taken back one of the ballads he wrote for the Time’s second album, but he was at least considerate enough to leave them a backup: “Gigolos Get Lonely Too” was recorded at Sunset Sound on January 11, 1982, three days before “International Lover” and the completion of “The Walk.” It was–along with another song that remains unreleased, “Bold Generation”–the first track completed for What Time is It? And, unlike its erstwhile sibling “International Lover,” it was destined for Morris Day to sing.
The concept behind “Gigolos Get Lonely Too” is pretty much exactly what the title suggests: Morris–and by extension, Prince–inhabiting the role of a sex worker who longs for the intimacy to “make love without taking off my clothes.” The conceit was something of a departure from the Morris Day persona to date, which read more as an aspiring pimp than a gigolo. But then, gigolos were experiencing something of a resurgence in the early ’80s: Paul Schrader’s neo-noir American Gigolo had released to some attention in early 1980, making a star out of both leading man Richard Gere and costume designer Giorgio Armani. It’s hardly far-fetched to imagine Gere’s character, with his taste for Italian suits and the high life, influencing the Time’s visual aesthetic; certainly his refusal to engage gay clients, however unconvincing, would have helped to mitigate male sex work’s homosexual connotations.
(Featured Image: “There’s never been more love in the air!” Early 1970s Southwest Airlines ad; stolen from Flashbak.)
Following a month and a half of dates in the Mid-Atlantic, South, and Midwest, Prince took a break from the Controversy tour in mid-January 1982. He spent the majority of this time in Los Angeles: attending the American Music Awards and laying down tracks at his new favorite studio, Sunset Sound. Most of the songs he recorded in these weeks were intended for his protégés (and budding rivals) the Time: “Gigolos Get Lonely Too,” “The Walk,” and “Wild and Loose” would all end up on their second album, What Time is It? But the sessions also yielded what would become the closing track on Prince’s fifth album: a seductive ballad in the “Do Me, Baby” vein called “International Lover.”
In fact, according to Per Nilsen’s studio sessions Bible The Vault, “International Lover” very nearly ended up on What Time is It? as well. Recorded just a few days after “Gigolos Get Lonely Too” (January 11) and on the same day as overdubs for “The Walk” (January 14), its place in the chronology clearly suggests Prince had it in mind as a Time song; there’s very likely a tape somewhere with vocals by Morris Day. But in what would become a pattern for Prince with his spinoff acts, he ended up liking the song so much that he took it back for himself.
Continue reading “International Lover”
(Featured Image: Cover art for What Time is It? by the Time, 1982; © Warner Bros.)
Hi everyone! While I drag my feet on actually updating this goddamn blog, here’s some Prince-related writing of mine from elsewhere on the Internet: a piece I wrote for the online magazine published by record-of-the-month club Vinyl Me, Please. Thanks very much to VMP for making this happen!
This week we’ll have at least a new podcast for your listening pleasure–maybe more. Stay tuned! (And, by the way, if you’re interested in joining Vinyl Me, Please, use this link so I can get $10.)
(Featured Image: Terry, Jimmy, Morris, Monte, Jellybean, and Jesse assume the position on the back cover of The Time, 1981; © Warner Bros.)
Like I said on Thursday, from now into the foreseeable future I will have the distinct pleasure of making weekly guest posts on Andresmusictalk: a really fun blog dedicated to contemporary music on the “jazz/funk/soul/dance spectrum.” Not all of what I write will be Prince-related; but, as luck would have it, Andre is currently celebrating “Prince Summer,” so for at least the first several weeks I’ll be posting links to my posts here. My plan is to tie in with a series on Prince’s many side projects: beginning with the classic ’80s acts we discussed in our podcast last month, then hopefully extending all the way to the 21st century. So of course, who better to start with than the greatest band in the world: the muthafuckin’ Time.
The plan is for me to post something every Saturday, so watch this space (and Andre’s page, of course) for more “Prince (Protégé) Summer.” And of course, come back next week for our regularly-scheduled programming, as we dig deeper into the songs that became For You.