Prince Track by Track Presents Stevie Wonder Classics: End of Year Roundup

Prince Track by Track Presents Stevie Wonder Classics: End of Year Roundup

(Featured Image: Stevie Wonder and “Bird of Beauty” co-writer Sergio Mendes, circa 1974; photo stolen from Sergio Mendes’ Twitter.)

As I mentioned on Twitter last week, I’ve been having kind of a rough time this month on the health front; this, combined with a year-end crunch at my day job, is the reason why there was no new blog post last week. It’s also the reason why I haven’t gotten around to posting these links, my last two appearances on Darren Husted’s miniseries of track by track podcasts on Stevie Wonder’s “classic era”:

Prince Track by Track Presents Stevie Wonder Classics: “Bird of Beauty”
Prince Track by Track Presents Stevie Wonder Classics: “I Wish”

Doing this miniseries was a little bit of a leap of faith, as (and I’m afraid this is probably evident from the episodes) I’m definitely not as knowledgeable about Stevie Wonder as I am about Prince. I don’t think all of my appearances rank among my best work (though the “I Wish” episode is solid evidence of my ability to riff at great length on the ill-fated Will Smith vehicle Wild Wild West and its soundtrack), but I hope that each was at least worth a 20-minute or so listen.

In any case, as the Stevie Wonder miniseries is now nearing its end, this marks my last appearance on one of Darren’s podcasts for the foreseeable future. I want to thank him for having me on Prince: Track by Track so many times over the last couple of years. And now, I must return to my own solitary toil: I’m not going to promise any specific dates, but I’m still planning on getting you “Lady Cab Driver” and “1999” before the New Year. Until then!

Prince Track by Track: “Mr. Goodnight”

Prince Track by Track: “Mr. Goodnight”

(Featured Image: A little Spanish–well, French–man offers you wine and Moet; Hervé Villechaize in Fantasy Island, © Columbia Pictures Television.)

Just one more piece of housekeeping before I get back to proper posts–here’s my latest appearance on Darren Husted’s Prince: Track by Track podcast, where I got to talk about what has, in what feels like an escalating series of bets with myself, somehow become my favorite song from 2007’s Planet Earth:

Prince Track by Track: “Mr. Goodnight”

Also, given the obvious overlap between fans of Prince and Chaka Khan, I thought there might be some interest in my review of her very good latest album for Slant magazine:

Chaka Khan’s Hello Happiness Runs on Good Vibes

This is actually my last Slant review for a while, as I’m trying to focus my extracurricular writing time on this blog. And on that note, the next time you hear from me, it’ll be with a new post on “All the Critics Love U in New York.”

Wild and Loose

Wild and Loose

(Featured Image: Notorious “baby groupies” Lori Mattix and Sable Starr; photo stolen from Miss Pandora.)

As noted earlier, Prince began work on the Time’s second album during a three-week break from the Controversy tour, where the group was serving as his opening act and occasional thorn in his side. It thus makes sense that what would become the album’s opening track, “Wild and Loose,” centered around one of the most prevalent scenarios in the life of a touring musician: the backstage (and back-of-bus) dalliances between the band and their young, female admirers.

Just as he had with the Time’s earlier song, “Cool,” Prince tapped his own band’s guitarist, Dez Dickerson, to help write the song: “Prince called me on the phone with a song title,” he told the alt-weekly Nashville Scene in 2014, “and about 15 minutes later, I called him back with lyrics based on the title” (Shawhan 2014). Dez, who had spent years touring in journeyman rock groups before linking up with Prince, had more familiarity with the rock ‘n’ roll lifestyle than anyone else in the camp. But his take on the song “kept the content rated G,” as he later recalled, so “Prince altered it somewhat from my original version” (Dickerson 205). The final lyrics, when viewed from a contemporary lens, seem calculated to shock and titillate: “Hangin’ by the backstage door, decked out like a queen / Your body’s sayin’ 21, but your face says 17.”

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Podcast: Prince (1979) Revisited

Podcast: Prince (1979) Revisited

(Featured Image: Cover art for Prince, 1979; photo by Jurgen Reisch, © Warner Bros.)

October 19, 2018 marks the 39th anniversary of Prince’s self-titled second album–not the most glamorous occasion, perhaps, but reason enough to reassemble the review panel from our For You podcast for a reappraisal. Once again, Zach is joined by Harold and KaNisa for a track-by-track discussion of this underappreciated album, its resonances throughout Prince’s career, and why it still matters.

If you want to keep in the loop for our forthcoming Dirty Mind podcast, you can subscribe to dance / music / sex / romance on your aggregator of choice (iTunesStitcher, or Google Play); and if you like what we’re doing and want to spread the word, please leave us a review! In the meantime, the d / m / s / r blog will return next week with one last track from 1981.

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