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Podcast The Time, 1981

Podcast: 40 Years of The Time – A Conversation with Darling Nisi and Harold Pride

July 2021 marks the 40th anniversary of the self-titled debut album by the Time; so, I decided to commemorate the occasion by bringing back Darling Nisi and Harold Pride for one of our trademark track-by-track deep dives. As always, the conversation left me thinking about the album in new ways: from KaNisa’s interpretation of it as Prince’s tribute to the funk music of his youth, to Harold’s insight on its significance to the development of electronic dance music. I remain grateful to be able to talk about music with these two brilliant people.

Last time, I promised I’d have another podcast episode ready in less than the almost two-year gap between our Prince (1979) and Dirty Mind episodes; and, technically, I did make good on that promise, since it’s “only” been 10 months since Dirty Mind last September. But for real, I’ll be back much sooner this time–like, probably around this time next month. So, if you haven’t already, subscribe to Dance / Music / Sex / Romance on your podcast provider of choice; and, if the spirit moves you, you can even leave a review! You’ll be hearing from me again very soon.

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The Time, 1981

Cool

While guitarist Dez Dickerson’s most fleshed-out contribution to The Time was the aforementioned “After Hi School,” it was his work as a lyricist that had the more lasting impact. Dickerson wrote lyrics for at least three songs recorded in April of 1981 and (most likely) intended for the new side project. Two of these, “Dancin’ Flu” and “I Can’t Figure It Out,” we only know as titles from The Vault; but the third, “Cool,” would become the Time’s second single and one of their trademark songs. “Prince called me up one day with the title and asked me to write some lyrics to go with it,” Dez recalled to Per Nilsen’s Uptown fanzine. “I called him back about 20 minutes later with the song” (Nilsen 1999 86).

According to Dickerson, the genesis for “Cool” came during the Dirty Mind tour, on a night when the band was hanging out with Warner Bros. A&R exec Ted Cohen. “I had this voice that I adopted at times, and, that night I just kind of got ‘stuck’ in it, cracking jokes,” he wrote in his 2003 memoir. “I fell into this thing where I kept telling Ted, ‘Ted, man, you bad! Ain’t nobody bad like you, Ted!’ Well, you guessed it–the voice and the phrase ‘ain’t nobody bad…’, which would later become the signature of the Time’s banter, came from that night” (Dickerson 137).

While I am skeptical of attributing the whole “Morris Day” persona to Dez alone–both Prince and André Cymone, not to mention Day himself, are also on record as having used the hoarse, jive-talking “pimp voice” most publicly identified with the Time–it is certainly true that “Cool,” and Dickerson’s “ain’t nobody bad but me” lyric, played an essential role in bringing that persona to life. Equal parts smooth and clownish, “Cool” laid the parameters for the hair-slicking, Stacy Adams-wearing, two-stepping caricature from which Morris remains publicly inseparable to this day.